It Might As Well Be Swing

~ Release by Frank SinatraCount Basie And His Orchestra (see all versions of this release, 10 available)

Annotation

#3 From the Broadway Show "How To Succeed In Business Without Really Trying"
#4 Theme From Mondo Cane (Italian film)
#6 From the Broadway Show "Hello, Dolly!"

Tracklist

1CD
#TitleLength
1Fly Me To The Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
lead vocals:
Frank Sinatra (on 1964-06-09)
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
2:30
2I Wish You Love
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wish You Love (on 1964-06-10)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd., EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing, On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Que reste-t-il de nos amours ?
2:56
3I Believe In You
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1964-06-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:21
4More
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (on 1964-06-12)
producer:
Sonny Burke (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini
composer:
Nino Oliviero and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali, Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
3:05
5I Can't Stop Loving You
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (on 1964-06-12)
producer:
Sonny Burke (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (on 1964-06-12)
lyricist and composer:
Don Gibson
publisher:
Acuff-Rose-Opryland Music Limited, Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (on 1958-02-07)
recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson
publisher:
Acuff-Rose-Opryland Music Limited, Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (on 1958-02-07)
3:00
6Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-10) and Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (on 1964-06-10)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
2:45
7I Wanna Be Around
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (on 1964-06-09)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
2:25
8The Best Is Yet To Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (on 1964-06-09)
producer:
Sonny Burke (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
3:10
9The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. and Prosadis
version of:
Marina
2:28
10Wives And Lovers2:50