| # | Title | Length |
|---|
| 1 | Santa Claus Is Back in Town- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- recording of:
- Santa Claus Is Back in Town
- writer:
- Jerry Leiber and Mike Stoller
- publisher:
- Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music and Sony/ATV Songs LLC
| 2:29 |
| 2 | White Christmas- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- White Christmas
- lyricist and composer:
- Irving Berlin (from 1938 until 1940)
- publisher:
- Copyright Control, EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
- sub-publisher:
- Irving Berlin Music Ltd., Warner/Chappell Music Ltd., Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
| 2:42 |
| 3 | Here Comes Santa Claus (Right Down Santa Claus Lane)- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- solo saxophone:
- Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Here Comes Santa Claus (Right Down Santa Claus Lane)
- lyricist and composer:
- Gene Autry, Oakley Haldeman and Harriett Melka
- publisher:
- Campbell Connelly & Co., EMI Davis Music Australia Pty Limited, Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
| 2:03 |
| 4 | Merry Christmas Baby- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Steve Pearce
- drums (drum set):
- Ralph Salmins
- guitar:
- James Burton, John Parricelli and Chip Young
- piano:
- David Briggs and Dominic Ferris
- background vocals:
- Andy Caine, Miriam Grey, Andrew Playfoot and Phoebe Street
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Sally Herbert
- orchestrator:
- Sally Herbert
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Merry Christmas Baby
- writer:
- Lou Baxter and Johnny Moore
- publisher:
- Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music and Warner/Chappell Music, Inc.
| 4:51 |
| 5 | Blue Christmas- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- solo saxophone:
- Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Blue Christmas
- writer:
- Bill Hayes and Jay Johnson
- publisher:
- Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc., Universal PolyGram International Publishing, Inc. and Universal Polygram International, Inc.
| 2:10 |
| 6 | I’ll Be Home for Christmas- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- I’ll Be Home for Christmas
- lyricist:
- Kim Gannon
- additional writer:
- Buck Ram
- composer:
- Walter Kent
- publisher:
- Chappell Music Ltd., Edward B. Marks Music Co., Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell and Warner Chappell Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| 3:18 |
| 7 | Winter Wonderland- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Steve Pearce
- drums (drum set):
- Ralph Salmins
- guitar:
- James Burton, John Parricelli and Chip Young
- piano:
- Dominic Ferris
- background vocals:
- Andy Caine, Miriam Grey, Andrew Playfoot and Phoebe Street
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Sally Herbert
- orchestrator:
- Sally Herbert
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Winter Wonderland
- lyricist:
- Richard B. Smith
- composer:
- Felix Bernard
- publisher:
- Bregman, Vocco & Conn, Inc., EMI Music, Francis, Day & Hunter, Redwood Music Ltd., Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| 2:21 |
| 8 | Santa Bring My Baby Back (to Me)- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Santa Bring My Baby Back (to Me)
- writer:
- Claude Demetrius and Aaron Schroeder
- publisher:
- Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
| 1:53 |
| 9 | Silver Bells- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Steve Pearce
- drums (drum set):
- Ralph Salmins
- guitar:
- John Parricelli
- piano:
- Dominic Ferris
- background vocals:
- Andy Caine, Capital Voices, Miriam Grey, Ginger Holladay, The Imperials, Millie Kirkham, June Page, Andrew Playfoot, Elvis Presley, Temple Riser and Phoebe Street
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Sally Herbert
- orchestrator:
- Sally Herbert
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Silver Bells
- lyricist and composer:
- Ray Evans and Jay Livingston
- publisher:
- Famous Music Corporation, Famous Music Publishing Limited, Jay Livingston Music Inc., Paramount Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Harmony (in 1950)
- sub-publisher:
- Sony/ATV Harmony Canada and ソニー・ミュージックパブリッシング A事業部
| 2:56 |
| 10 | Oh Little Town of Bethlehem- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- O Little Town of Bethlehem
- lyricist:
- Phillips Brooks (in 1868)
- composer:
- Lewis Henry Redner (in 1868)
- is based on:
- St. Louis
| 2:50 |
| 11 | O Come All Ye Faithful- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Steve Pearce
- drums (drum set):
- Ralph Salmins
- guitar:
- John Parricelli
- piano:
- Dominic Ferris
- background vocals:
- Andy Caine, Capital Voices, Miriam Grey, Ginger Holladay, The Imperials, Millie Kirkham, June Page, Andrew Playfoot, Elvis Presley, Temple Riser and Phoebe Street
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Sally Herbert
- orchestrator:
- Sally Herbert
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- O Come, All Ye Faithful
- lyricist and composer:
- John Francis Wade (from 1740 until 1743)
- translator:
- Frederick Oakeley (in 1841)
- arrangement of:
- O Come, All Ye Faithful
- translated version of:
- Adeste fideles
| 3:04 |
| 12 | The First Noel- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Steve Pearce
- drums (drum set):
- Ralph Salmins
- guitar:
- John Parricelli
- piano:
- Dominic Ferris
- background vocals:
- Andy Caine, Capital Voices, Miriam Grey, Ginger Holladay, The Imperials, Millie Kirkham, June Page, Andrew Playfoot, Elvis Presley, Temple Riser and Phoebe Street
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Sally Herbert
- orchestrator:
- Sally Herbert
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- recording of:
- The First Noel
- arranger:
- Elvis Presley
- publisher:
- Cherry River Music, Elvis Presley Music and R&H Music
- arrangement of:
- The First Noël
| 2:54 |
| 13 | Silent Night- recording engineer:
- Peter Cobbin
- additional programming:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- additional percussion:
- Nick Patrick and Don Reedman
- bass:
- Bill Black and Laurie Cottle
- drums (drum set):
- D.J. Fontana and Ralph Salmins
- guitar:
- Scotty Moore, John Parricelli and Elvis Presley
- piano:
- Dudley Brooks and Richard Cottle
- background vocals:
- Andy Caine, Miriam Grey, The Jordanaires, Andrew Playfoot, Phoebe Street and Shèna Winchester
- orchestra:
- Royal Philharmonic Orchestra
- orchestrator:
- Robin Smith
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Silent Night
- lyricist:
- Josef Mohr (in 1816)
- composer:
- Franz Xaver Gruber (in 1818)
- translator:
- John Freeman Young (in 1859)
- part of:
- Roud Folk Song Index (number: 27088)
- translated version of:
- Stille Nacht, heilige Nacht
| 2:41 |
| 14 | (There’ll Be) Peace in the Valley (for Me) | 3:26 |
| 15 | I Believe- phonographic copyright (℗) by:
- RCA Records (in 2017)
- cover recording of:
- I Believe
- writer:
- Ervin Drake, Irvin Graham, Jimmy Shirl and Al Stillman
- publisher:
- Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
| 3:00 |
| 16 | Take My Hand, Precious Lord | 3:42 |
| 17 | It Is No Secret (What God Can Do) | 4:27 |
