| # | Title | Length |
|---|
| 1 | Cello Suite no. 1 in G, BWV 1007: Prelude | 2:45 |
| 2 | Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie | 1:29 |
| 3 | Lute Suite no. 1 in E minor, BWV 996: Bourrée | 1:30 |
| 4 | Sheep May Safely Graze | 4:34 |
| 5 | Invention no. 4 in D minor from 15 Two-Part Inventions, BWV 775 | 0:47 |
| 6 | The Well-Tempered Clavier Book 1 Prelude And Fugue No.5, BWV 850 Prelude | 1:26 |
| 7 | The Well-Tempered Clavier Book 1 Prelude And Fugue No.5, BWV 850 Fugue | 2:25 |
| 8 | Chromatical Fantasy and Fugue in D minor, BWV 903 | 10:38 |
| 9 | Bist du bei mir, BWV 508 | 2:55 |
| 10 | Jesu, Priceless Treasure- cello:
- Bernard Richards
- double bass:
- Francis Baines
- organ:
- Simon Preston
- choir vocals:
- Choir of King’s College, Cambridge
- conductor:
- Sir David Willcocks
- recorded at:
- King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
- recording of:
- Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ (in 1960)
- lyricist:
- Johann Franck
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 196)
- is based on:
- Jesu, meine Freude
- part of:
- Jesu, meine Freude, BWV 227
| 1:51 |
| 11 | Toccata, Adagio and Fugue in C, BWV 564: Fugue | 5:20 |
| 12 | Komm, süsser Tod, BWV 478 | 3:21 |
| 13 | Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia | 2:33 |
| 14 | Concerto for Violin, Strings, and Basso Continuo in A minor, BWV 1041 Andante | 6:08 |
| 15 | Harpsichord Concerto No.5 in F minor, BWV 1056: Largo | 2:56 |
| 16 | Wachet auf, ruft uns die Stimme- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-10, in 1978-03, in 1978-05)
- oboe [oboe I]:
- Manfred Clement (in 1977-10, in 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, in 1978-03, in 1978-05)
- violin:
- Kurt Guntner (in 1977-10, in 1978-03, in 1978-05)
- choir vocals:
- Münchener Bach‐Chor (in 1977-10, in 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, in 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, in 1978-03, in 1978-05)
- balance engineer:
- Hans‐Peter Schweigmann
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, in 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1978-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
| 9:47 |
| 17 | Cello Suite no. 6 in D, BWV 1012: Gigue | 2:42 |
| 18 | Fuga ricercata à 6 from The Musical Offering, BWV 1079 | 7:35 |
| 19 | Magnificat, BWV 243 Magnificat anima mea- recorded in:
- London, England, United Kingdom (in 1983-11)
- choir vocals:
- Monteverdi Choir (in 1983-11)
- orchestra:
- English Baroque Soloists (in 1983-11)
- conductor:
- Sir John Eliot Gardiner (in 1983-11)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1983-11)
- recording of:
- Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1983-11)
- premiered in:
- Leipzig, Sachsen, Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| 2:50 |
