The Classic Albums 1977–1979

~ Release by Cheap Trick (see all versions of this release, 1 available)

Annotation

Special Box for the 2013 Black Friday Record Store Day.
Contains remastered reissues of the Classic Albums
Cheap Trick - PE 34400
In Color - PE 34884
Heaven Tonight - JE 35312
At Budokan - FE 35795
and
Dream Police - FE 35773

Box is limited to 2000 numbered copies

Tracklist

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112" Vinyl: Cheap Trick (88883777721)
#TitleLength
A1Hot Love
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Hot Love (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Play One Music, Sony/ATV Songs LLC, Unichappell Music, Inc. and ZPN and C Inc.
2:30
A2Speak Now or Forever Hold Your Peace
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
cover recording of:
Speak Now or Forever Hold Your Peace (in 1976)
lyricist and composer:
Terry Reid
publisher:
Carlin Music Corporation, Enquiry Music Ltd. and Noma Music Inc.
4:35
A3He’s a Whore
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
He’s a Whore (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Copyright Control, Leosong and Sony/ATV Songs LLC
2:43
A4Mandocello
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Mandocello (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Sony/ATV Songs LLC and ZPN and C Inc.
4:47
A5The Ballad of T.V. Violence (I’m Not the Only Boy)
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977)
recorded at and mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Ballad of T.V. Violence
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Sony/ATV Songs LLC and ZPN and C Inc.
5:11
B1Elo Kiddies
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (in 1977, in 1979), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
ELO Kiddies (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Play One Music, Sony/ATV Songs LLC, Unichappell Music, Inc. and ZPN and C Inc.
3:41
B2Daddy Should Have Stayed in High School
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Daddy Should’ve Stayed in High School (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Sony/ATV Songs LLC and ZPN and C Inc.
4:44
B3Taxman, Mr. Thief
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Taxman, Mr. Heath (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Sony/ATV Songs LLC and ZPN and C Inc.
4:15
B4Cry, Cry4:23
B5Oh Candy
assistant engineer:
Sam Ginsberg
engineer:
Sam Ginsberg
producer:
Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Oh, Candy (in 1976)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Play One Music, Sony/ATV Songs LLC, Unichappell Music, Inc. and ZPN and C Inc.
3:07
212" Vinyl: In Color (88883777741)
#TitleLength
A1Hello There
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Hello There (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (in 1977, in 1979)
1:39
A2Big Eyes
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Big Eyes (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (in 1977, in 1979)
3:05
A3Drowned
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS, Inc. (in 1978)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Downed
lyricist and composer:
Rick Nielsen
4:00
A4I Want You to Want Me3:10
A5You’re All Talk
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
You’re All Talk (in 1977)
writer:
Rick Nielsen and Tom Petersson
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
3:30
B1Oh Caroline
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Oh Caroline (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
2:57
B2Clock Strikes Ten
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Clock Strikes Ten (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (in 1977, in 1979)
2:56
B3Southern Girls
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Southern Girls
writer:
Rick Nielsen and Tom Petersson
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
3:41
B4Come On, Come On
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
Come On, Come On (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (in 1975, in 1979)
2:37
B5So Good to See You
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio in Los Angeles, California, United States (in 1977)
recording of:
So Good to See You (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
3:34
312" Vinyl: Heaven Tonight (88883777761)
#TitleLength
A1Surrender
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 356) and Rolling Stone: 500 Greatest Songs of All Time (number: 465)
recording of:
Surrender (from 1978-04-30 until 1978-05-03)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
4:14
A2On Top of the World
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
On Top of the World (from 1977 until 1978)
lyricist and composer:
Rick Nielsen
publisher:
Screen Gems–EMI Music, Inc.
4:01
A3California Man
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1978), Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
cover recording of:
California Man (from 1977 until 1978)
lyricist and composer:
Roy Wood
publisher:
Anne-Rachel Music Corp., Copyright Control, EMI U Catalog Inc., Intersong Music, Jet Music Ltd., United Artists Music Co., Inc. and United Artists Music Ltd.
3:45
A4High Roller
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1978), Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
High Roller (from 1977 until 1978)
writer:
Rick Nielsen, Tom Petersson and Robin Zander
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
3:58
A5Auf Wiedersehen
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1978), Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Auf Wiedersehen (in 1978)
writer:
Rick Nielsen and Tom Petersson
publisher:
NFP Music and Screen Gems–EMI Music, Inc.
3:42
B1Takin’ Me Back
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Takin’ Me Back (from 1977 until 1978)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
