5 Original Albums

~ Release by Astrud Gilberto (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Astrud Gilberto Album
#TitleLength
1Once I Loved
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Once I Loved (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
translator:
Ray Gilbert
publisher:
Corcovado Music Corp. and Ipanema Music Corp.
translated version of:
O amor em paz
2:14
2Água de beber
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Água de beber (Portuguese original) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
2:19
3Meditation
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Meditation (from 1965-01-27 until 1965-01-28)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
additional translator:
Eddy Marnay
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation, New Thunder Music Co., Songs of Universal, Inc. and 大洋音楽
translated version of:
Meditação
2:42
4And Roses and Roses
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
And Roses and Roses (from 1965-01-27 until 1965-01-28)
writer:
Dorival Caymmi and Ray Gilbert
2:36
5O morro (não tem vez)
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
O morro não tem vez (Favela) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
publisher:
Leeds Music
2:58
6How Insensitive
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
double bass [bass]:
Joe Mondragon (in 1965-01)
flute:
Bud Shank (in 1965-01, from 1965-01-27 until 1965-01-28)
guitar:
Antonio Carlos Jobim (in 1965-01), João Donato (in 1965-01) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (in 1965-01, from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (in 1965-01, from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1965-01, from 1965-01-27 until 1965-01-28)
cover recording of:
How Insensitive (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation and Songs of Universal, Inc.
translated version of:
Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
2:49
7Dindi
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (in 1965-01, from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (in 1965-01)
orchestra:
Marty Paich Orchestra (in 1965-01)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Dindi (from 1965-01-27 until 1965-01-28)
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
2:43
8Photograph
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Photograph (in 1965-01)
lyricist:
Ray Gilbert
composer:
Antônio Carlos Jobim
2:11
9Dreamer
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Dreamer
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
2:03
10Só tinha de ser com você
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Só tinha de ser com você (from 1965-01-27 until 1965-01-28)
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
2:21
11All That's Left Is to Say Goodbye
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
3:12
2▼CD: Look to the Rainbow
#TitleLength
1Berimbou
recorded in:
New York, New York, United States (on 1965-12-23)
recording engineer:
Val Valentin (on 1965-12-23)
producer:
Creed Taylor
berimbau and percussion:
Dom Um Romão (on 1965-12-23)
double bass:
Ron Carter (on 1965-12-23)
trombone:
Bob Brookmeyer (on 1965-12-23)
trumpet:
Johnny Coles (on 1965-12-23)
vocals:
Astrud Gilberto (on 1965-12-23)
conductor:
Gil Evans (on 1965-12-23)
arranger:
Gil Evans
recording of:
Berimbau (Portuguese original) (on 1965-12-23)
lyricist:
Vinicius de Moraes
composer:
Baden Powell
2:25
2Once Upon a Summertime
recording engineer:
Val Valentin (on 1965-12-23)
producer:
Creed Taylor
double bass:
Ron Carter (on 1965-12-23)
percussion:
Dom Um Romão (on 1965-12-23)
trombone:
Bob Brookmeyer (on 1965-12-23)
trumpet:
Johnny Coles (on 1965-12-23)
vocals:
Astrud Gilberto (on 1965-12-23)
conductor:
Gil Evans (on 1965-12-23)
arranger:
Gil Evans
recording of:
Once Upon a Summertime (La Valse des lilas) (on 1965-12-23)
lyricist:
Eddy Marnay
composer:
Eddie Barclay and Michel Legrand
translator:
Johnny Mercer
publisher:
MCA Music (ended), MCA Music Ltd. (ended), Leeds/BIEM, Patricia Editions Musical, Universal Music Corp. and Universal Music Publishing AB
translated version of:
La Valse des lilas
3:03
3Felicidade
recording engineer:
Val Valentin (on 1965-12-06)
producer:
Creed Taylor
double bass:
Ron Carter (on 1965-12-06)
percussion:
Dom Um Romão (on 1965-12-06)
trombone:
Bob Brookmeyer (on 1965-12-06)
trumpet:
Johnny Coles (on 1965-12-06)
vocals:
Astrud Gilberto (on 1965-12-06)
orchestra:
Al Cohn and His Orchestra
arranger:
Gil Evans
cover recording of:
A felicidade (on 1965-12-06)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim and Vinicius de Moraes
publisher:
Ross-Jungnickel, Inc.
