1973-1983: Seine größten Erfolge

~ Release by Wolfgang Ambros (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl: Eigenheiten
#TitleLength
1Wolfgang Amadeus Mozart
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Wolfgang Amadeus Mozart (in 1973)
lyricist:
Veronika Vane
composer:
Wolfgang Ambros and Hans Günther Hausner
publisher:
Wiener Musikproduktion
3:58
2Mädchen Marihuana
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Mädchen Marihuana (in 1973)
lyricist:
Dietmar Gössweiner
composer:
Wolfgang Ambros
4:12
3Des kannst net machn
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Des kannst net mach'n (in 1973)
lyricist and composer:
Wolfgang Ambros
2:37
4Heidenspaß (mir geht es wie dem Jesus)
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Heidenspaß (mir geht es wie dem Jesus) (in 1973)
lyricist:
Dietmar Gössweiner
composer:
Wolfgang Ambros
3:00
5Oh Rosemarie
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
O Rosemarie (in 1973)
lyricist:
Dietmar Gössweiner
composer:
Wolfgang Ambros
publisher:
Wiener Musikproduktion
3:41
6I werd mi bessern
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
I werd mi bessern (in 1973)
lyricist:
Hans Günther Hausner
composer:
Wolfgang Ambros
publisher:
Wiener Musikproduktion
2:49
7I drah zua
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
I drah zua (in 1973)
lyricist:
Veronika Vane
composer:
Wolfgang Ambros and Hans Günther Hausner
publisher:
Wiener Musikproduktion
3:40
8Alfred Hitter
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Alfred Hitter (in 1973)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
2:48
9Dei Foto
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Dei Foto (in 1973)
lyricist and composer:
Wolfgang Ambros
3:45
10Eigenheiten
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Eigenheiten (in 1973)
lyricist:
Hans Günther Hausner
composer:
Wolfgang Ambros
publisher:
Wiener Musikproduktion
4:05
11Nur das Summen einer Fliege
producer:
Peter Hauke
recorded at:
Müller Sound Studio One in Liesing, Wien, Austria (in 1973)
recording of:
Nur das Summen einer Fliege (in 1973)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
4:47
2▼12" Vinyl: Der Watzmann ruft
#TitleArtistLength
A1Volkschor: Hollaröhdulliöh / Ouverture / Prolog
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Ouverture (in 1974)
composer:
Christian Kolonovits
recording of:
Prolog (in 1974)
lyricist:
Manfred Tauchen
Wolfgang Ambros / Meinrad Nell7:35
A2Lied: Hollaröhdulliöh / Gespräch der Knechte, 1. Teil
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Gespräch der Knechte, 1. Teil (in 1974)
lyricist:
Manfred Tauchen
partial recording of:
Hollaröhdulliöh (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
Ambros/Tauchen/Prokopetz & Meinrad Nell3:30
A3Lied: Hollaröhdulliöh, 2. Teil / Szene: "Das Rufen"
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Das Rufen (in 1974)
lyricist:
Manfred Tauchen
partial recording of:
Hollaröhdulliöh (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
Ambros/Tauchen/Prokopetz & Meinrad Nell4:03
A4Lied: Der Berg
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Der Berg (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
Wolfgang Ambros4:26
B1Szene: "Die Jagd"
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Die Jagd (in 1974)
lyricist:
Manfred Tauchen
Tauchen/Prokopetz & Meinrad Nell1:45
B2Lied: "Oh St. Hubertus" / Gespräch der Knechte, 2. Teil
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Gespräch der Knechte, 2. Teil (in 1974)
lyricist:
Manfred Tauchen
recording of:
Oh St. Hubertus (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
Ambros/Tauchen/Prokopetz & Meinrad Nell4:30
B3Lied: "Die Gailtalerin", 1. Teil / Szene: "Die Gailtalerin"