4:52
B2On the Radio
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
On the Radio (from 1977 until 1978)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
4:30
B3Heaven Tonight
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1978, in 1979), Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Heaven Tonight (from 1977 until 1978)
writer:
Rick Nielsen and Tom Petersson
publisher:
Adult Music and Screen Gems–EMI Music, Inc.
5:22
B4Stiff Competition
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1978), Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Stiff Competition (from 1977 until 1978)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc.
3:40
B5How Are You4:15
412" Vinyl: At Budokan (88883777771)
#TitleLength
A1Hello There
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Hello There (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (in 1977, in 1979)
2:27
A2Come On, Come On
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Come On, Come On (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (in 1975, in 1979)
3:18
A3Look Out
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Lookout (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978, in 1979) and Screen Gems–EMI Music, Inc. (in 1978, in 1979)
3:01
A4Big Eyes
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Big Eyes (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (in 1977, in 1979)
3:56
A5Need Your Love
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
Need Your Love (from 1978-04-28 until 1978-04-30)
writer:
Rick Nielsen and Tom Petersson
publisher:
Adult Music (in 1978, from 1978 until 1979, in 1979) and Screen Gems–EMI Music, Inc. (in 1978, from 1978 until 1979, in 1979)
8:58
B1Ain’t That a Shame
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 78)
live cover recording of:
Ain’t That a Shame (from 1978-04-28 until 1978-04-30)
writer:
Antoine Domino and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd., EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
5:17
B2I Want You to Want Me
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky and Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), EPC (in 1978), Epic/Sony Inc. (in 1978, in 1979), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control, EMI Music Publishing, Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
part of:
10 Things I Hate About You
3:45
B3Surrender
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Surrender (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
4:25
B4Goodnight Now
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Goodnight (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1979) and Screen Gems–EMI Music, Inc. (in 1979)
3:11
B5Clock Strikes Ten
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
producer:
Cheap Trick and Jack Douglas
mixer:
Jay Messina
phonographic copyright (℗) by:
CBS, Inc. (in 1978), EPC (in 1978) and Epic/Sony Inc. (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
live recording of:
Clock Strikes Ten (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (in 1977, in 1979)
4:04
512" Vinyl: Dream Police (88883777781)
#TitleLength
A1Dream Police
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1978, in 1979), Sony Music Entertainment Inc. (in 1978, in 1979), CBS Records Inc. (in 1979) and Sony BMG Music Entertainment (in 1979)
recorded at:
The Record Plant in Hollywood, Los Angeles, California, United States (in 1978)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Dream Police (in 1978)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control, EMI Music Publishing Australia Pty. Limited, Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
3:54
A2Way of the World
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS Records Inc. (in 1979), CBS, Inc. (in 1979, in 1980), Sony BMG Music Entertainment (in 1979) and Sony Music Entertainment Inc. (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Way of the World (in 1979)
writer:
Rick Nielsen and Robin Zander
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
3:39
A3The House Is Rockin’ (With Domestic Problems)
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
The House Is Rockin’ (With Domestic Problems)
writer:
Rick Nielsen and Tom Petersson
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
5:12
A4Gonna Raise Hell
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Gonna Raise Hell (in 1978)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
9:20
B1I’ll Be With You Tonight
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1979, in 1980) and Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
I’ll Be With You Tonight
writer:
Bun E. Carlos, Rick Nielsen, Tom Petersson and Robin Zander
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
3:52
B2Voices
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1979) and Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Voices (in 1978)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
4:22
B3Writing on the Wall
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Writing on the Wall
writer:
Rick Nielsen
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
3:27
B4I Know What I Want
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (in 1979) and Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
I Know What I Want
writer:
Rick Nielsen
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (from 1978 until 1979)
4:29
B5Need Your Love
engineer:
Mike Beiriger and Gary Ladinsky
producer:
Tom Werman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1979)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Need Your Love
writer:
Rick Nielsen and Tom Petersson
publisher:
Adult Music (in 1978, from 1978 until 1979, in 1979) and Screen Gems–EMI Music, Inc. (in 1978, from 1978 until 1979, in 1979)
7:38