Advent Cantatas & Christmas Cantatas

~ Release by Bach; Philippe Herreweghe, Collegium Vocale Gent, Mark Padmore, Christoph Prégardien, Vasiljka Jezovšek (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bach Adventskantaten BWV 36, 61, 62
#TitleArtistLength
1Schwingt freudig euch empor zu den erhabnen Sternen (Schwingt freudig euch em...
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach4:01
2Nun komm, der Heiden Heiland (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:34
3Die Liebe zieht mit sanften Schritten (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Christoph Prégardien (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach5:57
4Zwingt die Saiten in Cythara (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:23
5Willkommen, werter Schatz (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:36
6Der du bist dem Vater gleich (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Christoph Prégardien (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:49
7Auch mit ged.mpften, schwachen Stimmen (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Sibylla Rubens (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach8:36
8Lob sei Gott dem Vater ton (Schwingt freudig euch empor BWV 36)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton" (in 1996-11)
composer:
Johann Sebastian Bach (in 1736)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach0:41
9Nun komm, der Heiden Heiland (Nun komm, der Heiden Heiland BWV 61)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1996-11)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:20
10Der Heiland ist gekommen (Nun komm, der Heiden Heiland BWV 61)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Christoph Prégardien (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1996-11)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:32
11Komm, Jesu, komm zu deiner Kirche (Nun komm, der Heiden Heiland BWV 61)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Christoph Prégardien (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1996-11)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:27
12Siehe, ich stehe vor der T¨¹r und klopfe an (Nun komm, der Heiden Heiland BWV...
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (in 1996-11)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:59
13.ffne dich, mein ganzes Herze (Nun komm, der Heiden Heiland BWV 61)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Sibylla Rubens (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1996-11)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:14
14Amen, amen! (Nun komm, der Heiden Heiland BWV 61)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1996-11)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:53
15Nun komm der Heiden Heiland (Nun komm, der Heiden Heiland BWV 62)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1996-11)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:43
16Bewundert, o Menschen, dies gro.e Geheimnis (Nun komm, der Heiden Heiland BWV...
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Christoph Prégardien (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1996-11)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach6:51
17So geht aus Gottes Herrlichkeit und Thron (Nun komm, der Heiden Heiland BWV 62)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1996-11)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:50
18Streite, siege, starker Held (Nun komm, der Heiden Heiland BWV 62)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1996-11)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:50
19Wir ehren diese Herrlichkeit (Nun komm, der Heiden Heiland BWV 62)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
alto vocals:
Sarah Connolly (in 1996-11)
soprano vocals:
Sibylla Rubens (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1996-11)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:53
20Lob sei Gott dem Vater ton (Nun komm, der Heiden Heiland BWV 62)
recording engineer:
Nicolas Bartholomée (in 1996-11)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1996-11)
orchestra:
Collegium Vocale Gent (in 1996-11)
conductor:
Philippe Herreweghe (in 1996-11)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1997)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1996-11)
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:37
2▼CD: Bach: Leipziger Weihnachtskantaten (Herreweghe)
#TitleArtistLength
1Gelobet seist du, Jesu Christ, BWV 91: I Choral
choir vocals:
Collegium Vocale Gent (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:58
2Gelobet seist du, Jesu Christ, BWV 91: II Recitativo: Der Glanz der h.chsten He...
soprano vocals:
Dorothee Mields (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:51
3Gelobet seist du, Jesu Christ, BWV 91: III Aria: Gott, dem der Erden Kreis zu klein
tenor vocals:
Mark Padmore (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:47
4Gelobet seist du, Jesu Christ, BWV 91: IV Recitativo: O Christenheit!
bass vocals:
Peter Kooij (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:16
5Gelobet seist du, Jesu Christ, BWV 91: V Aria: Die Armut, so Gott auf sich nimmt
alto vocals:
Ingeborg Danz (in 2001-12)
soprano vocals:
Dorothee Mields (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach6:54
6Gelobet seist du, Jesu Christ, BWV 91: VI Choral: Das hat er alles uns getan
choir vocals:
Collegium Vocale Gent (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (in 2001-12)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:58
7Christum wir sollen loben schon, BWV 121: I Choral
choir vocals:
Collegium Vocale Gent (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:43
8Christum wir sollen loben schon, BWV 121: II Aria: O du von Gott erh.hte Kreatur
tenor vocals:
Mark Padmore (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:39
9Christum wir sollen loben schon, BWV 121: III Recitativo: Der Gnade unerme.lichs...
alto vocals:
Ingeborg Danz (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:18
10Christum wir sollen loben schon, BWV 121: IV Aria: Johannis freudenvolles Springen
bass vocals:
Peter Kooij (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:27
11Christum wir sollen loben schon, BWV 121: V Recitativo: Doch wie erblickt es d...
