Pick Yourself Up With Anita O’Day

~ Release by Anita O’Day (see all versions of this release, 3 available)

Tracklist

1▼SHM-CD
#TitleLength
1Don’t Be That Way
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:33
2Let’s Face the Music and Dance
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:16
3I Never Had a Chance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Never Had a Chance
lyricist and composer:
Irving Berlin
4:24
4Stompin’ at the Savoy
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Stompin’ at the Savoy (on 1956-12-20)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
3:19
5Pick Yourself Up
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
3:07
6Stars Fell on Alabama
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (on 1956-12-19)
tenor saxophone:
Bob Cooper (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. and Mills Music
2:52
7Sweet Georgia Brown
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Sweet Georgia Brown (on 1956-12-20)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music
4:14
8I Won’t Dance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-12-20)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:27
9Man With a Horn
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (on 1956-12-19)
tenor saxophone:
Bob Cooper (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Man With a Horn (on 1956-12-19)
lyricist:
Eddie DeLange
composer:
Jack Jenney and Bonnie Lake
3:57
10I Used to Be a Color Blind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
3:10
11There’s a Lull in My Life
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (on 1956-12-19)
tenor saxophone:
Bob Cooper (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
There’s a Lull in My Life (on 1956-12-19)
lyricist:
Mack Gordon
composer:
Harry Revel
publisher:
Robbins Music Corp.
3:19
12Let’s Begin
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (on 1956-12-20)
tenor saxophone:
Bob Cooper (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Let’s Begin (from "Roberta")
lyricist:
Dorothy Fields and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
2:19