Starbucks Winterludes

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Medium
#	Title	Artist	Length
1	March producer: John Fraser orchestra: Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01) conductor: André Previn (from 1986-01-29 until 1986-02-01) balance engineer: Stuart Eltham (from 1986-01-29 until 1986-02-01) recorded at: No. 1 Studio, Abbey Road in St John's Wood, Westminster, London, England, United Kingdom (from 1986-01-29 until 1986-02-01) recording of: Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 1986-01-29 until 1986-02-01) composer: Пётр Ильич Чайковский part of: Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)	Пётр Ильич Чайковский	2:27
2	Still, Still, Still	[no artist]	2:51
3	Sleepers, Wake! recording engineer: Robert Norberg engineer: Kenny Higgins and Ed Kelly producer: Patti Laursen organ: Douglas Major performer: Empire Brass recorded at: Washington Cathedral in Washington, D.C., United States recording of: Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”	Johann Sebastian Bach	4:28
4	Jesu, Joy of Man's Desiring classical guitar: Christopher Parkening orchestra: Los Angeles Chamber Orchestra arranger: Rick Foster recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach	3:06
5	Gagliarda orchestra: Los Angeles Chamber Orchestra (in 1975) conductor: Sir Neville Marriner (in 1975) recorded at: Ambassador Auditorium in Pasadena, California, United States (in 1975) recording of: Ancient Airs and Dances Suite no. 1: II. Gagliarda composer: Ottorino Respighi (in 1917) part of: Ancient Airs and Dances Suite no. 1	Ottorino Respighi	3:30
6	Tiu Riu Chiu choir vocals: Taverner Choir orchestra: Taverner Players conductor: Andrew Parrott recording of: Ríu, ríu, chíu writer: [anonymous] (from 1500 until 1600) composer: Mateu Fletxa part of: Cancionero de Uppsala (number: 40)	[no artist]	3:26
7	A 'Wassail' Suite	[no artist]	8:25
8	Sheep May Safely Graze producer: John Fraser organ: Ian Watson (from 1983-06-27 until 1983-06-28) orchestra: Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28) conductor: Sir Neville Marriner (from 1983-06-27 until 1983-06-28) arranger and orchestrator: Sir Neville Marriner balance engineer: Stuart Eltham recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1983-06-27 until 1983-06-28) recording of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28) composer: Johann Sebastian Bach orchestration of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”	Johann Sebastian Bach	4:34
9	Nativity Carol recording of: Nativity Carol lyricist and composer: John Rutter publisher: Oxford University Press	John Rutter	4:10
10	Coffee recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto composer: Пётр Ильич Чайковский part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский	3:30
11	Air from Orchestral Suite No. 3 engineer: Christopher Parker producer: Christopher Bishop violin: Iona Brown (from 1973-10-01 until 1973-10-04) orchestra: Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04) conductor: Sir Neville Marriner (from 1973-10-01 until 1973-10-04) balance engineer: Stuart Eltham recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-10-01 until 1973-10-04) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1973-10-01 until 1973-10-04) composer: Johann Sebastian Bach (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach	3:32
12	Lo, How A Rose E'er Blooming	Michael Praetorius	3:44
13	Hallelujah choir vocals: Taverner Choir (in 1988-04) orchestra: Taverner Players (in 1988-04) conductor: Andrew Parrott (in 1988-04) performer: The Taverner Choir, Consort & Players (in 1988-04) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-04) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-04) composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	3:57