The Great Sarah Vaughan

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Stormy Weather
#TitleArtistLength
1Have You Met Miss Jones
piano:
Jimmy Jones (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios in New York, New York, United States (on 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1960-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
Sarah Vaughan2:22
2Wrap Your Troubles in a Dream
piano:
Jimmy Jones (on 1960-10-19)
vocals:
Sarah Vaughan
recorded at:
Capitol Studios in New York, New York, United States (on 1960-10-19)
cover recording of:
Wrap Your Troubles in Dreams (on 1960-10-19)
lyricist:
Ted Koehler (in 1931) and Billy Moll (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
Sarah Vaughan2:33
3You Stepped Out of a Dream
piano:
Jimmy Jones (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios in New York, New York, United States (on 1960-10-19)
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1960-10-19)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
Sarah Vaughan2:20
4I'll Be Seeing You
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
I’ll Be Seeing You (in 1960-04)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music, New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
Sarah Vaughan2:55
5Jump for Joy
piano:
Jimmy Jones (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios in New York, New York, United States (on 1960-10-19)
cover recording of:
Jump for Joy (on 1960-10-19)
writer:
Duke Ellington, Sid Kuller and Paul Francis Webster
Sarah Vaughan2:28
6Stormy Weather
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
Stormy Weather (in 1960-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing, Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Sarah Vaughan3:31
7Everytime I See You
piano:
Jimmy Jones (on 1960-10-12)
trumpet:
Harry “Sweets” Edison (on 1960-10-12)
vocals:
Sarah Vaughan (on 1960-10-12)
recorded at:
Capitol Studios in New York, New York, United States (on 1960-10-12)
recording of:
Every Time I See You (on 1960-10-12)
writer:
Harold ‘Hal’ Dickinson
Sarah Vaughan3:01
8The Trolley Song
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1962-09-09)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
Sarah Vaughan2:41
9I'm Gonna Live Till I Die
alto saxophone:
Bill Green (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders in Los Angeles, California, United States (on 1962-08-14)
cover recording of:
I’m Gonna Live Till I Die (on 1962-08-14)
writer:
Mann Curtis, Al Hoffman and Walter Kent
Sarah Vaughan2:07
10Perdido
producer:
Teddy Reig
bass:
Eddie Jones (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (on 1961-01-13) and Billy Mitchell (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios in New York, New York, United States (on 1961-01-13)
cover recording of:
Perdido (with lyrics) (on 1961-01-13)
lyricist:
Ervin Drake (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris
publisher:
Tempo Music, Inc.
version of:
Perdido (original instrumental version)
Count Basie & Sarah Vaughan2:14
11You Go to My Head
producer:
Teddy Reig
bass:
Eddie Jones (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
guitar:
Freddie Green (on 1961-01-10)
piano:
Count Basie (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-10)
reeds:
Marshall Royal (on 1961-01-10)
tenor saxophone:
Frank Foster (on 1961-01-10) and Billy Mitchell (on 1961-01-10)
trombone:
Henry Coker (on 1961-01-10), Al Grey (on 1961-01-10) and Benny Powell (on 1961-01-10)
trumpet:
Sonny Cohn (on 1961-01-10), Thad Jones (on 1961-01-10), Joe Newman (on 1961-01-10) and Snooky Young (on 1961-01-10)
woodwind:
Charlie Fowlkes (on 1961-01-10) and Frank Wess (on 1961-01-10)
vocals:
Sarah Vaughan (on 1961-01-10)
arranger:
Thad Jones
recorded at:
Capitol Studios in New York, New York, United States (on 1961-01-10)
cover recording of:
You Go to My Head (on 1961-01-10)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros., Warner Bros. Music and Warner Bros. Music Corp.
