Der Messias

~ Release by Georg Friedrich Händel; Neville Marriner, Lucia Popp, Brigitte Fassbaender, Robert Gambill, Robert Holl, Südfunkchor, Radio-Sinfonie-Orchester Stuttgart (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistLength
1Der Messias: No. 1 Sinfonia
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:19
2Der Messias: No 2 Accompagnato / 3. Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel6:11
3Der Messias: No. 4 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:03
4Der Messias: No. 5 Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:25
5Der Messias: No. 6 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (on 1984-07-19)
composer:
George Frideric Handel
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:22
6Der Messias: No. 7 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:10
7Der Messias: Rezitativ
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:27
8Der Messias: No. 8 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:58
9Der Messias: Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:22
10Der Messias: No. 10 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:05
11Der Messias: No. 11 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:37
12Der Messias: No. 12 Pifa Symphony
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:14
13Der Messias: Rezitativ / No. 13 Accompagnato & Rezitativ
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:04
14Der Messias: No. 14 Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:16
15Der Messias: No. 15 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:47
16Der Messias: No. 16 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:32
17Der Messias: Rezitativ
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:25
18Der Messias: No. 17 Duett
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:23
19Der Messias: No. 18 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:09
20Der Messias: No. 19 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:20
21Der Messias: No. 20 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel9:06
2▼CD
#TitleArtistLength
1Der Messias: No. 21 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:28
2Der Messias: No. 22 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:57
3Der Messias: No. 23 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:02
4Der Messias: No. 24 Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:45
5Der Messias: No. 25 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:15
6Der Messias: No. 26 Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:40
7Der Messias: No. 27 Arioso
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:26
8Der Messias: No. 28 Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:28
9Der Messias: No. 29 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:15
10Der Messias: No. 30 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:05
11Der Messias: Rezitativ
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:15
12Der Messias: No. 31 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:27
13Der Messias: No. 32 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:27
14Der Messias: No. 33 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:11
15Der Messias: No. 34 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:20
16Der Messias: No. 35 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:09
17Der Messias: No. 36 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:52
18Der Messias: No. 37 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:00
19Der Messias: Rezitativ
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:14
20Der Messias: No. 38 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:05
21Der Messias: No. 39 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:05
22Der Messias: No. 40 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:19
23Der Messias: No. 41 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:03
24Der Messias: No. 42 Accompagnato
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:39
25Der Messias: No. 43 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
bass vocals:
Robert Holl (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:53
26Der Messias: Rezitativ
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (on 1984-07-19)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:18
27Der Messias: No. 44 Duett / No. 45 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
contralto vocals:
Brigitte Fassbaender (from 1984-05-24 until 1984-05-30, on 1984-07-19)
tenor vocals:
Robert Gambill (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:52
28Der Messias: No. 46 Arie
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
soprano vocals:
Lucia Popp (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:41
29Der Messias: No. 47 Chor
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg and Dr. Otto Tomek
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (on 1984-07-19)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:59

Credits

Release

ASIN:DE: B000026D31 [info]