Eight Classic Albums

~ Release by Conte Candoli (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Five O'Clock Shadow
3:53
2Cupcake
2:36
3Mostly Latin
2:18
4Something Blue
3:54
5The Swinging Scot 1
1:32
6The Swinging Scot 2
1:34
7Love Is Just Around the Corner
2:46
8Elevation
2:49
9Spooky
2:49
10Happy Hooligan
2:50
11Each Others Arms
3:54
12Nick
2:56
13Fine and Dandy
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
phonographic copyright (℗) by:
Fresh Sound Records
instrumental recording of:
Fine and Dandy (on 1954-11-20)
lyricist:
Paul James
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
3:11
14Night Flight
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
phonographic copyright (℗) by:
Fresh Sound Records
recording of:
Night Flight (on 1954-11-20)
composer:
Pete Candoli
2:36
15I Can't Get Started With You
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
instrumental recording of:
I Can’t Get Started (on 1954-11-20)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell’s • Sydney, Music Sales Corporation and Universal Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
2:58
16On the Alamo
engineer:
Hal Valentin
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
phonographic copyright (℗) by:
Fresh Sound Records
instrumental recording of:
On the Alamo (on 1954-11-20)
lyricist:
Gilbert Keyes and Joe Lyons
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
2:54
17Tune for Tex
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
recording of:
Tune for Tex (on 1954-11-20)
composer:
Billy Taylor
3:06
18My Funny Valentine
bass:
Max Bennett
drums (drum set):
Stan Levey
piano:
Claude Williamson
trumpet:
Conte Candoli
phonographic copyright (℗) by:
Fresh Sound Records
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
2:58
19They Can't Take That Away From Me
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
phonographic copyright (℗) by:
Fresh Sound Records
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1954-11-20)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:12
20Everything Happens to Me
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
phonographic copyright (℗) by:
Fresh Sound Records
instrumental recording of:
Everything Happens to Me (on 1954-11-20)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
2:45
21I'll Remember April
engineer:
Hal Valentin (on 1954-11-20)
producer:
Red Clyde (in 1954)
bass:
Max Bennett (on 1954-11-20)
drums (drum set):
Stan Levey (on 1954-11-20)
piano:
Claude Williamson (on 1954-11-20)
trumpet:
Conte Candoli (on 1954-11-20)
phonographic copyright (℗) by:
Fresh Sound Records
instrumental recording of:
I’ll Remember April (on 1954-11-20)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. and Universal Music Corp.
2:30
2▼CD
#TitleLength
1Whistle While You Work
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
instrumental recording of:
Whistle While You Work (from "Snow White and the Seven Dwarfs") (on 1955-03-09)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. and EMI Allans Music Australia Pty Ltd
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
2:28
2Perkin'
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
2:36
3Beyond the Sea
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
instrumental recording of:
Beyond the Sea (on 1955-03-09)
lyricist:
Jack Lawrence
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
translated version of:
La Mer
3:35
4I Dig Ed
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
recording of:
I Dig Ed (on 1955-03-09)
composer and arranger:
Shorty Rogers
3:13
5Laullaby of the Leaves
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
instrumental recording of:
Lullaby of the Leaves (on 1955-03-09)
lyricist:
Joe Young
composer:
Bernice Petkere
3:04
6Forelock
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
3:00
7Soft as Spring
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
2:54
8Just for Judie
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
3:14
9If I Love Again
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
instrumental recording of:
If I Love Again (on 1955-03-09)
lyricist:
Jack Murray
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
2:46
10Red Eyes
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
3:01
11Pushin' Sand
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
3:01
12I'll Be in Scotland After You
double bass:
Buddy Clark (on 1955-03-09)
drums (drum set):
Mel Lewis (on 1955-03-09)
piano:
Pete Jolly (on 1955-03-09)
tenor saxophone:
Bill Perkins (on 1955-03-09)
trumpet:
Conte Candoli (on 1955-03-09)
arranger:
Shorty Rogers (on 1955-03-09)
2:49
13Toots Sweet
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records
5:18
14Jazz City Blues
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records
4:04
15My Old Flame
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records
instrumental recording of:
My Old Flame (on 1955-07-26)
lyricist:
Sam Coslow
composer:
Arthur Johnston
publisher:
Famous Music Corporation
5:37
16Full Count
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records
6:18
17I'm Getting Sentimental Over You
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records and Fresh Sound Records
instrumental recording of:
I’m Getting Sentimental Over You (on 1955-07-26)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc., Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
3:06
18Four
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records and Fresh Sound Records
3:53
19Grooving Higher
recorded in:
Los Angeles, California, United States (on 1955-07-26)
bass:
Leroy Vinnegar (on 1955-07-26)
drums (drum set):
Larry Marable (on 1955-07-26)
piano:
Lou Levy (on 1955-07-26)
tenor saxophone:
Bill Holman (on 1955-07-26)
trumpet:
Conte Candoli (on 1955-07-26)
phonographic copyright (℗) by:
Affinity Records
5:03
3▼CD
#TitleLength
1Mucho Calor
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Mucho Calor (on 1958-04-24)
composer and arranger:
Bill Holman
6:51
2Autumn Leaves
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-04-24)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
3:03
3Mambo de La Pinta
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Mambo de la Pinta (on 1958-04-24)
composer:
Art Pepper
5:26
4I'll Remember April
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
I’ll Remember April (on 1958-04-24)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. and Universal Music Corp.
