| # | Title | Artist | Length |
|---|
| 1 | Dancing in the Street- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music, EMI Music Publishing, FCG Music, Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha and the Vandellas | 2:37 |
| 2 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks, Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards, Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 3:21 |
| 3 | You Can't Hurry Love- recording engineer:
- Russ Terrana
- engineer:
- Lamont Dozier
- producer:
- Lamont Dozier and Brian Holland
- bass:
- James Jamerson (on 1966-06-11)
- brass [horns]:
- Detroit Symphony Orchestra (on 1966-06-11)
- drums (drum set):
- Benny Benjamin (on 1966-06-11)
- guitar [Gibson L-5]:
- Robert White (on 1966-06-11)
- instruments:
- The Funk Brothers (on 1966-06-11)
- piano:
- Earl Van Dyke (on 1966-06-11)
- tambourine:
- Jack Ashford (on 1966-06-11)
- background vocals:
- Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
- lead vocals:
- Diana Ross (on 1966-07-05)
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1966) and Motown Records (in 2015, in 2017)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
- part of:
- Billboard: The 500 Best Pop Songs (number: 280)
- recording of:
- You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
- lyricist:
- Lamont Dozier, Brian Holland and Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Music Publishing Ltd., Jobete, Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Supremes | 2:42 |
| 4 | Please Mr. Postman- producer:
- Robert Bateman and Brian Holland
- bass:
- James Jamerson (in 1961-04)
- drums (drum set):
- Benny Benjamin (in 1961-04) and Marvin Gaye (in 1961-04)
- guitar:
- Eddie Willis (in 1961-04)
- handclaps:
- Katherine Anderson (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (in 1961-04)
- instruments:
- The Funk Brothers (in 1961-04)
- percussion:
- Eddie “Bongo” Brown (in 1961-04)
- piano:
- Richard ‘Popcorn’ Wylie (in 1961-04)
- background vocals:
- Katherine Anderson (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (in 1961-04)
- lead vocals:
- Gladys Horton (in 1961-04)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (in 1961-04)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 331) and Billboard: The 500 Best Pop Songs (number: 410)
- recording of:
- Please Mr. Postman (in 1961-04)
- writer:
- Robert Bateman (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (in 1961)
- publisher:
- Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
| The Marvelettes | 2:26 |
| 5 | Jump to It | Aretha Franklin | 4:12 |
| 6 | Ai No Corrida | Quincy Jones | 4:02 |
| 7 | Stomp | The Brothers Johnson | 3:58 |
| 8 | Don't Leave Me This Way | Thelma Houston | 3:34 |
| 9 | That's the Way (I Like It) | KC and the Sunshine Band | 3:02 |
| 10 | Solid | Ashford & Simpson | 3:42 |
| 11 | Papa Was a Rolling Stone | The Temptations | 6:54 |
| 12 | Nightshift- associate producer:
- Peter Wolfe and Jeremy Smith
- producer:
- Dennis Lambert
- arranger:
- Peter Wolfe
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1984)
- edit of:
- Nightshift by Commodores
- recording of:
- Nightshift
- writer:
- Franne Golde, Dennis Lambert and Walter Orange
- publisher:
- BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. and Zomba Enterprises, Inc.
| Commodores | 4:19 |
| 13 | I Love Your Smile | Shanice | 3:48 |
| 14 | No Diggity- programming and producer:
- Teddy Riley and William "Skylz" Stewart
- instruments:
- Teddy Riley and William "Skylz" Stewart
- guest performer:
- Dr. Dre and Queen Pen
- performer:
- Blackstreet
- arranger:
- Teddy Riley and William "Skylz" Stewart
- samples:
- Grandma’s Hands by Bill Withers
- part of:
- Billboard: The 500 Best Pop Songs (number: 91) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 424)
- recording of:
- No Diggity
- writer:
- Andre Young, Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley, William "Skylz" Stewart and Bill Withers
- publisher:
- Ain't Nothin' Goin' But F...n', Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music, Sony Songs Inc., Universal Z Songs and Zomba Enterprises Inc.
| Blackstreet | 5:06 |
| 15 | Proud Mary | Ike & Tina Turner | 4:56 |
