The Studio Albums 1969 – 1978

~ Release by Chicago (see all versions of this release, 1 available)

Annotation

10 × CD, Compilation, Limited Edition, Box Set

Tracklist

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1CD: Chicago Transit Authority
#TitleArtistLength
1Introduction
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Terry Kath (in 1969-01)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Introduction (in 1969-01)
lyricist and composer:
Terry Kath
Chicago Transit Authority6:35
2Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is? (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control, Lamminations Music and Spirit Music Publishing Ltd.
Chicago Transit Authority4:35
3Beginnings
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Beginnings (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control and Lamminations Music
Chicago Transit Authority7:51
4Questions 67 & 68
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-01) and Robert Lamm (in 1969-01)
brass arranger:
Robert Lamm and James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Questions 67 & 68 (in 1969-01)
lyricist and composer:
Robert Lamm
publisher:
Lamminations Music
Chicago Transit Authority4:59
5Listen
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Listen (in 1969-01)
composer:
Robert Lamm
Chicago Transit Authority3:21
6Poem 58
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Poem 58 (in 1969-01)
composer:
Robert Lamm
Chicago Transit Authority8:37
7Free Form Guitar
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Free Form Guitar (in 1969-01)
composer:
Terry Kath
Chicago Transit Authority6:50
8South California Purples
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
South California Purples (in 1969-01)
lyricist and composer:
Robert Lamm
Chicago Transit Authority6:12
9I’m a Man
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
Chicago Transit Authority7:43
10Prologue, August 29, 1968
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Prologue, August 29, 1968 (in 1969-01)
composer:
James William Guercio
Chicago Transit Authority0:58
11Someday (August 29, 1968)
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Someday (August 29, 1968) (in 1969-01)
composer:
Robert Lamm and James Pankow
Chicago Transit Authority4:14
12Liberation
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Liberation (in 1969-01)
composer:
James Pankow
Chicago Transit Authority14:39
2CD: Chicago
#TitleLength
1Movin’ In
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Movin’ In (in 1969-08)
lyricist and composer:
James Pankow
4:06
2The Road
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
The Road (in 1969-08)
lyricist and composer:
Terry Kath
3:10
3Poem for the People
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Poem for the People (in 1969-08)
lyricist and composer:
Robert Lamm
5:36
4In the Country
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
In the Country (in 1969-08)
lyricist and composer:
Terry Kath
6:35
5Wake Up Sunshine
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Wake Up Sunshine (in 1969-08)
lyricist and composer:
Robert Lamm
2:33
6Make Me Smile
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 59)
recording of:
Make Me Smile (in 1969-08)
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
3:16
7So Much to Say, So Much to Give
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
So Much to Say, So Much to Give (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:12
8Anxiety’s Moment
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Anxiety’s Moment (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:01
9West Virginia Fantasies
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
West Virginia Fantasies (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:34
10Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (in 1969-08)
phonographic copyright (℗) by:
Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control, IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
3:01
11To Be Free
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
To Be Free (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:15
12Now More Than Ever
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Now More Than Ever (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:26
13Fancy Colours
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Fancy Colours (in 1969-08)
lyricist and composer:
Robert Lamm
5:10
1425 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (in 1970), Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 61)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control, Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited, Aurelius Music (in 1986) and Lamminations Music (in 1986)
4:58
15Prelude
producer:
James William Guercio
orchestrator:
Peter Matz
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Prelude (in 1969-08)
composer:
Terry Kath and Peter Matz
part of:
Memories of Love (4‐part suite)
1:10
16A.M. Mourning
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
A.M. Mourning (in 1969-08)
composer:
Terry Kath and Peter Matz
part of:
Memories of Love (4‐part suite)
2:05
17P.M. Mourning
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
P.M. Mourning (in 1969-08)
composer:
Terry Kath and Peter Matz
part of:
Memories of Love (4‐part suite)
1:58
18Memories of Love
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Memories of Love (in 1969-08)
lyricist and composer:
Terry Kath
part of:
Memories of Love (4‐part suite)
3:59
19It Better End Soon (1st Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (1st Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
2:33
20It Better End Soon (2nd Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (2nd Movement) (in 1969-08)
composer:
Robert Lamm and Walter Parazaider
part of:
It Better End Soon
3:41
21It Better End Soon (3rd Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (3rd Movement) (in 1969-08)
writer:
Terry Kath and Robert Lamm
part of:
It Better End Soon
3:19
22It Better End Soon (4th Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (4th Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
0:55
23Where Do We Go From Here
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Where Do We Go From Here (in 1969-08)
lyricist and composer:
Peter Cetera
publisher:
Aurelius Music
2:54
24Make Me Smile (single version)
producer:
James William Guercio
lead vocals:
Terry Kath (in 1969-08)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Make Me Smile (in 1969-08)
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
3:01
2525 or 6 to 4 (single version)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control, Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited, Aurelius Music (in 1986) and Lamminations Music (in 1986)
2:53
3CD: Chicago III
#TitleLength
1Sing a Mean Tune Kid
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Sing a Mean Tune Kid (in 1970-11)
writer:
Robert Lamm
9:16
2Loneliness Is Just a Word
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Loneliness Is Just a Word (in 1970-11)
writer:
Robert Lamm
2:38
3What Else Can I Say
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
What Else Can I Say (in 1970-11)
writer:
Peter Cetera
3:15
4I Don’t Want Your Money
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
I Don’t Want Your Money (in 1970-11)
lyricist:
Robert Lamm
composer:
Terry Kath
4:47