Count Basie & Sarah Vaughan4:53
12The Gentleman Is a Dope
producer:
Teddy Reig
bass:
Eddie Jones (on 1961-01-11)
drums (drum set):
Sonny Payne (on 1961-01-11)
guitar:
Freddie Green (on 1961-01-11)
piano:
Count Basie (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-11)
reeds:
Marshall Royal (on 1961-01-11)
tenor saxophone:
Frank Foster (on 1961-01-11) and Billy Mitchell (on 1961-01-11)
trombone:
Henry Coker (on 1961-01-11), Al Grey (on 1961-01-11) and Benny Powell (on 1961-01-11)
trumpet:
Sonny Cohn (on 1961-01-11), Thad Jones (on 1961-01-11), Joe Newman (on 1961-01-11) and Snooky Young (on 1961-01-11)
woodwind:
Charlie Fowlkes (on 1961-01-11) and Frank Wess (on 1961-01-11)
vocals:
Sarah Vaughan (on 1961-01-11)
arranger:
Thad Jones
recorded at:
Capitol Studios in New York, New York, United States (on 1961-01-11)
recording of:
The Gentleman Is a Dope (Allegro) (on 1961-01-11)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
part of:
Allegro (Rodgers & Hammerstein musical)
Count Basie & Sarah Vaughan2:45
2▼CD: Witchcraft
#TitleLength
1Witchcraft
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Witchcraft (in 1962-01)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp.
2:59
2One Mint Julep
cover recording of:
One Mint Julep
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music and Unichappell Music
2:49
3The Best Is Yet to Come
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
The Best Is Yet to Come (in 1962-01)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
2:53
4Them There Eyes
bass:
Richard Davis (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders in Los Angeles, California, United States (on 1960-10-08)
recording of:
Them There Eyes (on 1960-10-08)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:02
5The Second Time Around
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
The Second Time Around
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music, Sony Music Publishing (Japan) Inc. and Twentieth Century Music Corp. (in 1960, in 1988)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:43
6I Could Write a Book
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
I Could Write a Book (in 1962-01)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
publisher:
Chappell & Co., Inc.
part of:
Pal Joey
2:24
7Fly Me to the Moon (In Other Words)
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
2:57
8All or Nothing at All
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
United Recorders in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All or Nothing at All (from 1962-08-07 until 1962-08-08)
lyricist:
Jack Lawrence
composer:
Arthur Altman and Jack Lawrence
publisher:
MCA Music Publishing, MCA, Inc., Range Road Music Inc. and Universal‐MCA Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:13
9When Lights Are Low
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
United Recorders in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Lights Are Low (from 1962-08-07 until 1962-08-08)
lyricist:
Spencer Williams
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
2:57
10Sophisticated Lady
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Sophisticated Lady (on 1961-07-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:52
11Just in Time
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
United Recorders in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Just in Time (Bells Are Ringing) (from 1962-08-07 until 1962-08-08)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music, Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
2:21
12When Sunny Gets Blue
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
United Recorders in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Sunny Gets Blue (in 1962-08)
lyricist:
Jack Segal
writer:
Fisher and Segal
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC
part of:
The Real Book (compilation of jazz standards, Volume I)
3:52
3▼CD: I Got Rhythm
#TitleLength
1All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
United Recorders in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown
publisher:
EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
2:57
2Goodnight Sweetheart
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
United Recorders in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Goodnight, Sweetheart
writer:
James Campbell, Reginald Connelly and Ray Noble
translator:
Rudy Vallée
publisher:
Campbell Connelly Inc. and EMI Robbins Catalog Inc.
