Beyond Category

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1East St. Louis Toodle-oo
recording of:
East St. Louis Toodle‐oo
composer:
Duke Ellington and Bubber Miley
publisher:
Mills Music, Inc.
3:39
2Black and Tan Fantasy
recording of:
Black and Tan Fantasy
composer:
Duke Ellington and Bubber Miley
3:10
3Creole Love Call
recording of:
Creole Love Call
lyricist and composer:
Duke Ellington
3:12
4Black Beauty
recording of:
Black Beauty
composer:
Duke Ellington
2:55
5Old Man Blues
recording of:
Old Man Blues
composer:
Duke Ellington and Irving Mills
3:08
6Mood Indigo
recorded in:
New York, New York, United States (on 1930-10-30)
alto saxophone:
Harry Carney (on 1930-10-30) and Johnny Hodges (on 1930-10-30)
banjo:
Fred Guy (on 1930-10-30)
baritone saxophone:
Harry Carney (on 1930-10-30)
chimes and drums (drum set) [drums]:
Sonny Greer (on 1930-10-30)
clarinet:
Barney Bigard (on 1930-10-30), Harry Carney (on 1930-10-30) and Johnny Hodges (on 1930-10-30)
double bass [string bass]:
Wellman Braud (on 1930-10-30)
piano:
Duke Ellington (on 1930-10-30)
soprano saxophone:
Johnny Hodges (on 1930-10-30)
tenor saxophone:
Barney Bigard (on 1930-10-30)
trombone:
Joe Nanton (on 1930-10-30)
trumpet:
Freddie Jenkins (on 1930-10-30), Arthur Whetsel (on 1930-10-30) and Cootie Williams (on 1930-10-30)
valve trombone:
Juan Tizol (on 1930-10-30)
arranger:
Duke Ellington
recording of:
Mood Indigo (1930 jazz composition and song) (on 1930-10-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
3:09
7Rockin' in Rhythm
recording of:
Rockin’ in Rhythm
composer:
Harry Carney, Duke Ellington and Irving Mills
is based on:
Kinda Dukish
2:58
8Creole Rhapsody, Parts 1 & 2
recording of:
Creole Rhapsody, Part 1
composer:
Duke Ellington
recording of:
Creole Rhapsody, Part 2
composer:
Duke Ellington
8:35
9Daybreak Express
2:58
10Delta Serenade
recording of:
Delta Serenade
composer:
Duke Ellington
3:21
11Jack the Bear (Take It Away)
recording of:
Jack the Bear
composer:
Duke Ellington
3:18
12Ko-Ko
recorded in:
Chicago, Illinois, United States (on 1940-03-06)
alto saxophone and clarinet:
Otto Hardwick (on 1940-03-06) and Johnny Hodges (on 1940-03-06)
alto saxophone, baritone saxophone and clarinet:
Harry Carney (on 1940-03-06)
clarinet and tenor saxophone:
Barney Bigard (on 1940-03-06)
cornet:
Rex Stewart (on 1940-03-06)
double bass:
Jimmy Blanton (on 1940-03-06)
drums (drum set):
Sonny Greer (on 1940-03-06)
guitar:
Fred Guy (on 1940-03-06)
piano:
Duke Ellington (on 1940-03-06)
reeds:
Harry Carney (on 1940-03-06) and Otto Hardwick (on 1940-03-06)
saxophone:
Johnny Hodges (on 1940-03-06)
tenor saxophone:
Ben Webster (on 1940-03-06)
trombone:
Lawrence Brown (on 1940-03-06) and Tricky Sam Nanton (on 1940-03-06)
trumpet:
Wallace Jones (on 1940-03-06) and Cootie Williams (on 1940-03-06)
valve trombone:
Juan Tizol (on 1940-03-06)
recording of:
Ko-Ko (on 1940-03-06)
composer:
Duke Ellington
2:45
13Concerto for Cootie
recording of:
Concerto for Cootie
composer:
Duke Ellington
3:20
14Cotton Tail
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-04)
alto saxophone:
Otto Hardwick (on 1940-05-04) and Johnny Hodges (on 1940-05-04)
alto saxophone [as]:
Johnny Hodges (on 1940-05-04) and Otto Hardwicke (on 1940-05-04)
alto saxophone and clarinet:
Johnny Hodges (on 1940-05-04)