5Flight 602
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Flight 602 (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:45
6Motorboat to Mars
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Motorboat to Mars (in 1970-11)
composer:
Danny Seraphine
part of:
Travel Suite
1:30
7Free2:16
8Free Country
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free Country (in 1970-11)
composer:
Terry Kath, Robert Lamm and Walter Parazaider
part of:
Travel Suite
5:47
9At the Sunrise
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
At the Sunrise (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:48
10Happy ’Cause I’m Going Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Happy Cause I'm Going Home (in 1970-11)
writer:
Robert Lamm
7:29
11Mother
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Mother (in 1970-11)
writer:
Robert Lamm
4:30
12Lowdown
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Lowdown (in 1970-11)
lyricist:
Peter Cetera and Danny Seraphine
composer:
Peter Cetera
publisher:
Balloon Head Music, J.W. Guercio Aurelia Music (Aurelia Music Division), Spirit Two Music Crescendo and Universal Music–MGB Songs
3:37
13A Hard Risin’ Morning Without Breakfast
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
A Hard Risin' Morning Without Breakfast (in 1970-11)
writer:
Terry Kath
part of:
An Hour in the Shower
1:52
14Off to Work
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Off to Work (in 1970-11)
writer:
Terry Kath
part of:
An Hour in the Shower
0:46
15Fallin’ Out
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Fallin’ Out (in 1970-11)
composer:
Terry Kath and Denny Lile
publisher:
Shake Russell Music
part of:
An Hour in the Shower
0:53
16Dreamin’ Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Dreamin’ Home (in 1970-11)
writer:
Terry Kath
part of:
An Hour in the Shower
0:49
17Morning Blues Again
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Morning Blues Again (in 1970-11)
writer:
Terry Kath
part of:
An Hour in the Shower
1:10
18When All the Laughter Dies in Sorrow
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
When All the Laughter Dies in Sorrow (in 1970-11)
writer:
Kendrew Lascelles
part of:
Elegy (Chicago)
1:05
19Canon
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Canon (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
1:05
20Once Upon a Time…
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Once Upon a Time… (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
2:35
21Progress?
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Progress? (in 1970-11)
composer:
James William Guercio and James Pankow
part of:
Elegy (Chicago)
2:35
22The Approaching Storm
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
The Approaching Storm (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
6:26
23Man vs. Man: The End
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Man vs. Man: The End (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
1:34
4CD: Chicago V
#TitleLength
1A Hit by Varèse
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
A Hit by Varèse (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
4:56
2All Is Well
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
All Is Well (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
3:52
3Now That You’ve Gone
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Now That You’ve Gone (from 1971-09-20 until 1971-09-29)
lyricist and composer:
James Pankow
publisher:
Big Elk Music
5:05
4Dialogue, Part I
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
2:57
5Dialogue, Part II
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
recording of:
Dialogue
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
4:13
6While the City Sleeps
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
While the City Sleeps (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
3:56
7Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (in 1972) and Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
4:01
8State of the Union
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
State of the Union (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
6:15
9Goodbye
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Goodbye (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
6:05
10Alma Mater
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Alma Mater (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Terry Kath
publisher:
Big Elk Music
4:01
11A Song for Richard and His Friends (studio version, without vocals)
engineer:
Wayne Tarnowski
producer:
James William Guercio
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at:
Columbia Studios in New York, New York, United States (on 1971-09-23)
mixed at:
DNA Mastering in Studio City, Los Angeles, California, United States
instrumental recording of:
A Song for Richard and His Friends (on 1971-09-23)
lyricist and composer:
Robert Lamm
8:14
12Mississippi Delta City Blues (first recorded version, with scratch vocal)
producer:
James William Guercio
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
mixed at:
DNA Mastering in Studio City, Los Angeles, California, United States
recording of:
Mississippi Delta City Blues (on 1972-05-10)
lyricist and composer:
Terry Kath
5:28
13Dialogue, Parts I & II (single version)
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
5:00
5CD: Chicago VI
#TitleArtistLength
1Critics’ Choice
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (in 1973), Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Critics’ Choice (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago2:49
2Just You ’n’ Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (in 1973), Rhino Entertainment Company (in 1973, in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
Chicago3:45
3Darlin’ Dear
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Darlin’ Dear (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago3:00
4Jenny
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Jenny (in 1973-02)
writer:
Terry Kath
publisher:
Big Elk Music (in 1973)
Chicago3:33
5What’s This World Comin’ To
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
What’s This World Comin’ To (in 1973-02)
writer:
James Pankow
publisher:
Big Elk Music (in 1973)
Chicago5:00
6Something in This City Changes People
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Something in This City Changes People (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago3:42
7Hollywood
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Hollywood (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago3:54
8In Terms of Two
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
In Terms of Two (in 1973-02)
writer:
Peter Cetera
publisher:
Big Elk Music (in 1973)
Chicago3:31
9Rediscovery
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Rediscovery (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago4:50
10Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control, Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:21
11Beyond All Our Sorrows (Terry Kath demo)
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
mixed at:
DNA Mastering in Studio City, Los Angeles, California, United States
recording of:
Beyond All Our Sorrows (in 1973-05)
writer:
Terry Kath
Chicago7:02
12Tired of Being AloneChicago with Al Green4:07
6CD: Chicago VII
7CD: Chicago VIII
8CD: Chicago X
9CD: Chicago XI
10CD: Hot Streets