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
partial recording of:
Die Gailtalerin (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
recording of:
Die Gailtalerin (in 1974)
lyricist:
Manfred Tauchen
Ambros/Tauchen/Prokopetz3:57
B4Lied: "Die Gailtalerin", 2. Teil / Szene: "Der Kampf"
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Der Kampf (in 1974)
lyricist:
Manfred Tauchen
partial recording of:
Die Gailtalerin (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
Ambros/Tauchen/Prokopetz3:12
B5Lied: "Aufi, Aufi!" / Szene: "Der Berg holt sich den Buben"
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
compilation of:
Aufi Aufi by Wolfgang Ambros
recording of:
Aufi, Aufi! (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
recording of:
Der Berg holt sich den Buben (in 1974)
lyricist:
Manfred Tauchen
Ambros/Tauchen & Meinrad Nell4:48
B6Lied: "Er fällt" / Szene: "Das Maß ist noch nicht voll"
sound engineer:
Peter Müller
arranger:
Christian Kolonovits
recorded at:
Müller Sound Studio in Liesing, Wien, Austria
recording of:
Das Maß ist noch nicht voll (in 1974)
lyricist:
Manfred Tauchen
recording of:
Er fällt (in 1974)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
Ambros/Tauchen/Prokopetz & Meinrad Nell3:09
3▼12" Vinyl: Es lebe der Zentralfriedhof
#TitleLength
A1Es lebe der Zentralfriedhof
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Alan Tham (from 1974-11 until 1974-12)
keyboard, piano and synthesizer:
Christian Kolonovits (from 1974-11 until 1974-12)
strings:
Streichergruppe der Wiener Volksoper (from 1974-11 until 1974-12)
tambourine and timbales:
Hartmut Pfannmüller (from 1974-11 until 1974-12)
choir vocals:
Herlinde Grobe (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
Es lebe der Zentralfriedhof (from 1974-11 until 1974-12)
lyricist:
Joesi Prokopetz (in 1974-10)
composer:
Wolfgang Ambros (in 1974-10)
publisher:
Bellver Music
5:12
A2Wem heut net schlecht is
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
accordion and piano:
Christian Kolonovits (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Alan Tham (from 1974-11 until 1974-12)
strings:
Streichergruppe der Wiener Volksoper (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
Wem heut net schlecht is (from 1974-11 until 1974-12)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
3:10
A3Espresso
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Alan Tham (from 1974-11 until 1974-12)
electric guitar:
Theo Bina (from 1974-11 until 1974-12)
guest flugelhorn:
Robert Politzer (from 1974-11 until 1974-12)
guest tenor saxophone:
Harry Sokal (from 1974-11 until 1974-12)
guest trombone:
Garney Hicks (from 1974-11 until 1974-12)
piano:
Christian Kolonovits (from 1974-11 until 1974-12)
violin:
Hans Grötzer (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
Espresso (from 1974-11 until 1974-12)
lyricist:
Hugo Khittl and Thelonius Anbiss
composer:
Wolfgang Ambros
publisher:
Bellver Music
4:50
A4G'söchta
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Alan Tham (from 1974-11 until 1974-12)
guest flugelhorn:
Art Farmer (from 1974-11 until 1974-12) and Robert Politzer (from 1974-11 until 1974-12)
guest tenor saxophone:
Harry Sokal (from 1974-11 until 1974-12)
guest trombone:
Garney Hicks (from 1974-11 until 1974-12)
guest trumpet:
Robert Politzer (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
G'söchta (from 1974-11 until 1974-12)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
3:07
A5Heite drah i mi ham
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Joris Dudli (from 1974-11 until 1974-12) and Alan Tham (from 1974-11 until 1974-12)
electric guitar:
Theo Bina (from 1974-11 until 1974-12)
guest flugelhorn and guest trumpet:
Robert Politzer (from 1974-11 until 1974-12)
guest trombone:
Garney Hicks (from 1974-11 until 1974-12)
piano and synthesizer:
Christian Kolonovits (from 1974-11 until 1974-12)
strings:
Streichergruppe der Wiener Volksoper (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
Heite drah i mi ham (from 1974-11 until 1974-12)
lyricist and composer:
Georg Danzer
publisher:
Edition Giraffe
4:00
B1Zwickt's mi
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
congas and drums (drum set):
Joris Dudli (from 1974-11 until 1974-12)
drums (drum set):
Alan Tham (from 1974-11 until 1974-12)
guest flugelhorn:
Art Farmer (from 1974-11 until 1974-12) and Robert Politzer (from 1974-11 until 1974-12)
guest tenor saxophone:
Harry Sokal (from 1974-11 until 1974-12)
guest trombone:
Garney Hicks (from 1974-11 until 1974-12)
guest trumpet:
Robert Politzer (from 1974-11 until 1974-12)
piano:
Christian Kolonovits (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
music videos:
Zwickt’s mi by Wolfgang Ambros
recording of:
Zwickt's mi (from 1974-11 until 1974-12)
lyricist:
Veronika Vane
composer:
Wolfgang Ambros and Hans Günther Hausner
publisher:
Bellver Music
3:45
B2Familie Pingitzer
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Joris Dudli (from 1974-11 until 1974-12) and Alan Tham (from 1974-11 until 1974-12)
electric guitar:
Theo Bina (from 1974-11 until 1974-12)
piano:
Christian Kolonovits (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
Familie Pingitzer (from 1974-11 until 1974-12)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
2:49
B3De Kinettn wo i schlof
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Joris Dudli (from 1974-11 until 1974-12) and Alan Tham (from 1974-11 until 1974-12)
electric guitar:
Theo Bina (from 1974-11 until 1974-12)
strings:
Streichergruppe der Wiener Volksoper (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
De Kinettn wo i schlof (from 1974-11 until 1974-12)
lyricist:
Joesi Prokopetz and Thelonius Anbiss
composer:
Wolfgang Ambros
publisher:
Bellver Music
4:02
B4A Gulasch und a Seitl Bier
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
piano:
Christian Kolonovits (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
A Gulasch und a Seitl Bier (from 1974-11 until 1974-12)
lyricist and composer:
Georg Danzer
publisher:
Edition Giraffe
4:00
B5I glaub i geh jetzt
engineer:
Peter Müller (from 1974-11 until 1974-12) and Hartmut Pfannmüller (from 1974-11 until 1974-12)
producer:
Peter Hauke (from 1974-11 until 1974-12)
acoustic guitar:
Günter Großlercher (from 1974-11 until 1974-12) and Norbert Niedermayer (from 1974-11 until 1974-12)
bass guitar:
Kurt Hauenstein (from 1974-11 until 1974-12) and Dick Sells (from 1974-11 until 1974-12)
drums (drum set):
Joris Dudli (from 1974-11 until 1974-12) and Alan Tham (from 1974-11 until 1974-12)
guest flugelhorn:
Robert Politzer (from 1974-11 until 1974-12)
piano:
Christian Kolonovits (from 1974-11 until 1974-12)
strings:
Streichergruppe der Wiener Volksoper (from 1974-11 until 1974-12)
lead vocals:
Wolfgang Ambros (from 1974-11 until 1974-12)
arranger:
Christian Kolonovits (from 1974-11 until 1974-12)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (from 1974-11 until 1974-12) and Müller Sound Studio in Liesing, Wien, Austria (from 1974-11 until 1974-12)
recording of:
I glaub i geh jetzt (from 1974-11 until 1974-12)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
3:55
4▼12" Vinyl: Hoffnungslos
#TitleLength
A1Wie hört des auf
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Wie hört des auf (in 1977-09)
composer:
Christian Kolonovits
publisher:
Wiener Musikproduktion
2:30
A2Heute gemma nach Wien
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Heute gemma nach Wien (in 1977-09)
lyricist and composer:
Wolfgang Ambros
3:40
A3Wie wird des weitergeh'n