2:46
4I Will Wait for You
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
solo trumpet and trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
cover recording of:
I Will Wait for You (from 1965-11-22 until 1966-02-04)
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
publisher:
Universal Music Publishing MGB France and Warner Chappell Music France
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 38th Academy Award for Best Original Song (number: 2)
translated version of:
Les Parapluies de Cherbourg: Devant le garage (aka “Les Parapluies de Cherbourg”)
4:40
5Frevo
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
recording of:
Frevo
lyricist and composer:
Antônio Carlos Jobim and Vinicius de Moraes
2:28
6Maria Quiet
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
1:54
7Look to the Rainbow
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
recording of:
Look to the Rainbow (from “Finian’s Rainbow”)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co. and Glocca Morra Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Finian’s Rainbow (1947 Broadway musical)
3:28
8Bim bom
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
recording of:
Bim bom
lyricist and composer:
João Gilberto
1:52
9Lugar bonita
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Al Cohn (from 1965-11-22 until 1966-02-04)
arranger:
Al Cohn
3:23
10El preciso aprender a ser so (Learn to Live Alone)
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Al Cohn (from 1965-11-22 until 1966-02-04)
arranger:
Al Cohn
3:21
11She's a Carioca
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
2:27
3▼CD: A Certain Smile A Certain Sadness
#TitleArtistLength
1A Certain Smile
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
recording of:
A Certain Smile
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
Astrud Gilberto & Walter Wanderley1:28
2A Certain Sadness
recording engineer:
Rudy van Gelder (in 1967)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass:
Walter Wanderley (in 1967)
drums (drum set):
Claudio Slon (in 1967)
organ:
Walter Wanderley (on 1966-09-21)
percussion:
Dom Um Romão (in 1967)
vocals:
Astrud Gilberto (on 1966-09-21)
performer:
Walter Wanderley Trio (in 1967)
recording of:
Certain Sadness (on 1966-09-21)
lyricist and composer:
John Court and Carlos Lyra
Astrud Gilberto & Walter Wanderley3:11
3Nega do cabelo duro
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
cover recording of:
Nega do cabelo duro
writer:
David Nasser and Rubens Soares
Astrud Gilberto & Walter Wanderley2:21
4So Nice (Summer Samba)
recording engineer:
Rudy van Gelder (in 1967)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (in 1967)
percussion:
Dom Um Romão (in 1967)
trombone:
Bob Brookmeyer (in 1967)
trumpet:
Johnny Coles (in 1967)
vocals:
Astrud Gilberto (in 1967)
performer:
Walter Wanderley Trio (in 1967)
Astrud Gilberto & Walter Wanderley2:42
5Você já foi à Bahia
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
Astrud Gilberto & Walter Wanderley2:17
6Portuguese Washerwoman
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
Astrud Gilberto & Walter Wanderley1:34
7Goodbye Sadness
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
recording of:
Goodbye Sadness
writer:
Haroldo Lobo and Niltinho
translator:
Norman Gimbel
Astrud Gilberto & Walter Wanderley3:35
8Call Me
recording engineer and engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
Astrud Gilberto & Walter Wanderley3:22
9Here's That Rainy Day
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
performer:
Walter Wanderley
recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc., Music Sales Corporation and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Astrud Gilberto & Walter Wanderley2:47
10Tú, mi delirio
engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
Astrud Gilberto & Walter Wanderley3:41
11It's a Lovely Day Today
recording engineer and engineer:
Rudy van Gelder
producer:
Creed Taylor (task: Reissue)
vocals:
Astrud Gilberto
orchestra:
The Walter Wanderley Trio
recording of:
It’s a Lovely Day Today
lyricist and composer:
Irving Berlin (in 1950)
Astrud Gilberto & Walter Wanderley2:38
4▼CD: Windy
#TitleLength
1Dreamy
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Eumir Deodato
arranger:
Eumir Deodato
2:06
2Chup, Chup, I Got Away
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Eumir Deodato
arranger:
Eumir Deodato
2:09
3Never My Love
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Don Sebesky
arranger:
Don Sebesky
2:54
4Lonely Afternoon
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Patrick Williams
arranger:
Patrick Williams
recording of:
Lonely Afternoon
writer:
Spence Maxwell and Pat Williams
3:27
5On My Mind
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
2:45
6The Bare Necessities
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Don Sebesky
arranger:
Don Sebesky
2:38
7Windy
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Eumir Deodato
arranger:
Eumir Deodato
cover recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music, Welbeck Music Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:50
8Sing Me a Rainbow
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Don Sebesky
arranger:
Don Sebesky
2:13
9In My Life
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Don Sebesky
arranger:
Don Sebesky
cover recording of:
In My Life
writer:
John Lennon and Paul McCartney
publisher:
Northern Songs and Sony/ATV Music Publishing LLC
2:30
10Crickets Sing for Anamaria
recorded in:
New York, New York, United States (on 1968-05-14)
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto (on 1968-05-14)
conductor:
Eumir Deodato (on 1968-05-14)
arranger:
Eumir Deodato
cover recording of:
Crickets Sing for Anamaria (on 1968-05-14)
lyricist:
Ray Gilbert and Paulo Sérgio Valle
composer:
Marcos Valle
version of:
Os grilos
1:37
11Where Are They Now?
producer:
Pete Spargo
mixer:
David Greene
vocals:
Astrud Gilberto
conductor:
Don Sebesky
arranger:
Don Sebesky
recording of:
Where Are They Now?
3:13
5▼CD: I Haven’t Got Anything Better to Do
#TitleLength
1I Haven’t Got Anything Better to Do
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
I Haven’t Got Anything Better to Do
writer:
Lee Pockriss and Paul Vance
2:59
2Didn’t We
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
Didn’t We?
lyricist and composer:
Jimmy Webb
publisher:
Canopy Music and Jobete Music Co., Inc.
2:57
3Wailing of the Willow
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
The Wailing of the Willow
lyricist and composer:
Ian Freebairn‐Smith and Harry Nilsson
publisher:
Unichappell Music, Inc. and Wings Music
2:16
4Where’s the Love
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
2:22
5The Sea Is My Soil (I Remember When)
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
3:29
6Trains and Boats and Planes
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
Trains and Boats and Planes
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Warner/Chappell Music Ltd.
2:49
7World Stop Turning
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
recording of:
World Stop Turning
writer:
Mark Charlap and Peter Udell
2:18
8Without Him
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
Without Her
lyricist and composer:
Harry Nilsson
publisher:
Beechwood Music Corp., BMG Music Publishing Ltd., EMI Music Publishing Ltd., Golden Syrup Music and Maureen Music Inc.
4:35
9Wee Small Hours
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann
publisher:
Better Half Music Company, Bourne Co., Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
2:17
10If (The Biggest Little Word)
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
2:36