Save Your Love for Me: The Ballads Album

~ Release by Booker Little (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleLength
1Moonlight Becomes You
producer:
Tom Wilson
double bass [bass]:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
cover recording of:
Moonlight Becomes You (in 1958-10)
lyricist:
Johnny Burke (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation, Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部
5:43
2Sweet and Lovely
producer:
Tom Wilson
double bass [bass]:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
instrumental recording of:
Sweet and Lovely (in 1958-10)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
cover recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
4:16
3Calling Softly
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Calling Softly (in 1961)
composer:
Booker Little
5:39
4Dungeons Waltz
producer:
Tom Wilson
bass:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
4:30
5Matilde
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Matilde (in 1961)
composer:
Booker Little
5:54
6We Speak
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-03-17)
bass:
Art Davis (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-03-17)
recording of:
We Speak (on 1961-03-17)
composer:
Booker Little
publisher:
Jay Bee Music
6:45
7If I Should Lose You
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
If I Should Lose You (in 1961)
lyricist:
Leo Robin
composer:
Ralph Rainger
publisher:
Famous Music Corporation
5:11
8Quiet, Please
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-03-17)
bass:
Art Davis (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-03-17)
recording of:
Quiet, Please (on 1961-03-17)
composer:
Booker Little
publisher:
Second Floor Music
8:09
9Man of Words
recorded in:
New York, New York, United States (on 1961-03-17)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Ron Carter (on 1961-04-04)
bass clarinet:
Eric Dolphy (on 1961-04-04)
cymbal:
Max Roach (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-04-04)
recording of:
Man of Words (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music and Second Floor Music
4:49
10Waltz of the Demons
4:55
11Strength and Sanity
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-04-04)
bass:
Ron Carter (on 1961-04-04)
drums (drum set):
Max Roach (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-04-04)
recording of:
Strength and Sanity (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music
6:16
12Lifes a Little Blue
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
6:51
13Bookers Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Booker's Blues (in 1961)
composer:
Booker Little
5:16
14Who Can I Turn To (When Nobody Needs Me)
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
recording of:
Who Can I Turn To (on 1960-04-13)
lyricist:
William Engvick
composer:
Alec Wilder
5:24