All Time Greatest Hits, Volume 1

~ Release by Harry Belafonte (see all versions of this release, 5 available)

Tracklist

1Medium
#TitleLength
1Day O
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (on 1955-10-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional]
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
3:05
2Don't Ever Love Me
vocals:
Harry Belafonte
recording of:
Don’t Ever Love Me (on 1957-01-27)
lyricist and composer:
Lord Burgess
2:49
3Mama Look-A Boo Boo2:56
4Jump in the Line
engineer:
Bob Sirapson
producer:
Bob Bollard
bass:
Norman Keenan
cuatro:
Ernest Calabria
guitar:
Ernest Calabria and Millard Thomas
vocals:
Harry Belafonte (in 1961)
conductor and chorus master:
Ralph Hunter
performer:
Trinidad Steel Drum Band
phonographic copyright (℗) by:
BMG Music (from 1961 to present)
recording of:
Jump in the Line (in 1961)
lyricist:
Stephen Somvel
writer:
Raymond Bell
composer:
Lord Kitchener
publisher:
Copyright Control
is based on:
Jump in the Line
is based on:
Shake Shake Sonora
3:45
5Scarlet Ribbons
producer:
Henri René
bongos:
Carlos Vidal (on 1955-08-18)
congas:
Modesto Doran Martinez (on 1955-08-18)
double bass:
Eugene Wright (on 1955-08-18)
drums (drum set):
Irv Kluger (on 1955-08-18)
guitar:
Jim Hall (on 1955-08-18) and Millard J. Thomas (on 1955-08-18)
piano:
John F. Williams Jr. (on 1955-08-18)
saxophone:
Buddy Collette (on 1955-08-18), Jimmy Giuffre (on 1955-08-18), Harry Klee (on 1955-08-18), Bud Shank (on 1955-08-18) and Herbert Stewart (on 1955-08-18)
timbales:
Frank Guerrero (on 1955-08-18)
trombone:
John Haliburton (on 1955-08-18), Ed Kusby (on 1955-08-18) and Si Zentner (on 1955-08-18)
trumpet:
Conte Candoli (on 1955-08-18), Buddy Childers (on 1955-08-18) and Maynard Ferguson (on 1955-08-18)
lead vocals:
Harry Belafonte (on 1955-08-18)
vocals:
Harry Belafonte (on 1955-08-18)
conductor:
Tony Scott (on 1955-08-18)
performer:
David Klein (on 1955-08-18)
recording of:
Scarlet Ribbons (for Her Hair) (on 1955-08-18)
lyricist:
Jack O. Segal (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc., Helton Music and Mills Music Limited
3:16
6Michael Row the Boat Ashore
recording of:
Michael Row the Boat Ashore (arr. Belafonte)
lyricist and composer:
[traditional]
arranger:
Harry Belafonte
publisher:
Clara Music Publ. Corp.
arrangement of:
Michael Row the Boat Ashore
3:59
7Island in the Sun3:10
8John Henry
3:31
9Abraham, Martin and John
recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music and TJ Musicservice GmbH
3:59
10Hallelujah I Love Her So2:56
11Cocoanut Woman
producer:
Joe Carlton and Edward O. Welker
bongos:
Noah Rodriguez (on 1957-01-26)
congas:
Daniel Barrajanos (on 1957-01-26)
double bass:
Norman Keenan (on 1957-01-26)
flute:
Paige Brook (on 1957-01-26) and Harold M. Jones (on 1957-01-26)
guitar:
Frantz Casséus (on 1957-01-26), Victor Messer (on 1957-01-26) and Millard Thomas (on 1957-01-26)
marimba:
George Devens (on 1957-01-26)
trumpet:
Joseph B. Wilder (on 1957-01-26)
choir vocals:
Gilbert E. Adkins (on 1957-01-26), Irving D. Barnes (on 1957-01-26), Leon Bibb (on 1957-01-26), Charles Colman (on 1957-01-26), Stephen Harbachick (on 1957-01-26), Marvin Hayes (on 1957-01-26), Herbert L. Stubbs (on 1957-01-26), Irving Burgie (on 1957-01-26), Joe N. Kenyon (on 1957-01-26), Leroy B. Thompson (on 1957-01-26), Samuel R. McCurry (on 1957-01-26), John Nielsen (on 1957-01-26), Brock Peters (on 1957-01-26), Howard A. Roberts (on 1957-01-26), Rodester Timmons (on 1957-01-26) and William Stewart (on 1957-01-26)
lead vocals:
Harry Belafonte (on 1957-01-26)
conductor:
Robert DeCormier (on 1957-01-26)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-26)
recording of:
Cocoanut Woman (on 1957-01-26)
writer:
Harry Belafonte and Irving Burgie
publisher:
Caribe Music Corp., Clara Music Publ. Corp. and Reservoir Media Music
3:00
12Mary's Boy Child
producer:
Dennis Farnon and Henri René
bass:
Meyer "Mike" Rubin (on 1956-07-20)
bass clarinet:
Antonio Villa (on 1956-07-20)
cello:
Ennio Bolognini (on 1956-07-20)
congas:
Wally Fernez (on 1956-07-20)
French horn:
Attilo DePalma (on 1956-07-20)
guitar:
Frantz Casséus (on 1956-07-20)
guitar family:
Millard Thomas (on 1956-07-20)
harp:
Marjorie Call (on 1956-07-20)
percussion:
Arnold Manchester (on 1956-07-20) and Louis Singer (on 1956-07-20)
piano:
Hal Hidey (on 1956-07-20)
saxophone:
Victor Garber (on 1956-07-20), Jules Jacob (on 1956-07-20), Ted Nash (on 1956-07-20) and Wilbur Schwartz (on 1956-07-20)
viola:
Joseph Reilich (on 1956-07-20)
violin:
Israel Baker (on 1956-07-20), Jerome G. Kasin (on 1956-07-20), Robert Levine (on 1956-07-20), Gustave Rosseels (on 1956-07-20), Myron Sandler (on 1956-07-20) and Marshall Sosson (on 1956-07-20)
vocals:
Harry Belafonte (on 1956-07-20)
conductor:
Will Lorin (on 1956-07-20)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-07-20)
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
3:00
13Hold 'em Joe
recording of:
Hold ’em Joe
lyricist and composer:
Harry Thomas
2:38
14Jamaica Farewell
producer:
Edward O. Welker
double bass:
Al Hall (on 1955-11-09) and Norman Keenan (on 1955-11-09)
drums (drum set):
Kelly Martin (on 1955-11-09)
guitar:
Frantz Casséus (on 1955-11-09), Lord Burgess (on 1955-11-09) and Millard Thomas (on 1955-11-09)
vocals:
Harry Belafonte (on 1955-11-09)
recording of:
Jamaica Farewell (on 1955-11-09)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
3:05

Credits

Release

ASIN:US: B000002WAL [info]