Christmas Cantatas

~ Release by J.S. Bach; Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistLength
1"Ich freue mich n dir", BWV 133: Chorus: "Ich freu mich in dir"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach3:52
2"Ich freue mich n dir", BWV 133: Aria (Alto) "Getrost! Es faßt ein heilger Leib"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Franziska Gottwald (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:07
3"Ich freue mich n dir", BWV 133: Recitative (Tenor): "Ein Adam mag sich voller Schrecken"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals:
Paul Agnew (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:57
4"Ich freue mich n dir", BWV 133: Aria (Soprano): "Wie lieblich klingt es in den Ohren"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:28
5"Ich freue mich n dir", BWV 133: Recitative (Bass): "Wohlan! Des Todes Furcht und Schmerz"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
Klaus Mertens (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
6"Ich freue mich n dir", BWV 133: Chorale: "Wohlan, so will ich mich"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (from 2000-11-25 until 2000-12-02)
lyricist:
Caspar Ziegler
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:00
7"Gelobet seist du, Jesu Christ", BWV 91: Chorale: "Gelobet seist du, Jesu Christ"Johann Sebastian Bach2:48
8"Gelobet seist du, Jesu Christ", BWV 91: Recitative (Soprano) and Chorale: "Der Glanz der höchsten Herrlichkeit"Johann Sebastian Bach1:38
9"Gelobet seist du, Jesu Christ", BWV 91: Aria (Tenor): "Gott, dem der Erden Kreis zu klein"Johann Sebastian Bach2:45
10"Gelobet seist du, Jesu Christ", BWV 91: Recitative (Bass): "O Christenheit!"Johann Sebastian Bach1:18
11"Gelobet seist du, Jesu Christ", BWV 91: Aria (Soprano, Alto): "Die Armut, so Gott auf sich nimmt"Johann Sebastian Bach7:01
12"Gelobet seist du, Jesu Christ", BWV 91: Chorale: "Das hat er alles uns getan"Johann Sebastian Bach0:46
13"Christen, ätzet diesen Tag", BWV 63: Chorus: "Christen, ätzet diesen Tag"Johann Sebastian Bach4:46
14"Christen, ätzet diesen Tag", BWV 63: Recitative (Alto): "O selger Tag! o ungemeines Heute"Johann Sebastian Bach3:16
15"Christen, ätzet diesen Tag", BWV 63: Aria [Duet] (Soprano, Bass): "Gott, du hast es wohl gefüget"Johann Sebastian Bach6:52
16"Christen, ätzet diesen Tag", BWV 63: Recitative (Tenor): "So kehret sich nun heut das bange Leid"Johann Sebastian Bach0:54
17"Christen, ätzet diesen Tag", BWV 63: Aria [Duet] (Alto, Tenor): "Ruft und fleht den Himmel an"Johann Sebastian Bach4:08
18"Christen, ätzet diesen Tag", BWV 63: Recitative (Bass): "Verdoppelt euch demnach"Johann Sebastian Bach0:58
19"Christen, ätzet diesen Tag", BWV 63: Chorus: "Höchster schau in Gnaden an"Johann Sebastian Bach7:22
20"Dazu ist erschienen der Sohn Gottes", BWV 40: Chorus: "Dazu ist erschienen der Sohn Gottes"Johann Sebastian Bach3:28
21"Dazu ist erschienen der Sohn Gottes", BWV 40: Recitative (Tenor): "Das Wort war Fleisch"Johann Sebastian Bach1:07
22"Dazu ist erschienen der Sohn Gottes", BWV 40: Chorale: "Die Sünd macht Leid"Johann Sebastian Bach0:46
23"Dazu ist erschienen der Sohn Gottes", BWV 40: Aria (Bass): "Höllische Schlange"Johann Sebastian Bach2:02
24"Dazu ist erschienen der Sohn Gottes", BWV 40: Recitative (Alto): "Die Schlange, so im Paradies"Johann Sebastian Bach1:29
25"Dazu ist erschienen der Sohn Gottes", BWV 40: Chorale: "Schüttle deinen Kopf und sprich"Johann Sebastian Bach0:46
26"Dazu ist erschienen der Sohn Gottes", BWV 40: Aria (Tenor): "Christenkinder, freuet euch"Johann Sebastian Bach3:24
27"Dazu ist erschienen der Sohn Gottes", BWV 40: Chorale: "Nimm dich deiner Glieder"Johann Sebastian Bach1:04
2CD
#TitleArtistLength
1"Das neugeborne Kindelein", BWV 122: Chorale: "Das neugeborne Kindelein"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:24
2"Das neugeborne Kindelein", BWV 122: Aria (Bass): "O Menschen, die ihr täglich sündigt"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
Klaus Mertens (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach4:53
3"Das neugeborne Kindelein", BWV 122: Recitative (Soprano): "Die Engel, welche sich zuvor"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:20
