Five Classic Albums Plus Third Set

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Just One of Those Things
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Just One of Those Things (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:11
2You'd Be So Nice to Come Home To
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
You’d Be So Nice to Come Home To (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
1:53
3Easy to Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Easy to Love (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell, Chappell & Co., Inc., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
Anything Goes
part of:
Born to Dance
2:05
4I Get a Kick Out of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Get a Kick Out of You (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:25
5All of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
All of You (Silk Stockings musical) (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
1:44
6Love for Sale
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Love for Sale (on 1959-04-02)
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
2:46
7Get Out of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1938)
part of:
Leave It to Me!
2:33
8I've Got You Under My Skin
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I’ve Got You Under My Skin (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
1:50
9Night and Day
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:04
10It's De-Lovely
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
It’s De‐Lovely (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:07
11I Love You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
2:00
12What Is This Thing Called Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:34
13But Not for Me
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
But Not for Me (on 1958-04-27)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:51
14Medley: I Have a Reason for Living/My Love for You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
5:06
15The Varsity Drag
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Varsity Drag (Good News) (on 1958-04-27)
lyricist:
Lew Brown and Ray Henderson
composer:
Buddy DeSylva
part of:
Good News (1947 film)
1:53
16It Never Entered My Mind
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
It Never Entered My Mind (on 1958-04-27)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:09
17Tea for Two
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Tea for Two (No, No, Nanette) (on 1958-04-27)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
3:52
18Everytime I'm With You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
2:08
19Have You Met Miss Jones?
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1958-04-27)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
2:12
20The Wildest Gal in Town
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
2:39
21Star Eyes
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Star Eyes (on 1958-04-27)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
2:53
22Loneliness Is a Well
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
3:15
23The Song Is You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
The Song Is You (on 1958-04-27)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. and T.B. Harms Co.
3:29
24Key Largo
recorded in:
Los Angeles, California, United States (in 1947)
alto saxophone:
Benny Carter (in 1947)
piano:
Ralph Burns (in 1947)
trombone:
Ray Sims (in 1947)
trumpet:
Ray Linn (in 1947)
vocals:
Anita O’Day (in 1947)
part of:
Signature (number: SRC 660)
recording of:
Key Largo (in 1947)
lyricist:
Leah Worth
composer:
Benny Carter and Karl Suessdorf
2:54
25Hi Ho Trailus Boot Whip
vocals:
Anita O’Day (in 1947-09)
2:32
26I Ain't Gettin' Any Younger
vocals:
Anita O’Day (in 1947)
3:04
27Malaguena
vocals:
Anita O’Day (in 1947)
recording of:
Malaguena (English lyrics) (in 1947)
lyricist and composer:
Ernesto Lecuona
translator:
Marian Banks
translated version of:
Malagueña from Andalucia Suite (original Spanish vocal version)
2:59
28How High the Moon
vocals:
Anita O’Day (in 1947)
recording of:
How High the Moon (in 1947)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell, Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
2:57
29Sometimes I'm Happy
recorded in:
Los Angeles, California, United States (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
bass:
Art Shapiro (in 1947-02)
drums (drum set):
Milt Holland (in 1947-02)
guitar:
Tony Rizzi (in 1947-02)
trumpet:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
performer:
Alvy West and The Little Band (in 1947-02)
part of:
Signature (number: SRC 376)
recording of:
Sometimes I’m Happy (in 1947-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:44
30Ace in the Hole
recorded in:
Los Angeles, California, United States (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
bass:
Art Shapiro (in 1947-02)
drums (drum set):
Milt Holland (in 1947-02)
guitar:
Tony Rizzi (in 1947-02)
trumpet:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
performer:
Alvy West and The Little Band (in 1947-02)
part of:
Signature (number: SRC 377)
recording of:
Ace in the Hole (Let’s Face It! musical) (in 1947-02)
lyricist and composer:
Cole Porter (in 1941)
2:56
2▼CD
#TitleLength
1Trav'lin Light
recording of:
Trav’lin’ Light
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation, Rytvoc, Inc. and WB Music Corp.
3:37
2The Moon Looks Down and Laughs
4:00
3Don't Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation and Universal Music Publishing
3:13
4Remember
recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:40
5Some Other Spring
2:28
6What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods
publisher:
Connelly Basart, Warner Bros. Music and Warner Brothers Music Inc.
2:31
7Miss Brown to You
4:04
8God Bless the Child
cover recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co.
2:10
9If the Moon Turns Green
baritone saxophone:
Chuck Gentry (on 1961-01-18)
double bass:
Buddy Clark (on 1961-01-18)
drums (drum set):
Mel Lewis (on 1961-01-18)
guitar:
Al Viola (on 1961-01-18)
piano:
Russ Freeman (on 1961-01-18)
saxophone:
Joe Maini (on 1961-01-18)
trombone:
Lew McCreary (on 1961-01-18), Dick Nash (on 1961-01-18) and Frank Rosolino (on 1961-01-18)
trumpet:
Al Porcino (on 1961-01-18), Jack Sheldon (on 1961-01-18), Ray Triscari (on 1961-01-18) and Stu Williamson (on 1961-01-18)
vibraphone:
Larry Bunker (on 1961-01-18)
vocals:
Anita O’Day (on 1961-01-18)
conductor:
Johnny Mandel (on 1961-01-18)
recording of:
If the Moon Turns Green (on 1961-01-18)
lyricist:
Paul Coates (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (on 1934-11-27)
2:57
10I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
2:17
11Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:53
12Crazy He Calls Me
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation and ミュージック・セールス
3:27
13Boogie Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Boogie Blues (on 1961-10-16)
writer:
Ray Biondi and Gene Krupa
3:49
14You Came a Long Way From St. Louis
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
You Came a Long Way From St. Louis (on 1961-10-16)
lyricist:
Bob Russell
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
4:16
15I Want to Sing a Song
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
I Want to Sing a Song (on 1961-10-16)
writer:
Margo Guryan and Gary McFarland
2:47
16A Woman Alone With the Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
A Woman Alone With the Blues (on 1961-10-16)
lyricist and composer:
Willard Robison
3:22
17The Ballad of All the Sad Young Men
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Ballad of the Sad Young Men (on 1961-10-16)
lyricist:
Fran Landesman
composer:
Tommy Wolf
4:27
18Do Nothin' Till You Hear From Me
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Do Nothin’ Till You Hear From Me (on 1961-10-16)
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
4:11
19One More Mile
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
2:42
20Night Bird
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
4:00
21Up State
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
2:34
22Senor Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (on 1961-10-16)
tenor saxophone:
Zoot Sims (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Señor Blues (on 1961-10-16)
writer:
Horace Silver
2:48
23What Is This Thing Called Love
vocals:
Anita O’Day (in 1947-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1947-09)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:44
24Them There Eyes
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (on 1945-01-18)
bass:
Phil Stevens (on 1945-01-18)
double bass:
Phil Stephens (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18) and Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (on 1945-01-18)
arranger:
Lowell Martin
part of:
Capitol Records (number: 550-3)
cover recording of:
Them There Eyes (on 1945-01-18)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
recording of:
Them There Eyes (on 1945-01-18)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:43
25Memories of You
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (on 1945-01-18)
bass:
Phil Stevens (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (on 1945-01-18)
arranger:
Lowell Martin
part of:
Capitol Records (number: 551-4)
3:00