Seven Classic Albums

~ Release by Cecil Taylor (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Jazz Advance / At Newport
#TitleLength
1Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス and 日音 Synch事業部
7:27
2Charge ’em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (on 1956-09-14)
recording of:
Charge ’Em Blues (on 1956-09-14)
composer:
Cecil Taylor
11:08
3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1937)
7:28
4Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
5:18
5You’d Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
9:17
6Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
6:04
7Johnny Come Lately
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live cover recording of:
Stomp (Johnny Come Lately) (on 1957-07-06)
composer:
Billy Strayhorn
7:13
8Nona’s Blues
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Nona’s Blues (on 1957-07-06)
composer:
Cecil Taylor
7:40
9Tune 2
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Tune 2 (on 1957-07-06)
composer:
Cecil Taylor
10:22
2▼CD: Looking Ahead / Stereo Drive (Hard Driving Jazz)
#TitleLength
1Luyah! The Glorious Step
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Luyah! The Glorious Step
composer:
Cecil Taylor
6:25
2African Violets
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
African Violets
composer:
Earl Griffith and Cecil Taylor
5:11
3Of What
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Of What
composer:
Massimo Bottini and Cecil Taylor
8:17
4Wallering
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Wallering
composer:
Cecil Taylor
5:22
5Toll
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Toll
composer:
Cecil Taylor
7:40
6Excursion on a Wobbly Rail
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (on 1958-06-09)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1958-06-09)
recording of:
Excursion on a Wobbly Rail
composer:
Cecil Taylor
9:01
7Shifting Down
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson
double bass [bass]:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
recording of:
Shifting Down (on 1958-10-13)
composer:
Kenny Dorham
10:39
8Just Friends
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
instrumental cover recording of:
Just Friends (on 1958-10-13)
lyricist:
Sam M. Lewis
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc.
6:13
9Like Someone in Love
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
instrumental cover recording of:
Like Someone in Love (on 1958-10-13)
lyricist:
Johnny Burke (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co., Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
8:08
10Double Clutching
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (on 1958-10-13)
recording of:
Double Clutching (on 1958-10-13)
composer:
Chuck Israels
publisher:
EMI Unart Catalog Inc.
8:19
3▼CD: Love for Sale / The World of Cecil Taylor
#TitleLength
1Get Out of Town
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1998)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
instrumental cover recording of:
Get Out of Town (on 1959-04-15)
lyricist and composer:
Cole Porter (in 1938)
part of:
Leave It to Me!
9:12
2I Love Paris
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1998)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
instrumental cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1959-04-15)
lyricist and composer:
Cole Porter (in 1953)
publisher:
Chappell, Chappell & Co., Inc. and Warner/Chappell North America Limited
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:11
3Love for Sale
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1998)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
cover recording of:
Love for Sale (on 1959-04-15)
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
8:15
4Little Lees
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1998)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
recording of:
Little Lees (Louise) (on 1959-04-15)
composer:
Cecil Taylor
9:05
5Matie’s Trophies
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1998)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1959-04-15)
recording of:
Matie’s Trophies (Motystrophe) (on 1959-04-15)
composer:
Cecil Taylor
10:14
6Air
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
8:39
7This Nearly Was Mine (take 1)
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
This Nearly Was Mine (South Pacific) (in 1960-12)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
10:49
8Port of Call (take 2)
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
4:19
9E.B. (take 2)
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
E.B. (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
9:57
4▼CD: The World of Cecil Taylor Cont. / New York City R&B / Gil Evans - Into the Hot
#TitleLength
1Lazy Afternoon
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960-12)
orchestrator and composer:
Jerome Moross
lyricist:
John Latouche
publisher:
Chappell & Co., Inc., Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
14:52
2O.P.
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
O.P. (in 1961-01)
composer:
Buell Neidlinger
9:13
3Cell Walk for Celeste
producer:
Nat Hentoff
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
11:37
4Cindy’s Main Mood
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cindy’s Main Mood (in 1961-01)
composer:
Billy Higgins, Buell Neidlinger and Cecil Taylor
5:13
5Things Ain’t What They Used to Be (take 1)
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (from 1961-01-09 until 1961-01-10)
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10) and Steve Lacy (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
10:09
6Pots
producer:
Gil Evans
alto saxophone:
Jimmy Lyons (on 1961-10-10)
double bass [bass]:
Henry Grimes (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Pots (on 1961-10-10)
composer:
Cecil Taylor
5:43
7Bulbs
producer:
Gil Evans
alto saxophone:
Jimmy Lyons (on 1961-10-10)
double bass [bass]:
Henry Grimes (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Bulbs (on 1961-10-10)
composer:
Cecil Taylor
6:52
8Mixed
producer:
Gil Evans
alto saxophone:
Jimmy Lyons (on 1961-10-10)
double bass [bass]:
Henry Grimes (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
trombone:
Roswell Rudd (on 1961-10-10)
trumpet:
Ted Curson (on 1961-10-10)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Mixed (on 1961-10-10)
composer:
Cecil Taylor
10:12