Welcome To The Club / Tell Me All About Yourself

~ Release by Nat King Cole (see all versions of this release, 1 available)

Annotation

Two original albums reissued on one disc.

"Welcome To The Club" released in 1959 on Capitol as SW-1120 (minus track 12 'Madrid', which was pulled from the original line-up at the last minute). "Tell Me All About Yourself" released in 1960 on Capitol as SW-1331.

(P)©2007 EMI Music Special Markets.

Matrix / Runout: A 7301 5099950164622 E70707-26
Mastering-SID-Code: L383
Mould-SID-Code: IFPI 6100

Tracklist

1▼CD
#TitleLength
1Welcome To The Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:44
2Anytime, Anyday, Anywhere
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Anytime, Anyday, Anywhere (on 1958-06-30)
lyricist:
Ned Washington
composer:
Lee Wiley and Victor Young
publisher:
Catharine Hinen Music, Chappell & Co., Inc. and Patti Washington Music
2:20
3The Blues Don't Care
2:11
4Mood Indigo
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1958-06-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
3:21
5Baby Won't You Please Come Home
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Baby Won’t You Please Come Home (on 1958-07-01)
writer:
Charles Warfield and Clarence Williams
publisher:
Redwood Music Ltd., Universal‐MCA Music Publishing and Universal/MCA Music Ltd.
2:11
6The Late, Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred
2:32
7Avalon
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (on 1958-07-01) and Billy Mitchell (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Avalon (on 1958-07-01)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
1:46
8She's Funny That Way
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
She’s Funny That Way (on 1958-06-30)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:02
9I Want A Little Girl
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
I Want a Little Girl (on 1958-06-30)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
recording of:
I Want a Little Girl
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
2:50
10Wee Baby Blues
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-02)
cover recording of:
Wee Baby Blues (on 1958-07-02)
writer:
Pete Johnson and Big Joe Turner
publisher:
Leeds Music Ltd.
3:17
11Look Out For Love
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Look Out for Love (on 1958-07-02)
writer:
Danny Meehan and Colin Romoff
1:58
12Madrid
alto saxophone:
Marshall Royal (on 1958-07-02) and Frank Wess (on 1958-07-02)
baritone saxophone:
John Fowlkes (on 1958-07-02)
bass:
Eddie Jones (on 1958-07-02)
drums (drum set):
Sonny Payne (on 1958-07-02) and Lee Young (on 1958-07-02)
guitar:
Freddie Green (on 1958-07-02)
piano:
Gerald Wiggins (on 1958-07-02)
tenor saxophone:
Frank Foster (on 1958-07-02) and Billy Mitchell (on 1958-07-02)
trombone:
Henry Coker (on 1958-07-02), Al Grey (on 1958-07-02) and Benny Powell (on 1958-07-02)
trumpet:
John Anderson (on 1958-07-02), Wendell Culley (on 1958-07-02), Gene "Snooky" Young (on 1958-07-02), Thad Jones (on 1958-07-02) and Joe Newman (on 1958-07-02)
vocals:
Nat King Cole (on 1958-07-02)
orchestra:
The Count Basie Orchestra (on 1958-07-02)
conductor:
Dave Cavanaugh (on 1958-07-02)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Madrid (on 1958-07-02)
writer:
Nat King Cole and Johnny Lange
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
2:51
13Tell Me All About Yourself
2:06
14Until The Real Thing Comes Along
recording of:
Until the Real Thing Comes Along
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
3:09
15The Best Thing For You
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
1:59
16When You Walked By
2:48
17Crazy She Calls Me
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation and ミュージック・セールス
2:34
18You've Got The Indian Sign On Me
recording of:
You've Got the Indian Sign on Me
lyricist:
Johnny Burke (in 1960)
composer:
Joe Bushkin (in 1960)
1:49
19For You
recording of:
For You
lyricist:
Al Dubin (in 1930)
composer:
Joe Burke (in 1930)
publisher:
B. Feldman & Co. Ltd.
2:20
20Dedicated To You
recording of:
Dedicated to You
writer:
Sammy Cahn, Saul Chaplin and Hy Zaret
publisher:
Argosy Music Corp., Cahn Music Company, Chappell & Co., Helene Blue Musique Ltd. and WB Music Corp.
2:51
21You Are My Love
1:54
22This Is Always
recording of:
This Is Always
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
WB Music Corp.
2:58
23My Life
2:11
24(I Would Do) Anything For You
recording of:
I Would Do Anything for You
composer:
Alexander Hill, Claude Hopkins and Bobby Williams
1:46