2:18
5Vaya Hombre Vaya
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Vaya Hombre Vaya (on 1958-04-24)
composer and arranger:
Bill Holman
3:19
6I Love You
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
I Love You (on 1958-04-24)
composer:
Cole Porter
arranger:
Bill Holman
5:46
7Mambo Jambo
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Mambo Jumbo (on 1958-04-24)
composer and arranger:
Conte Candoli
3:45
8Old Devil Moon
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
arranger:
Bill Holman
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1958-04-24)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc., Chappell Music and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
5:23
9Pernod
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
Pernod (on 1958-04-24)
composer and arranger:
Johnny Mandel
3:53
10That Old Black Magic
alto saxophone:
Art Pepper (on 1958-04-24)
bass:
Ben Tucker (on 1958-04-24)
bongos and percussion:
Jack Costanzo (on 1958-04-24) and Mike Pacheco (on 1958-04-24)
drums (drum set):
Chuck Flores (on 1958-04-24)
piano:
Russ Freeman (on 1958-04-24)
tenor saxophone:
Bill Perkins (on 1958-04-24)
trumpet:
Conte Candoli (on 1958-04-24)
recorded at:
The Forum Theater in Los Angeles, California, United States (on 1958-04-24)
recording of:
That Old Black Magic
lyricist:
Johnny Mercer
composer:
Harold Arlen
arranger:
Bill Holman
publisher:
Famous Music Corporation
arrangement of:
That Old Black Magic
4:20
11Disc-Location
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
4:14
12Beautiful Love
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
instrumental recording of:
Beautiful Love (Jazz Standard) (in 1957-05)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
2:23
13Crazy Rhythm
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
instrumental recording of:
Crazy Rhythm (in 1957-05)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer
3:30
14My Funny Valentine
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1957-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:24
15Exodus in Jazz
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
2:34
16Fascinating Rhythm
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
instrumental recording of:
Fascinatin’ Rhythm (in 1957-05)
lyricist:
Ira Gershwin
composer:
George Gershwin (in 1924)
publisher:
WB Music Corp. (renewed) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
3:57
17Love (Your Magic Spell Is Everywhere)
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
recording of:
Love, Your Magic Spell Is Everywhere (in 1957-05)
lyricist:
Elsie Janis
composer:
Edmund Goulding
2:24
18It Never Entered My Mind
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
instrumental recording of:
It Never Entered My Mind (in 1957-05)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
2:24
19Pe-Con
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
3:12
20Twilight on the Trail
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
instrumental recording of:
Twilight on the Trail (in 1957-05)
writer:
Louis Alter and Sidney Mitchell
2:36
21Rockin' Boogie
recorded in:
Los Angeles, California, United States (in 1957-05)
double bass [bass]:
Joe Mondragon (in 1957-05)
drums (drum set):
Alvin Stoller (in 1957-05)
guitar:
Howard Roberts (in 1957-05)
piano:
Jimmy Rowles (in 1957-05)
trumpet:
Conte Candoli (in 1957-05) and Pete Candoli (in 1957-05)
2:49
4▼CD
#TitleLength
1Pavanne
2:53
2Boulevard of Broken Dreams
2:40
3I May Be Wrong
3:44
4Spanish Carnival
1:51
5Old Devil Moon
3:31
6What Is This Thing Called Love
4:38
7Bell, Book and Candoli
2:35
8Hey, Bellboy
3:38
9Night Walk
3:24
10Pagoda
2:29
11Muggin' the Minor
4:02
12Mambo Diane
4:57
13Countin' the Blues
5:01
14Zizanie
3:58
15Macedonia
5:07
16Little David
5:31