O Holy Night

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleLength
1Cantique de Noël (O Holy Night)
recording engineer:
John Dunkerley and James Lock (in 1976-01)
engineer:
John Dunkerley
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger and orchestrator:
Douglas Gamley
phonographic copyright (℗) by:
Decca Records Company (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
O Holy Night (in 1976-01)
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (in 1847)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam
arrangement of:
O Holy Night
4:18
2Pietà, Signore
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
8:28
3Panis Angelicus
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
vocals:
Luciano Pavarotti
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01)
lyricist:
St. Thomas Aquinas
composer:
César Franck (in 1860)
part of:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
4:03
4Qual giglio candido (Parola quinta)
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Le sette ultime parole di Nostro Signore sulla croce: V. Ho sete! (Parola quinta: "Qual giglio candido...") (in 1976-01)
composer and librettist:
Saverio Mercadante
part of:
Le sette ultime parole di Nostro Signore sulla croce (Seven last words of Our Lord on the Cross)
4:43
5Ave Maria
recording engineer:
John Dunkerley and James Lock (in 1976-01)
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous]
composer:
Franz Schubert
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo and Sir Walter Scott
composer:
Franz Schubert (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
4:50
6Gesù bambino
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Gesù bambino (in 1976-01)
lyricist:
Frederick Martens
composer:
Pietro Yon (in 1917)
4:31
7Ave Maria
recording engineer:
John Dunkerley and James Lock
engineer:
John Dunkerley
producer:
Ray Minshull
choir vocals:
Wandsworth Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach and Charles Gounod
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
2:59
8Mille cherubini in coro
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
4:04
9Agnus Dei
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
3:46
10Sanctus
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
London Voices (in 1976-01) and Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01) and Terry Edwards (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Requiem, op. 5: IX. Sanctus (in 1976-01)
lyricist and composer:
Hector Berlioz
part of:
Requiem, op. 5 « Grande Messe des Morts »
9:10
11Adeste fideles
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Terry Edwards (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
3:32