alto saxophone, baritone saxophone and clarinet, baritone saxophone and baritone saxophone [bars]:
Harry Carney (on 1940-05-04)
clarinet, clarinet [cl] and clarinet and tenor saxophone:
Barney Bigard (on 1940-05-04)
cornet and cornet [c]:
Rex Stewart (on 1940-05-04)
double bass, double bass [b] and double bass [bass]:
Jimmy Blanton (on 1940-05-04)
drums (drum set) and drums (drum set) [d]:
Sonny Greer (on 1940-05-04)
guitar and guitar [g]:
Fred Guy (on 1940-05-04)
piano and piano [p]:
Duke Ellington (on 1940-05-04)
tenor saxophone:
Ben Webster (on 1940-05-04)
tenor saxophone [ts]:
Barney Bigard (on 1940-05-04) and Ben Webster (on 1940-05-04)
trombone:
Lawrence Brown (on 1940-05-04), Joe "Tricky Sam" Nanton (on 1940-05-04) and Juan Tizol (on 1940-05-04)
trombone [tb]:
Lawrence Brown (on 1940-05-04) and Joe "Tricky Sam" Nanton (on 1940-05-04)
trumpet:
Wallace Jones (on 1940-05-04), Rex Stewart (on 1940-05-04) and Cootie Williams (on 1940-05-04)
trumpet [t]:
Wallace Jones (on 1940-05-04) and Cootie Williams (on 1940-05-04)
valve trombone and valve trombone [vtb]:
Juan Tizol (on 1940-05-04)
arranger:
Duke Ellington and Ben Webster
recording of:
Cotton Tail (on 1940-05-04)
lyricist and composer:
Duke Ellington
3:12
15Dusk
recording of:
Dusk
composer:
Duke Ellington
3:21
16Pitter Panther Patter
3:04
17Across the Track Blues
recording of:
Across the Track Blues
composer:
Duke Ellington
3:01
18Mobile Bay
3:11
19Take the "A" Train
alto saxophone:
Harry Carney (on 1941-02-15), Otto Hardwick (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
baritone saxophone:
Harry Carney (on 1941-02-15)
clarinet:
Barney Bigard (on 1941-02-15), Harry Carney (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
cornet:
Rex Stewart (on 1941-02-15)
double bass [bass]:
Jimmie Blanton (on 1941-02-15)
drums (drum set) [drums]:
Sonny Greer (on 1941-02-15)
guitar:
Fred Guy (on 1941-02-15)
piano:
Duke Ellington (on 1941-02-15)
tenor saxophone:
Barney Bigard (on 1941-02-15) and Ben Webster (on 1941-02-15)
trombone:
Lawrence Brown (on 1941-02-15) and Joe Nanton (on 1941-02-15)
trumpet:
Wallace Jones (on 1941-02-15) and Ray Nance (on 1941-02-15)
valve trombone:
Juan Tizol (on 1941-02-15)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1941-02-15)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
2:57
20I Got It Bad (and That Ain't Good)
alto saxophone:
Otto Hardwick (on 1941-06-26)
alto saxophone and clarinet:
Johnny Hodges (on 1941-06-26)
alto saxophone, baritone saxophone and clarinet:
Harry Carney (on 1941-06-26)
celesta:
Duke Ellington (on 1941-06-26)
clarinet and tenor saxophone:
Barney Bigard (on 1941-06-26)
cornet:
Rex Stewart (on 1941-06-26)
double bass:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26)
guitar:
Fred Guy (on 1941-06-26)
tenor saxophone:
Ben Webster (on 1941-06-26)
trombone:
Lawrence Brown (on 1941-06-26) and Joe "Tricky Sam" Nanton (on 1941-06-26)
trumpet:
Wallace Jones (on 1941-06-26) and Ray Nance (on 1941-06-26)
valve trombone:
Juan Tizol (on 1941-06-26)
vocals:
Ivie Anderson (on 1941-06-26)
arranger:
Duke Ellington and Billy Strayhorn
recording of:
I Got It Bad (and That Ain’t Good) (on 1941-06-26)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:20
21Subtle Slough
3:21
22Passion Flower
recording of:
Passion Flower
composer:
Billy Strayhorn
publisher:
Tempo Music, Inc.
