The Michael Parkinson Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Notes

Tenderly is from Hallelujah Hamp MGV 8226

Tracklist

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1CD
#TitleArtistLength
1The Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson
drums (drum set):
Peter Erskine (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Diana Krall4:42
2What a Difference a Day MakesJamie Cullum5:09
3Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (on 1957-08-18)
trombone:
Buddy Childers (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong4:58
4Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Astrud Gilberto2:21
5But Not for Me
recorded in:
Los Angeles, California, United States (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday3:50
6So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (in 1948)
publisher:
Chappell & Co., Inc.
part of:
Kiss Me, Kate (musical)
Dinah Washington4:26
7I Was Doing All Right
Carmen McRae2:49
8Blue MoonMel Tormé3:43
9Solitary MoonShirley Horn5:07
10At Last
Marion Montgomery3:02
11What the World Needs Now
guitar:
Colin Oxley (from 2003-02-18 until 2003-02-22)
piano:
David Newton (from 2003-02-18 until 2003-02-22)
lead vocals:
Stacey Kent (from 2003-02-18 until 2003-02-22)
recorded at:
Curtis Schwartz Studio in West Sussex, England, United Kingdom (from 2003-02-18 until 2003-02-22)
cover recording of:
What the World Needs Now Is Love (from 2003-02-18 until 2003-02-22)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部, フジパシフィックミュージック 第2事業部, BMG Rights Management (UK) Ltd. (Hal David) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (in 1993)
Stacey Kent4:11
12Dearly Beloved
engineer:
Val Valentin
producer:
Bryan Koniarz
vocals:
Margaret Whiting
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Dearly Beloved (from “You Were Never Lovelier”)
lyricist:
Johnny Mercer
composer:
Jerome Kern
part of:
The 15th Academy Award for Best Original Song (number: 2)
Margaret Whiting2:52
13Haunted Heart
Jane Monheit4:16
14I Used to Be Colorblind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
Anita O’Day3:10
15The Shadow of Your Smile
The Singers Unlimited4:31
16TenderlyLionel Hampton5:18
17Don’t Get Around Much AnymoreDuke Ellington & His Orchestra3:04
18Aguas de marco
engineer:
Humberto Gatica
producer:
Aloysio de Oliveira
bass:
Luizão Maia (from 1974-02-22 until 1974-03-09)
drums (drum set):
Paulinho Braga (from 1974-02-22 until 1974-03-09)
guitar:
Oscar Castro‐Neves (from 1974-02-22 until 1974-03-09) and Hélio Delmiro (from 1974-02-22 until 1974-03-09)
piano:
Cesar C. Mariano (from 1974-02-22 until 1974-03-09) and Antônio Carlos Jobim (from 1974-02-22 until 1974-03-09)
vocals:
Antônio Carlos Jobim (from 1974-02-22 until 1974-03-09) and Elis Regina (from 1974-02-22 until 1974-03-09)
phonographic copyright (℗) by:
Universal Music Ltda. (in 1974)
recorded at:
MGM in Los Angeles, California, United States (from 1974-02-22 until 1974-03-09)
recording of:
Águas de março (from 1974-02-22 until 1974-03-09)
lyricist and composer:
Antônio Carlos Jobim
Antonio Carlos Jobim & Elis Regina3:33
19Straight No Chaser
Quincy Jones2:26
2CD
#TitleArtistLength
1The Very Thought of YouTony Bennett4:33
2These Foolish Things
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-30)
producer:
Bill Richards
cello:
Fred Goerner (on 1945-07-30)
double bass:
John Ryan (on 1945-07-30)
drums (drum set):
Ray Hagan (on 1945-07-30)
flute:
John Mayhew (on 1945-07-30)
guitar:
George van Eps (on 1945-07-30)
piano:
Mark McIntyre (on 1945-07-30)
viola:
Sam Freed (on 1945-07-30)
violin:
David Frisina (on 1945-07-30) and Mischa Russell (on 1945-07-30)
lead vocals:
Frank Sinatra (on 1945-07-30)
conductor:
Axel Stordahl (on 1945-07-30)
arranger:
Axel Stordahl
cover recording of:
These Foolish Things (Remind Me of You) (on 1945-07-30)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co., Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc., Bourne Co., Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Frank Sinatra3:12
3I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control, SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone2:35
4Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (in 1948)
publisher:
BMG Music Publishing, Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:07
5I’m Glad There Is YouNatalie Cole5:17
6You’re Blase
cover recording of:
You’re Blasé
lyricist:
Bruce Sievier
composer:
Ord Hamilton
Ella Fitzgerald3:58
7It Never Entered My MindSarah Vaughan3:41
8When You’re Smiling (the Whole World Smiles With You)
Louis Armstrong4:04
9Bye Bye Blackbird
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
Miles Davis7:57
10Tuning In
Woody Herman4:18
11You Got to My Head
Roy Hargrove6:06
12Night & Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Clare Teal3:50
13Manhattan
Blossom Dearie4:18
14Lover Man
recording of:
Lover Man
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
Charlie Parker3:24
15Roll ’em Pete
Joe Williams2:43
16Don’t ExplainCharlie Parker & Chet Baker3:28
17Now It Can Be Told
cover recording of:
Now It Can Be Told
lyricist and composer:
Irving Berlin (in 1938)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Billy Eckstine & Sarah Vaughan3:43
18What a Little Moonlight Can Do
Steve Tyrell3:44

Credits

Release

rights society:BIEM
MCPS
copyrighted (©) by and phonographic copyright (℗) by:Universal Classics & Jazz UK (in 2003)
ASIN:UK: B0000CG3ON [info]