4"Das neugeborne Kindelein", BWV 122: Aria (Terzetto S, A, T): "Ist Gott versöhnt und unser Freund"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Franziska Gottwald (from 2000-11-25 until 2000-12-02)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:17
5"Das neugeborne Kindelein", BWV 122: Recitative (Bass): "Dies ist ein Tag"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
Klaus Mertens (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:15
6"Das neugeborne Kindelein", BWV 122: Chorale: "Es bringt das rechte Jubeljahr"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (from 2000-11-25 until 2000-12-02)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:30
7"Gloria in excelsis Deo", BWV 191: Chorus: "Gloria in excelsis Deo"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:45
8"Gloria in excelsis Deo", BWV 191: Duet (Soprano, Tenor): "Gloria Patri et Filio"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
soprano vocals:
Caroline Stam (from 1999-03-09 until 1999-03-17)
tenor vocals:
Paul Agnew (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:58
9"Gloria in excelsis Deo", BWV 191: Chorus: "Sicut erat in principio"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:07
10"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Chorus: "Sehet, welch eine Liebe hat uns der Vater erzeiget"Johann Sebastian Bach2:17
11"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Chorale: "Da hat er alles uns getan"Johann Sebastian Bach0:38
12"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Recitative (Alto): "Geh, Welt! Behalte nur das Deine"Johann Sebastian Bach0:43
13"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Chorale: "Was graf ich nach der Welt"Johann Sebastian Bach0:46
14"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Aria (Soprano): "Was die Welt in sich hält"Johann Sebastian Bach5:23
15"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Recitative (Bass): "Der Himmel bleibet mir gewiß"Johann Sebastian Bach1:09
16"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Aria (Alto): "Von der Welt verlang ich nichts"Johann Sebastian Bach5:46
17"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: Chorale: "Gute Nacht, o Wesen"Johann Sebastian Bach1:03
18"Christum wir sollen loben schon", BWV 121: Chorus: "Christum wir sollen loben schon"Johann Sebastian Bach2:36
19"Christum wir sollen loben schon", BWV 121: Aria (Tenor): "O du von Gott erhöhte Kreatur"Johann Sebastian Bach5:40
20"Christum wir sollen loben schon", BWV 121: Recitative (Alto): "Der Gnade unermeßlichs Wesen"Johann Sebastian Bach1:03
21"Christum wir sollen loben schon", BWV 121: Aria (Bass): "Johannis freudenvolles Springen"Johann Sebastian Bach8:20
22"Christum wir sollen loben schon", BWV 121: Recitative (Soprano): "Doch wie erblickt es dich in deiner Krippe?"Johann Sebastian Bach0:56
23"Christum wir sollen loben schon", BWV 121: Chorale: "Lob, Ehr und Dank sei dir gesagt"Johann Sebastian Bach0:59
3CD
#TitleArtistLength
1"Tritt auf die Glaubensbahn", BWV 152: Sinfonia
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:16
2"Tritt auf die Glaubensbahn", BWV 152: Aria (Bass): "Tritt auf die Glaubensbahn"Johann Sebastian Bach2:42
3"Tritt auf die Glaubensbahn", BWV 152: Recitative (Bass): "Der Heiland ist gesetzt"Johann Sebastian Bach1:42
4"Tritt auf die Glaubensbahn", BWV 152: Aria (Soprano): "Stein, der über alle Schätze"Johann Sebastian Bach3:42
5"Tritt auf die Glaubensbahn", BWV 152: Recitative (Bass): "Es ärgre sich die Klunge Welt"Johann Sebastian Bach1:22
6"Tritt auf die Glaubensbahn", BWV 152: Duet (Soprano, Bass): "Wie soll ich dich, Liebster der Seelen"Johann Sebastian Bach4:23
7"Jesu, nun sei gepreiset", BWV 41: Chorus: "Jesu, nun sei gepreiset"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (in 2009)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (in 1999-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach7:42
8"Jesu, nun sei gepreiset", BWV 41: Aria (Soprano): "Laß uns, o Höchster Gott"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
soprano vocals:
Sibylla Rubens (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (in 2009)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (in 1999-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach5:27
