| # | Title | Artist | Length |
|---|
| 1 | Denis- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 2001) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- cover recording of:
- Denise (from 1977-06 until 1977-07)
- lyricist and composer:
- Neil Levenson
- publisher:
- Bright Tunes Music Corp., EMI Music Publishing Ltd., Minder Music Ltd. and Taking Care of Business Music Inc.
| Blondie | 2:19 |
| 2 | Dancing in the City | Marshall Hain | 3:47 |
| 3 | More Than a Woman- producer:
- Freddie Perren
- drums (drum set):
- James Gadson
- guitar:
- Bob Bowles
- percussion:
- Bob Zimmitti and Paulinho da Costa
- piano:
- Sonny Burke
- phonographic copyright (℗) by:
- POLYGRAM International Music (in 1977)
- cover recording of:
- More Than a Woman
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
- recording of:
- More Than a Woman
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
| Tavares | 3:17 |
| 4 | Boogie Shoes | KC and the Sunshine Band | 2:12 |
| 5 | On Fire | T-Connection | 7:27 |
| 6 | Every 1’s a Winner | Hot Chocolate | 3:57 |
| 7 | Talking in Your Sleep | Crystal Gayle | 2:57 |
| 8 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing, EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc., Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd., Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4:10 |
| 9 | More Like the Movies | Dr. Hook | 3:42 |
| 10 | Lay Your Love on Me | Racey | 3:15 |
| 11 | Darlin’ | Frankie Miller | 3:10 |
| 12 | If You Can’t Give Me Love | Suzi Quatro | 3:54 |
| 13 | Rich Kids | Rich Kids | 3:00 |
| 14 | Five Minutes | The Stranglers | 3:19 |
| 15 | Ever Fallen in Love (With Someone You Shouldn’t’ve)? | Buzzcocks | 2:44 |
| 16 | Shot by Both Sides | Magazine | 4:00 |
| 17 | Public Image | Public Image Ltd | 2:58 |
| 18 | Airport | The Motors | 4:28 |
| 19 | Boogie Oogie Oogie | A Taste of Honey | 3:37 |
| 20 | If I Had Words | Scott Fitzgerald & Yvonne Keeley | 3:50 |