3:10
2▼CD
#TitleLength
1Things Ain't What They Used to Be
recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
3:43
2Chelsea Bridge
recording of:
Chelsea Bridge
composer:
Billy Strayhorn (in 1941)
publisher:
Tempo Music, Inc.
2:55
3Moon Mist
recording of:
Moon Mist
composer:
Mercer Ellington
3:00
4Main Stem
recording of:
Main Stem
composer:
Duke Ellington
2:53
5I'm Beginning to See the Light
recording of:
I’m Beginning to See the Light
lyricist:
Don George (in 1944)
writer:
Duke Ellington
composer:
Duke Ellington (in 1944), Johnny Hodges (in 1944) and Harry James (in 1944)
publisher:
Anne-Rachel Music Corp.
3:16
6Carnegie Blues
recording of:
Carnegie Blues
composer:
Bennie R. Crawford, Jr
2:49
7Transblucency (A Blue Fog You Can Almost See Through)
3:00
8Harlem Suite
recording of:
A Tone Parallel to Harlem (The Harlem Suite)
composer:
Duke Ellington (in 1951)
15:09
9Caravan
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
4:13
10Come Sunday
recording of:
Come Sunday (1958 revision with lyrics)
lyricist and composer:
Duke Ellington
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
4:03
11Isfahan
recording of:
Isfahan
composer:
Duke Ellington and Billy Strayhorn
4:07
12Ad Lib on Nippon
recording of:
Ad Lib on Nippon
composer:
Duke Ellington
11:33
13Blood Count
producer:
Brad McCuen
alto saxophone:
Johnny Hodges (on 1967-09-01) and Russell Procope (on 1967-09-01)
bass trombone:
Chuck Connors (on 1967-09-01)
double bass:
Aaron Bell (on 1967-09-01)
drums (drum set):
Steve Little (on 1967-09-01)
piano:
Duke Ellington (on 1967-09-01)
reeds:
Harry Carney (on 1967-09-01), Jimmy Hamilton (on 1967-09-01) and Russell Procope (on 1967-09-01)
tenor saxophone:
Paul Gonsalves (on 1967-09-01)
trombone:
Lawrence Brown (on 1967-09-01) and Buster Cooper (on 1967-09-01)
trumpet:
Cat Anderson (on 1967-09-01), Mercer Ellington (on 1967-09-01), Herbie Jones (on 1967-09-01) and Cootie Williams (on 1967-09-01)
DJ-mixer:
Ray Hall
recording of:
Blood Count (on 1967-09-01)
composer:
Billy Strayhorn (in 1967)
4:19
14The Intimacy of the Blues
producer:
Brad McCuen
alto saxophone:
Johnny Hodges (on 1967-11-15) and Russell Procope (on 1967-11-15)
bass trombone:
Chuck Connors (on 1967-11-15)
double bass:
Jeff Castleman (on 1967-11-15)
drums (drum set):
Sam Woodyard (on 1967-11-15)
piano:
Duke Ellington (on 1967-11-15)
reeds:
Harry Carney (on 1967-11-15), Jimmy Hamilton (on 1967-11-15) and Russell Procope (on 1967-11-15)
tenor saxophone:
Paul Gonsalves (on 1967-11-15)
trombone:
Lawrence Brown (on 1967-11-15) and Buster Cooper (on 1967-11-15)
trumpet:
Cat Anderson (on 1967-11-15), Mercer Ellington (on 1967-11-15), Herbie Jones (on 1967-11-15) and Cootie Williams (on 1967-11-15)
DJ-mixer:
Ray Hall
recording of:
Intimacy of the Blues (on 1967-11-15)
composer:
Billy Strayhorn
3:00
15Lotus Blossom
recording of:
Lotus Blossom
composer:
Billy Strayhorn
4:58