Greatest Hits

~ Release by Vanessa‐Mae (see all versions of this release, 1 available)

Annotation

4 pages booklet - pages inside are blank

Matrix / Runout: MV-HG-01

Tracklist

1▼Medium
#TitleLength
1(I) Can, Can (You)
programming:
Richard Cottle and Andy Hill
engineer:
Nick Griffiths, Dick Lewzey, Alex Marcou, Mike Ross‐Trevor and Brian Tench
producer:
Roy Emerson, Andy Hill and Pamela Nicholson
mixer:
Nick Griffiths and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill
other instruments [dustbins]:
Graham Broad and Andy Hill
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch and John Cameron
chorus master:
Terry Edwards and Xiao Ping Li
arranger:
Hill and V-Mae
orchestrator:
Dave Arch, John Cameron and Andy Hill
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London, England, United Kingdom and Whitfield Street Studios in London, England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London, England, United Kingdom
recording of:
(I) Can, Can (You?)
writer:
Hill and V-Mae
3:41
2Toccata and Fugue in D minor
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
oboe:
Dick Morgan and Dick Morgan (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (from 1993 until 1994)
trumpet:
Maurice Murphy (from 1993 until 1994)
violin:
Vanessa‐Mae
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios in London, England, United Kingdom (from 1993 until 1994)
recording of:
Toccata and Fugue in D minor (arr. Mike Batt)
composer:
Johann Sebastian Bach
arranger:
Mike Batt
arrangement of:
Toccata und Fuge d-Moll, BWV 565
7:47
3Storm
programming:
Richard Cottle and Andy Hill
engineer:
Nick Griffiths, Dick Lewzey, Alex Marcou, Mike Ross‐Trevor and Brian Tench
producer:
Roy Emerson, Andy Hill and Pamela Nicholson
mixer:
Nick Griffiths and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill
other instruments [dustbins]:
Graham Broad and Andy Hill
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch and John Cameron
chorus master:
Terry Edwards and Xiao Ping Li
arranger:
Hill and V-Mae
orchestrator:
Dave Arch, John Cameron and Andy Hill
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London, England, United Kingdom and Whitfield Street Studios in London, England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London, England, United Kingdom
recording of:
Storm
writer:
Hill and V-Mae
is based on:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
3:43
4Ludwig van Beethoven
8:23
5Contradanza
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Contradanza
composer:
Mike Batt
3:50
6Retro
programming:
Richard Cottle and Andy Hill
engineer:
Nick Griffiths, Dick Lewzey, Alex Marcou, Mike Ross‐Trevor and Brian Tench
producer:
Roy Emerson, Andy Hill and Pamela Nicholson
mixer:
Nick Griffiths and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill
other instruments [dustbins]:
Graham Broad and Andy Hill
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch and John Cameron
chorus master:
Terry Edwards and Xiao Ping Li
orchestrator:
Dave Arch, John Cameron and Andy Hill
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London, England, United Kingdom and Whitfield Street Studios in London, England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London, England, United Kingdom
recording of:
Retro
writer:
Hill and V-Mae
3:57
7Classical Gas
cover recording of:
Classical Gas
composer:
Mason Williams
3:22
8Embrasse Moi (You Fly Me Up)
programming:
Richard Cottle and Andy Hill
engineer:
Nick Griffiths, Dick Lewzey, Alex Marcou, Mike Ross‐Trevor and Brian Tench
producer:
Roy Emerson, Andy Hill and Pamela Nicholson
mixer:
Nick Griffiths and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill
other instruments [dustbins]:
Graham Broad and Andy Hill
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
additional background vocals [backing vocals]:
Wendy Page
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch and John Cameron
chorus master:
Terry Edwards and Xiao Ping Li
orchestrator:
Dave Arch, John Cameron and Andy Hill
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London, England, United Kingdom and Whitfield Street Studios in London, England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London, England, United Kingdom
recording of:
Embrasse moi (You Fly Me Up)
writer:
Hill and Page
publisher:
Chrysalis
5:03
9Max Bruch, 2nd Movement: Allegro
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
partial recording of:
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro
composer:
Max Bruch (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
5:26
10I Feel Love
programming:
Richard Cottle and Andy Hill
engineer:
Nick Griffiths, Dick Lewzey, Alex Marcou, Mike Ross‐Trevor and Brian Tench
producer:
Roy Emerson, Andy Hill and Pamela Nicholson
mixer:
Nick Griffiths and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill
other instruments [dustbins]:
Graham Broad and Andy Hill
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch and John Cameron
chorus master:
Terry Edwards and Xiao Ping Li
orchestrator:
Dave Arch, John Cameron and Andy Hill
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London, England, United Kingdom and Whitfield Street Studios in London, England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London, England, United Kingdom
cover recording of:
I Feel Love
lyricist:
Pete Bellotte
composer:
Pete Bellotte, Giorgio Moroder and Donna Summer
arranger:
Thor Baldursson
publisher:
Budde Music Inc., Copyright Control, Rick’s Music, Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell
6:58
11Red Hot
programming:
Ian Wherry
engineer and mixer:
Ben Robbins
producer:
Vanessa‐Mae and Ian Wherry
guitar family:
Martin Bliss
keyboard:
Ian Wherry
viola and violin:
Vasko Vassilev
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Vanessa‐Mae and Ian Wherry
recording of:
Red Hot
composer:
Vanessa‐Mae and Ian Wherry
3:16
12Hocus Pocus
programming:
Richard Cottle and Andy Hill
engineer:
Nick Griffiths, Dick Lewzey, Alex Marcou, Mike Ross‐Trevor and Brian Tench
producer:
Roy Emerson, Andy Hill and Pamela Nicholson
mixer:
Nick Griffiths and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill
other instruments [dustbins]:
Graham Broad and Andy Hill
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch and John Cameron
chorus master:
Terry Edwards and Xiao Ping Li
orchestrator:
Dave Arch, John Cameron and Andy Hill
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London, England, United Kingdom and Whitfield Street Studios in London, England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, Comforts Place Studios in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London, England, United Kingdom
instrumental cover recording of:
Hocus Pocus
composer:
Jan Akkerman and Thijs van Leer
3:13
13Max Bruch, 4th Movement: Finale - Allegro Guerrirero
6:54
14I'm a Doun for Lack O'Johnie (A Little Scottish Fantasy)
recording of:
I'm a Doun for Lack o' Johnnie
lyricist:
Robby Burns
composer:
[traditional]
4:32
15Classical Gas (Reggae version)
programming and engineer:
Gareth Cousins
producer:
Aswad and Mike Batt
remixer:
Aswad
arranger:
Mike Batt
cover recording of:
Classical Gas
composer:
Mason Williams
3:46