| # | Title | Artist | Length |
|---|
| 1 | Crazy Crazy Nights | KISS | 3:45 |
| 2 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan, Ben Fowler, Lolly Grodner, Robert Hart, John Herman, Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc., EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing, Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal, Universal Music Publishing, Universal Music Publishing Group, Universal Music Publishing Ltd., Universal PolyGram International Publishing, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4:27 |
| 3 | In My Dreams | Dokken | 4:19 |
| 4 | Unskinny Bop | Poison | 3:48 |
| 5 | Walk | Pantera | 5:16 |
| 6 | Cherry Pie- producer and mixer:
- Beau Hill
- phonographic copyright (℗) by:
- Columbia Records (in 1990), Sony BMG Music Entertainment (in 1990), Sony Music Entertainment (in 1990) and Sony Music Entertainment Inc. (in 1990)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 56)
- recording of:
- Cherry Pie
- lyricist:
- Jani Lane
- composer:
- Joey Allen, Jerry Dixon, Jani Lane, Steven Sweet and Erik Turner
- publisher:
- Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works and Virgin Songs, Inc.
| Warrant | 3:11 |
| 7 | Gypsy Road- assistant recording engineer:
- Thom Cadley and Ryan Dorn
- engineer:
- Andy Johns
- producer:
- Eric Brittingham, Andy Johns and Tom Keifer
- assistant mixer:
- George Cowan
- mixer:
- Michael Barbiero and Steve Thompson
- acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
- Tom Keifer (from 1987 until 1988)
- additional drums (drum set):
- Denny Carmassi (from 1987 until 1988) and Cozy Powell (from 1987 until 1988)
- additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
- Rick Criniti (from 1987 until 1988)
- additional keyboard:
- Kurt Shore (from 1987 until 1988) and John Webster (from 1987 until 1988)
- additional pedal steel guitar:
- Jay Levine (from 1987 until 1988)
- additional percussion:
- Paulinho da Costa (from 1987 until 1988)
- bass guitar [12 string bass], electric bass guitar and background vocals:
- Eric Brittingham (from 1987 until 1988)
- drums (drum set):
- Fred Coury (from 1987 until 1988)
- electric guitar:
- Tom Keifer (from 1987 until 1988) and Jeff LaBar (from 1987 until 1988)
- phonographic copyright (℗) by:
- PolyGram Records, Inc.
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988) and Kajem/Victory Studios in Philadelphia, Pennsylvania, United States (from 1987 until 1988)
- mixed at:
- Bearsville Studios in Bearsville, New York, United States
- recording of:
- Gypsy Road (from 1987 until 1988)
- lyricist and composer:
- Tom Keifer
| Cinderella | 3:55 |
| 8 | Wind of Change- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar:
- Rudolf Schenker (in 1990)
- bass guitar:
- Francis Buchholz (in 1990)
- drums (drum set) and percussion:
- Herman Rarebell (in 1990)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
- guest keyboard:
- Koen van Baal (in 1990)
- slide guitar:
- Matthias Jabs (in 1990)
- background vocals:
- Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (in 1990) and Rudolf Schenker (in 1990)
- lead vocals:
- Klaus Meine (in 1990)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1990, in 1991) and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990)
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- recording of:
- Wind of Change (in 1990)
- lyricist and composer:
- Klaus Meine
- publisher:
- BMG Rights Management GmbH, Copyright Control, PolyGram International Publishing, Inc., Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc.
| Scorpions | 5:12 |
| 9 | We’re Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello, Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza, Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 3:39 |
| 10 | White Wedding- assistant engineer:
- Steve Bates
- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- bass guitar:
- Phil Feit
- drums (drum set):
- Steve Missal
- guitar:
- Billy Idol and Steve Stevens
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) and Chrysalis Records, Inc. (in 1982, in 2002)
- recorded at and mixed at:
- Westlake Audio in Los Angeles, California, United States
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- recording of:
- White Wedding
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music, Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH, Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 4:12 |
| 11 | Spirit of Radio- recording engineer:
- Paul Northfield
- producer:
- Terry Brown and Rush
- assistant mixer:
- Steve S. Hort, Geddy Lee, Craig Milliner and Adam Moseley
- mixer:
- Terry Brown
- 12 string guitar [12-string acoustic guitar], 12 string guitar [12-string electric guitar], acoustic guitar, bass pedals [Taurus pedals] and electric guitar:
- Alex Lifeson (from 1979-09 until 1979-10)
- bass guitar, bass pedals [Taurus pedal synthesizer], Minimoog and synthesizer [Oberheim polyphonic: OB-1]:
- Geddy Lee (from 1979-09 until 1979-10)
- bell tree, crotales, drums (drum set), timbales, timpani [tympani], triangle, tubular bells, tubular bells [orchestra bells] and wind chime:
- Neil Peart (from 1979-09 until 1979-10)
- vocals:
- Geddy Lee (from 1979-09 until 1979-10)
- arranger:
- Terry Brown and Rush
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980)
- recorded at:
- Le Studio in Morin‐Heights, Québec, Canada (from 1979-09 until 1979-10)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1979-11)
- part of:
- Huffington Post: 100 Best Canadian Songs Ever (number: 88)
- recording of:
- The Spirit of Radio (from 1979-09 until 1979-10)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Core Music Publishing and Anthem Core Music Publishing (from 1980 to present)
| Rush | 4:57 |
| 12 | Silent Lucidity | Queensrÿche | 5:45 |
| 13 | Once Bitten Twice Shy | Great White | 5:24 |
| 14 | Nowhere | Therapy? | 2:28 |
| 15 | Word Up | Gun | 4:14 |
| 16 | Dirty Love | Thunder | 5:25 |
| 17 | Gimme All Your Lovin’ | ZZ Top | 3:58 |
| 18 | The Final Countdown- producer:
- Kevin Elson
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control, EMI, EMI Music Publishing Australia Pty Ltd, EMI Music Publishing Ltd., EMI Music Sweden AB, Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 3:58 |