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
vocals:
Wolfgang Ambros
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Wie wird des weitergeh'n (in 1977-09)
lyricist and composer:
Wolfgang Ambros
5:20
A4Hoffnungslos
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Hoffnungslos (in 1977-09)
lyricist and composer:
Wolfgang Ambros
3:15
A5Minderheit
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
music videos:
Minderheit by Wolfgang Ambros
recording of:
Minderheit (in 1977-09)
lyricist and composer:
Wolfgang Ambros
2:55
B1Manst wirklich
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Manst wirklich (in 1977-09)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
2:55
B2I bin miad
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
I bin miad (in 1977-09)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
4:30
B3De Höld'n san scho olle tot
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
De Höld'n san scho olle tot (in 1977-09)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
3:55
B4Weu i ned anders kann
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Weu i ned anders kann (in 1977-09)
lyricist and composer:
Wolfgang Ambros
4:10
B5Irgendwann
recording engineer:
Hartmut Pfannmüller
producer:
Christian Kolonovits
arranger:
Christian Kolonovits
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1977-09)
recording of:
Irgendwann (in 1977-09)
lyricist and composer:
Wolfgang Ambros
4:00
5▼12" Vinyl: Wie im Schlaf
#TitleLength
A1Allan wia a Stan
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler (in 1978-09)
drums (drum set):
Helmut Nowak (in 1978-09)
guitar:
Peter Koller (in 1978-09)
keyboard:
Peter Schleicher (in 1978-09)
vocals:
Wolfgang Ambros (in 1978-09)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Allan wia a Stan (in 1978-09)
lyricist and composer:
Bob Dylan (in 1965)
translator:
Wolfgang Ambros
translated version of:
Like a Rolling Stone
5:52
A2Da Mensch in mir
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
choir vocals:
Johan Daansen, Georg Liszt, Christian Kolonovits and Richard Schönherz
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Da Mensch in mir (in 1978-09)
lyricist and composer:
Bob Dylan
translator:
Wolfgang Ambros
translated version of:
The Man in Me
3:27
A3Des Sandlers Flucht
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Des Sandlers Flucht (in 1978-09)
lyricist and composer:
Bob Dylan (in 1967-10)
translator:
Wolfgang Ambros
translated version of:
Drifter’s Escape
2:45
A4I bin's ned
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
I bin's ned (in 1978-09)
lyricist and composer:
Bob Dylan (in 1964-05)
translator:
Wolfgang Ambros
translated version of:
It Ain’t Me, Babe
3:06
A5Corrina, Corrina
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler (in 1978-09)
drums (drum set):
Helmut Nowak (in 1978-09)
guitar:
Peter Koller (in 1978-09)
keyboard:
Peter Schleicher (in 1978-09)
vocals:
Wolfgang Ambros (in 1978-09)
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Corrina, Corrina (German version) (in 1978-09)
additional lyricist:
Bob Dylan (in 1962-04)
lyricist:
Robert Johnson
writer:
[traditional]
translator:
Wolfgang Ambros
translated version of:
Corrina, Corrina (Bob Dylan version)
2:08
B1Wahre Liebe
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Wahre Liebe (in 1978-09)
lyricist and composer:
Bob Dylan (in 1965-01)
translator:
Wolfgang Ambros
publisher:
Special Rider Music
translated version of:
Love Minus Zero / No Limit
2:57
B2Früher oda später
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Achim Grumm and Peter Koller
keyboard:
Peter Schleicher
piano:
Christian Kolonovits
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Früher oda später (in 1978-09)
lyricist and composer:
Bob Dylan (in 1966-01)
translator:
Wolfgang Ambros
translated version of:
One of Us Must Know (Sooner or Later)
5:44
B3Achilles
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Achilles (in 1978-09)
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
translator:
Wolfgang Ambros
translated version of:
Temporary Like Achilles
3:32
B4Sie g'hört zu mir
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Sie g'hört zu mir (in 1978-09)
lyricist and composer:
Bob Dylan (in 1965-01)
translator:
Wolfgang Ambros
translated version of:
She Belongs to Me
3:06
B5Denk ned noch
recording engineer:
Tammy Grohé
producer:
Wolfgang Ambros
mixer:
Mischa Bestmann
bass:
Helmut Pichler
drums (drum set):
Helmut Nowak
guitar:
Peter Koller
keyboard:
Peter Schleicher
vocals:
Wolfgang Ambros
recorded at:
Europasound Studios in Offenbach am Main, Hessen, Germany (in 1978-09)
recording of:
Denk ned noch (in 1978-09)
lyricist:
Bob Dylan (in 1962)
composer:
[traditional] and Bob Dylan (in 1962)
translator:
Wolfgang Ambros
translated version of:
Don’t Think Twice, It’s All Right
5:13
6▼12" Vinyl: Nie und nimmer
#TitleLength
A1Nie und nimmer
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
Nie und nimmer (from 1979-01 until 1979-02)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
5:55
A2De Swoboda
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
De Swoboda (from 1979-01 until 1979-02)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
3:50
A3De Nr. 1 vom Wienerwald
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
De Nr. 1 vom Wienerwald (from 1979-01 until 1979-02)
lyricist and composer:
Wolfgang Ambros
2:52
A4I hob a bissl z'vü dawischt / Die Unschuld vom Land
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
drums (drum set):
Jürgen Zöller (from 1979-01 until 1979-02)
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
I hob a bissl z'vü dawischt / Die Unschuld vom Land (from 1979-01 until 1979-02)
lyricist and composer:
Wolfgang Ambros
7:56
B1Da oide Kaiser
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
Da oide Kaiser (from 1979-01 until 1979-02)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
4:45
B2I mog di net
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
I mog di net (from 1979-01 until 1979-02)
lyricist and composer:
Georg Danzer
2:04
B3Hey Listen
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
Hey Listen (from 1979-01 until 1979-02)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
2:47
B4Chanson Toilette
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
Chanson Toilette (from 1979-01 until 1979-02)
lyricist:
Hans Günther Hausner
composer:
Wolfgang Ambros
3:12
B5I bin a Weh
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
I bin a Weh (from 1979-01 until 1979-02)
lyricist:
Hans Günther Hausner and Veronika Vane
composer:
Wolfgang Ambros and Hans Günther Hausner
version of:
I bin a Weh
4:07
B6Cocaine Blues
sound engineer:
Armin Bannach (from 1979-01 until 1979-02) and Hartmut Pfannmüller (from 1979-01 until 1979-02)
producer:
Wolfgang Ambros
recorded at:
Hotline Studios in Frankfurt (Oder), Brandenburg, Germany (from 1979-01 until 1979-02)
recording of:
Cocaine Blues (additional lyrics by Bob Dylan) (from 1979-01 until 1979-02)
additional lyricist:
Bob Dylan
writer:
[traditional]
arranger:
Reverend Gary Davis
version of:
Cocaine Blues (Rev. Gary Davis arrangement)
2:43
7▼12" Vinyl: Weiß wie Schnee
#TitleLength
A1Gezeichnet fürs Leben
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler (from 1980-05 until 1980-06)
drums (drum set) and percussion:
Helmut Nowak (from 1980-05 until 1980-06)
electric guitar:
Peter Koller (from 1980-05 until 1980-06)
guitar:
Wolfgang Ambros (from 1980-05 until 1980-06)
keyboard:
Günter Dzikowski (from 1980-05 until 1980-06)