part of:
1941
3:36
3'Round Midnight
double bass:
Al McKibbon (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson
recorded at:
United Recorders in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
3:35
4Serenata
drums (drum set):
Ted Sommer (on 1960-05-05)
guitar:
Al Chernet (on 1960-05-05), John Pizzarelli (on 1960-05-05) and Art Ryerson (on 1960-05-05)
piano:
Ronnell Bright (on 1960-05-05)
trombone:
Bob Alexander (on 1960-05-05), Bob Byrnes (on 1960-05-05) and Dick Hixson (on 1960-05-05)
woodwind:
Stan Webb (on 1960-05-05)
vocals:
Sarah Vaughan (on 1960-05-05)
conductor:
Joe Reisman (on 1960-05-05)
arranger:
Joe Reisman
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-05-05)
cover recording of:
Serenata (english vocals) (on 1960-05-05)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
2:42
5What Kind of Fool Am I
double bass:
Al McKibbon (on 1963-06-06)
drums (drum set):
Earl Palmer (on 1963-06-06)
guitar:
John Collins (on 1963-06-06)
organ:
Jack Wilson (on 1963-06-06)
tenor saxophone:
Teddy Edwards (on 1963-06-06)
trumpet:
Carmell Jones (on 1963-06-06)
vocals:
Sarah Vaughan (on 1963-06-06)
recorded at:
United Recorders in Los Angeles, California, United States (on 1963-06-06)
cover recording of:
What Kind of Fool Am I? (on 1963-06-06)
lyricist and composer:
Leslie Bricusse and Anthony Newley
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
3:22
6Guess I'll Hang My Tears Out to Dry
double bass:
Al McKibbon (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson
recorded at:
United Recorders in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
Guess I’ll Hang My Tears Out to Dry (on 1963-05-29)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. and Chappell Music
4:08
7The Good Life
double bass:
Al McKibbon (on 1963-06-06)
drums (drum set):
Earl Palmer (on 1963-06-06)
guitar:
John Collins (on 1963-06-06)
organ:
Jack Wilson (on 1963-06-06)
tenor saxophone:
Teddy Edwards (on 1963-06-06)
trumpet:
Carmell Jones (on 1963-06-06)
vocals:
Sarah Vaughan (on 1963-06-06)
recorded at:
United Recorders in Los Angeles, California, United States (on 1963-06-06)
cover recording of:
The Good Life (on 1963-06-06)
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. and Prosadis
version of:
Marina
3:07
8Spring Can Really Hang You Up the Most
recorded in:
New York, New York, United States (on 1962-07-27)
vocals:
Sarah Vaughan (on 1962-07-27)
conductor:
Don Costa (on 1962-07-27)
arranger:
Don Costa
recording of:
Spring Can Really Hang You Up the Most (on 1962-07-27)
lyricist:
Fran Landesman
composer:
Tommy Wolf
publisher:
Wolfland
3:47
9Lonely Hours
bass:
Red Callender (on 1963-06-13)
drums (drum set):
Alvin Stoller (on 1963-06-13)
guitar:
Barney Kessel (on 1963-06-13) and Tommy Tedesco (on 1963-06-13)
piano:
Jimmy Rowles (on 1963-06-13)
reeds:
Bill Green (on 1963-06-13), Buddy Collette (on 1963-06-13), Bill Hood (on 1963-06-13), Plas Johnson (on 1963-06-13) and Wilbur Schwartz (on 1963-06-13)
trombone:
Ed Kusby (on 1963-06-13) and Dick Nash (on 1963-06-13)
trumpet:
Bobby Bryant (on 1963-06-13), Conrad Gozzo (on 1963-06-13), Carmell Jones (on 1963-06-13) and Shorty Sherock (on 1963-06-13)
vocals:
Sarah Vaughan (on 1963-06-13)
recorded at:
United Recorders in Los Angeles, California, United States (on 1963-06-13)
recording of:
Lonely Hours (on 1963-06-13)
writer:
Hy Glaser and Jerry Solomon
4:06
10The Man I Love
bass:
Red Callender (on 1963-06-14)
drums (drum set):
Earl Palmer (on 1963-06-14)
guitar:
Bobby Gibbons (on 1963-06-14)
piano:
Jimmy Rowles (on 1963-06-14)
trombone:
Bob Knight (on 1963-06-14), Ed Kusby (on 1963-06-14), Dick Nash (on 1963-06-14) and Tommy Shepard (on 1963-06-14)
vocals:
Sarah Vaughan (on 1963-06-14)
recorded at:
United Recorders in Los Angeles, California, United States (on 1963-06-14)
cover recording of:
The Man I Love (on 1963-06-14)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:06
11I Got Rhythm
vocals:
Sarah Vaughan (in 1963-06)
recorded at:
Universal Studios in Chicago, Illinois, United States (in 1963-06)
cover recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
1:55
12Call Me Irresponsible
vocals:
Sarah Vaughan (on 1963-02-13)
conductor:
Marty Manning (on 1963-02-13)
arranger:
Marty Manning
recorded at:
Bell Sound Studios in New York, New York, United States (on 1963-02-13)
cover recording of:
Call Me Irresponsible (on 1963-02-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Paramount Music Corporation
part of:
The 36th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1963 winner)
2:41