9"Jesu, nun sei gepreiset", BWV 41: Recitative (Alto): "Ach! deine Hand, dein Segen muß allein"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Annette Markert (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (in 2009)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine Hand, dein Segen" (in 1999-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:04
10"Jesu, nun sei gepreiset", BWV 41: Aria (Tenor): "Woferne du den edlen Frienden"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals:
Christoph Prégardien (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (in 2009)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (in 1999-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach8:17
11"Jesu, nun sei gepreiset", BWV 41: Recitative (Bass): "Doch weil der Feind"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
Klaus Mertens (in 1999-10)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (in 2009)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (in 1999-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach0:53
12"Jesu, nun sei gepreiset", BWV 41: Choral: "Dein ist allein die Ehre"
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (in 2009)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (in 1999-10)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:50
13"Singet dem Herrn ein neues Lied", BWV 190: Chorus: "Singet dem Herrn ein neues Lied"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach4:19
14"Singet dem Herrn ein neues Lied", BWV 190: Recitative (A, T, B) and Chorale: "Herr Gott, dich loben wir"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Elisabeth von Magnus (from 1997-04 until 1997-09)
bass vocals:
Klaus Mertens (from 1997-04 until 1997-09)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
tenor vocals:
Paul Agnew (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:43
15"Singet dem Herrn ein neues Lied", BWV 190: Aria (Alto): "Lobe, Zion, deinen Gott"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Elisabeth von Magnus (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach2:33
16"Singet dem Herrn ein neues Lied", BWV 190: Recitative (Bass): "Es wünsche sich die Welt"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
Klaus Mertens (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:23
17"Singet dem Herrn ein neues Lied", BWV 190: Aria (Tenor, Bass): "Jesus soll mein alles sein"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
Klaus Mertens (from 1997-04 until 1997-09)
tenor vocals:
Paul Agnew (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:06
18"Singet dem Herrn ein neues Lied", BWV 190: Recitative (Tenor): "Nun, Jesus gebe, daß mit dem neuen Jahr"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals:
Paul Agnew (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:40
19"Singet dem Herrn ein neues Lied", BWV 190: Chorale: "Laß uns das Jahr vollbringen"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 205)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:30
20"Sie werden aus Saba alle kommen", BWV 65: Chorus: "Sie werden aus Saba alle kommen"Johann Sebastian Bach3:17
21"Sie werden aus Saba alle kommen", BWV 65: Chorale: "Die Kön'ge aus Saba kamen dar"Johann Sebastian Bach0:21
22"Sie werden aus Saba alle kommen", BWV 65: Recitative (Bass): "Was dort Jesaias vorhergesehn"Johann Sebastian Bach1:50
23"Sie werden aus Saba alle kommen", BWV 65: Aria (Bass): "Gold aus Ophir ist zu slecht"Johann Sebastian Bach2:51
24"Sie werden aus Saba alle kommen", BWV 65: Recitative (Tenor): "Verschmähe nicht"Johann Sebastian Bach1:11
25"Sie werden aus Saba alle kommen", BWV 65: Aria (Tenor): "Nimm mich dir zu eigen hin"Johann Sebastian Bach3:32
26"Sie werden aus Saba alle kommen", BWV 65: Chorale: "Ei nun, mein Gott, so fall ich dir"Johann Sebastian Bach1:05

Credits

Release

manufactured in:Austria
art direction:George Cramer
photography:Marco Borggreve (task: photo of Ton Koopman)
miscellaneous support:Willemijn Mooij (task: production coordination)
graphic design:Marcel van den Broek
Marcel Hartman
editor:Adriaan Verstijnen
artwork:Jacob Cornelisz van Oostsanen (task: cover painting "Mary with Child and Angels")
rights society:BIEM
MCPS
copyrighted (©) by:Challenge Classics (in 2003)
Discogs:https://www.discogs.com/release/21911170 [info]