Parallel Lines

~ Release by Blondie (see all versions of this release, 25 available)

Annotation

"EMI 100 - 1997 - The First Centenary" reissue.
First published in U.K. by Chrysalis Records Limited 1978

Published by EMI Music Publishing Ltd (MCPS) except
A6, B2: Chrysalis Music Ltd
B5: Southern Music Publishing Co Ltd (MCPS)

Hype sticker reads:
EMI 100
1997 • THE FIRST CENTENARY
The Vinyl Collection
• Classic LP'S •
• Original Packaging •
• Virgin Vinyl (180gm) Pressing •
• Heavy Quality Sleeves •
• Analogue Cutting From Analogue Tapes •
TVC2

The inner sleeve is a generic die-cut white thin paper. The original issue of this album included a custom inner sheet. Not present in this reissue.
The quality of the sleeve, while being heavy cardboard, is not great quality, resembling more an imperfect scan of an original sleeve.
The labels have the same issue.

Printed in UK

Tracklist

112" Vinyl
#TitleLength
A1Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee
publisher:
BMG Blue, Chrysalis Music Ltd., Chrysalis Records Ltd., Chrysalis Songs, EMI Music Publishing Ltd., Red Admiral Music Inc. and Rare Blue Music Inc (in 1978)
2:24
A2One Way or Another
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music, Chrysalis Music Ltd., Chrysalis Songs, EMI Music Publishing Ltd., Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
3:36
A3Picture This
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
Picture This (from 1978-06 until 1978-07)
writer:
Jimmy Destri, Deborah Harry and Chris Stein
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
2:57
A4Fade Away and Radiate
miscellaneous support:
Robert Fripp
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Robert Fripp, Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
Fade Away and Radiate (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, BMG RM Chrysalis Music France, Chrysalis Music Ltd., EMI Music Publishing Ltd., フジパシフィックミュージック BMG事業部 and Rare Blue Music Inc (in 1978)
4:02
A5Pretty Baby
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001) and Chrysalis Records, Inc. (in 1978, in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
Pretty Baby (from 1978-06 until 1978-07)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
3:22
A6I Know but I Don’t Know
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07) and Frank Infante (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
I Know but I Don’t Know (from 1978-06 until 1978-07)
lyricist and composer:
Frank Infante
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
3:55
B111:59
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978, in 1979) and Chrysalis Records, Inc. (in 1978, in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
11:59 (from 1978-06 until 1978-07)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
3:19
B2Will Anything Happen?
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978, in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
Will Anything Happen? (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee
publisher:
Chrysalis Songs (ended), BMG Blue, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
3:01
B3Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978, in 1979), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
3:06
B4Heart of Glass3:49
B5I’m Gonna Love You Too
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
cover recording of:
I’m Gonna Love You Too (from 1978-06 until 1978-07)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (in 1957, in 1958)
recording of:
I’m Gonna Love You Too
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (in 1957, in 1958)
2:10
B6Just Go Away
assistant engineer:
Grey Russell and Peter Coleman
engineer:
Peter Coleman
assistant producer:
Peter Coleman
producer:
Mike Chapman
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC, Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978, in 2001)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio in Covington, Kentucky, United States
recording of:
Just Go Away (from 1978-06 until 1978-07)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd., EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
3:27