soprano vocals:
Dorothee Mields (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:57
12Christum wir sollen loben schon, BWV 121: VI Choral: Lob, Ehr und Dank sei dir ...
choir vocals:
Collegium Vocale Gent (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 2001-12)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:07
13Ich freue mich in dir, BWV 133: I Choral
choir vocals:
Collegium Vocale Gent (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:14
14Ich freue mich in dir, BWV 133: II Aria: Getrost! es fa.t ein heiliger Leib
alto vocals:
Ingeborg Danz (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:34
15Ich freue mich in dir, BWV 133: III Recitativo: Ein Adam mag sich voller Schrecken
tenor vocals:
Mark Padmore (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:04
16Ich freue mich in dir, BWV 133: IV Aria: Wie lieblich klingt es in den Ohren
soprano vocals:
Dorothee Mields (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:35
17Ich freue mich in dir, BWV 133: V Recitativo: Wohlan! Des Todes Furcht und Sch...
bass vocals:
Peter Kooij (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 2001-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
18Ich freue mich in dir, BWV 133: VI Choral: Wohlan, so will ich
choir vocals:
Collegium Vocale Gent (in 2001-12)
orchestra:
Collegium Vocale Gent (in 2001-12)
conductor:
Philippe Herreweghe (in 2001-12)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 2001-12)
lyricist:
Caspar Ziegler
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:09
3▼CD: Bach: Weihnachtskantaten, BWV 57, 110 & 122 (Herreweghe)
#TitleArtistLength
1BWV 122: Das neugeborne Kindelein - 1. Choral: Das neugeborene Kindelein
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (in 1995-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:08
2BWV 122: Das neugeborne Kindelein - 2. Aria: O Menschen, die ihr t.glich s¨¹n...
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (in 1995-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach5:12
3BWV 122: Das neugeborne Kindelein - 3. Recitativo: Die Engel, welche sich zuvor
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (in 1995-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:21
4BWV 122: Das neugeborne Kindelein - 4. Aria: Ist Gott vers.hnt und unser Freund
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
alto vocals:
Sarah Connolly (in 1995-12)
choir vocals:
Collegium Vocale Gent (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
tenor vocals:
Mark Padmore (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (in 1995-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:13
5BWV 122: Das neugeborne Kindelein - 5. Recitativo: Dies ist ein Tag, den selb...
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (in 1995-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:11
6BWV 122: Das neugeborne Kindelein - 6. Choral: Es bringt das rechte Jubeljahr
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (in 1995-12)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:48
7BWV 110: Unser Mund sei voll Lachens - 1. Chor: Unser Mund sei voll Lachens
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach6:39
8BWV 110: Unser Mund sei voll Lachens - 2. Aria: Ihr Gedanken und ihr Sinnen
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Mark Padmore (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:24
9BWV 110: Unser Mund sei voll Lachens - 3. Recitativo: Dir, Herr, ist niemand ...
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach0:31
10BWV 110: Unser Mund sei voll Lachens - 4. Aria: Ach Herr, was ist ein Mensche...
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
tenor vocals:
Mark Padmore (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:32
11BWV 110: Unser Mund sei voll Lachens - 5. Duetto: Ehre sei Gott in der H.he
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
tenor vocals:
Mark Padmore (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:46
12BWV 110: Unser Mund sei voll Lachens - 6. Aria: Wacht auf, ihr Adern und ihr ...
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:42
13BWV 110: Unser Mund sei voll Lachens - 7. Choral: Alleluja! Gelobt sei Gott
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Kaspar Füger (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach1:06
14BWV 57: Selig ist der Mann - 1. Aria: Selig ist der Mann
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach3:36
15BWV 57: Selig ist der Mann - 2. Recitativo: Ach! dieser s¨¹sse Trost
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:27
16BWV 57: Selig ist der Mann - 3. Aria: Ich w¨¹nschte mir den Tod
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:35
17BWV 57: Selig ist der Mann - 4. Recitativo: Ich reiche dir die Hand
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:25
18BWV 57: Selig ist der Mann - 5. Aria: Ja, ja, ich kann die Feinde schlagen
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:33
19BWV 57: Selig ist der Mann - 6. Recitativo: In meiner Schoss liegt Ruh und Leben
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
bass vocals:
Peter Kooij (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Bass). "In meinem Schoß liegt Ruh' und Leben" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:30
20BWV 57: Selig ist der Mann - 7. Aria: Ich ende behende
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach4:12
21BWV 57: Selig ist der Mann - 8. Choral: Richte dich, Liebste, nach meinem Gef...
recording engineer:
Nicolas Bartholomée (in 1995-12)
producer:
Nicolas Bartholomée (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube" (in 1995-12)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:48