vocals:
Wolfgang Ambros (from 1980-05 until 1980-06)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Gezeichnet fürs Leben (from 1980-05 until 1980-06)
lyricist and composer:
Wolfgang Ambros
5:04
A2Original Clarks
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Original Clarks (from 1980-05 until 1980-06)
lyricist and composer:
Wolfgang Ambros
3:34
A3I wü frei sein
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler (from 1980-05 until 1980-06)
drums (drum set) and percussion:
Helmut Nowak (from 1980-05 until 1980-06)
electric guitar:
Peter Koller (from 1980-05 until 1980-06)
guitar:
Wolfgang Ambros (from 1980-05 until 1980-06)
keyboard:
Günter Dzikowski (from 1980-05 until 1980-06)
vocals:
Wolfgang Ambros (from 1980-05 until 1980-06)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
I wü frei sein (from 1980-05 until 1980-06)
lyricist and composer:
Wolfgang Ambros
2:49
A4Guten Morgen
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Guten Morgen (from 1980-05 until 1980-06)
lyricist and composer:
Wolfgang Ambros
4:46
A5Weiß wie Schnee
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Weiß wie Schnee (from 1980-05 until 1980-06)
lyricist and composer:
Wolfgang Ambros
4:46
B1Kaputt und munter
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Kaputt und munter (from 1980-05 until 1980-06)
lyricist and composer:
Wolfgang Ambros
5:15
B2Geteiltes Leid
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Geteiltes Leid (from 1980-05 until 1980-06)
lyricist:
Wolfgang Ambros
composer:
Wolfgang Ambros and Günter Dzikowski
4:23
B3Sodbrennerei
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
Sodbrennerei (from 1980-05 until 1980-06)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
3:59
B4A großes Werk
recording engineer:
Jürgen Krämer
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1980-05 until 1980-06)
recording of:
A großes Werk (from 1980-05 until 1980-06)
lyricist:
Wolfgang Ambros
composer:
Wolfgang Ambros and Peter Koller
5:14
8▼12" Vinyl: Selbstbewußt
#TitleLength
A1Geh von mir
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Geh von mir (in 1981)
lyricist:
Wolfgang Ambros
composer:
Günter Dzikowski
3:50
A2Selbstbewusst
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler (in 1981)
drums (drum set) and percussion:
Helmut Nowak (in 1981)
electric guitar:
Peter Koller (in 1981)
guitar:
Wolfgang Ambros (in 1981)
keyboard:
Günter Dzikowski (in 1981)
vocals:
Wolfgang Ambros (in 1981), Günter Dzikowski (in 1981) and Peter Koller (in 1981)
recorded at:
Country Lane Studios in München, Bayern, Germany (in 1981)
recording of:
Selbstbewußt (in 1981)
lyricist and composer:
Wolfgang Ambros
3:59
A3I g'spia, i verlier
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
I g'spia, i verlier (in 1981)
lyricist:
Helmut Nowak
composer:
Peter Koller and Helmut Nowak
3:42
A4Sei so frei
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Sei so frei (in 1981)
lyricist and composer:
Wolfgang Ambros
2:48
A5Lethargie
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Lethargie (in 1981)
lyricist:
Joesi Prokopetz
composer:
Peter Koller
3:31
A6Da Herr Minister
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Da Herr Minister (in 1981)
lyricist and composer:
Wolfgang Ambros
3:02
B1Fesch san ma beinand
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Fesch san ma beinand (in 1981)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
4:19
B2Minderwertigkeitskomplex
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Minderwertigkeitskomplex (in 1981)
lyricist and composer:
Wolfgang Ambros
3:37
B3Immer das Gleiche
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Immer das Gleiche (in 1981)
lyricist and composer:
Wolfgang Ambros
3:00
B4Wann bin i daham?
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Wann bin i daham? (in 1981)
lyricist:
Wolfgang Ambros and Helmut Nowak
composer:
Wolfgang Ambros and Peter Koller
3:50
B5Belize
sound engineer:
Gerhard Vates
producer:
Wolfgang Ambros and Peter Koller
bass:
Helmut Pichler
drums (drum set) and percussion:
Helmut Nowak
electric guitar:
Peter Koller
guitar:
Wolfgang Ambros
keyboard:
Günter Dzikowski
vocals:
Wolfgang Ambros, Günter Dzikowski and Peter Koller
recorded at:
Country Lane Studios in München, Bayern, Germany
recording of:
Belize (in 1981)
lyricist and composer:
Wolfgang Ambros
4:21
9▼12" Vinyl: 19 Class A Numbers
#TitleLength
A1Meine Foab'n
acoustic guitar:
Wolfgang Ambros (in 1976)
harmonica:
Peter Müller (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Meine Foab'n (in 1976)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
publisher:
Bellver Music
2:43
A2A klana Blick
slide guitar:
Theo Bina (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
A klana Blick (in 1976)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
publisher:
Bellver Music
2:02
A3Eibischzuckerl (oder: Wen sa si so schickt)
acoustic guitar:
Norbert Niedermayer (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Eibischzuckerl (oder: Wen sa si so schickt) (in 1976)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
2:22
A4Hoit do is a Spoit
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Hoit do is a Spoit (in 1976)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
3:10
A5Es ergibt si nix
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Es ergibt si nix (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
3:52
A6Hilly Billy Lilly
clarinet:
Harry Polesnig (in 1976)
fiddle:
Paul Fickl (in 1976)
five-string banjo:
H. Leitner (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Hilly Billy Lilly (in 1976)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
2:55
B1Glaub jo ned (daß des so weidageht)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Glaub jo ned (daß des so weidageht) (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
3:42
B2Hoiba zwöfe
saxophone:
Peter Klinger (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Hoiba zwöfe (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
2:31
B3Auftritt
saxophone:
Peter Klinger (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Auftritt (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
4:01
B4Sei ned so g'spritzt
acoustic guitar:
Wolfgang Ambros (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Sei ned so g'spritzt (in 1976)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
3:50
B5... sonst muß ich sie ermorden
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
...sonst muß ich Sie ermorden (in 1976)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
publisher:
Bellver Music
2:08
10▼12" Vinyl: 19 Class A Numbers
#TitleLength
C1A gfäuda Tog
strings:
Streichergruppe der Wiener Volksoper (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
A g'fäuda Tog (in 1976)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
publisher:
Bellver Music
4:35
C2De best'n Liada
slide guitar:
Theo Bina (in 1976)
strings:
Streichergruppe der Wiener Volksoper (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
De best'n Liada (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
2:03
C3Warum host des g'mocht
strings:
Streichergruppe der Wiener Volksoper (in 1976)
choir vocals:
Schmetterlinge (in 1976)
spoken vocals:
Peter Müller (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Warum host des g'mocht (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
4:37
C4Da Ernstl
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Da Ernstl (in 1976)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
4:14
C5Baba und foi ned
acoustic guitar:
Günter Großlercher (in 1976)
strings:
Streichergruppe der Wiener Volksoper (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
Baba und foi ned (in 1976)
lyricist:
Joesi Prokopetz
composer:
Wolfgang Ambros
publisher:
Bellver Music
3:27
D1Du schwarzer Afghane
solo violin:
Hans Grötzer (in 1976)
strings:
Streichergruppe der Wiener Volksoper (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
music videos:
Du schwarzer Afghane by Wolfgang Ambros
recording of:
Du schwoaza Afghane (in 1976)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
publisher:
Bellver Music
is based on:
Du schwarzer Zigeuner
4:00
D2UFO
acoustic guitar and electric guitar:
Günter Großlercher (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
recording of:
UFO (in 1976)
lyricist:
Hugo Khittl
composer:
Wolfgang Ambros
publisher:
Bellver Music
3:12
D3Es is no ned vorbei
acoustic guitar:
Günter Großlercher (in 1976)
choir vocals:
Schmetterlinge (in 1976)
recorded at and mixed at:
Sound Mill Studio in Liesing, Wien, Austria (in 1976)
music videos:
Es is' no ned vorbei by Wolfgang Ambros
recording of:
Es is no ned vorbei (in 1976)
lyricist and composer:
Wolfgang Ambros
publisher:
Bellver Music
7:40