| # | Title | Artist | Length |
|---|
| 1 | Sunglasses at Night | Corey Hart | 3:52 |
| 2 | The Reflex | Duran Duran | 4:22 |
| 3 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) and Chrysalis Records Ltd. (in 1986)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 79)
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music, Chrysalis Music Holdings GmbH, Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Chrysalis Records Ltd., Neue Welt Musikverlag GmbH & Co. KG, Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. and WC Music Corp.
| Billy Idol | 4:47 |
| 4 | Computer One | Dear Enemy | 4:40 |
| 5 | Rush, Rush | Deborah Harry | 4:46 |
| 6 | Missing You- assistant engineer:
- Ken Stiger
- engineer:
- Gary Hellman
- producer:
- Gary Gersh, David Thoener and John Waite
- mixer and editor:
- John Luongo
- phonographic copyright (℗) by:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) and EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control, Everpop Songs, Markmeem Music, Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 4:02 |
| 7 | If This Is It | Huey Lewis and the News | 3:53 |
| 8 | Listening | Pseudo Echo | 3:01 |
| 9 | Everywhere I Go | QED | 3:31 |
| 10 | The Politics of Dancing | Re‐Flex | 3:46 |
| 11 | Too Late for Goodbyes | Julian Lennon | 3:30 |
| 12 | Victims- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London, England, United Kingdom (in 1983) and Red Bus Studios in London, England, United Kingdom (in 1983)
- music videos:
- Victims by Culture Club
- recording of:
- Victims (in 1983)
- writer:
- Mikey Craig, George O’Dowd, Roy Hay and Jon Moss
| Culture Club | 4:54 |
| 13 | Gold | Spandau Ballet | 3:54 |
| 14 | It's My Life | Talk Talk | 3:54 |
| 15 | What's Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London, England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd., Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd., Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 3:49 |
| 16 | Waterfront | Simple Minds | 4:51 |
| 17 | Love Is a Battlefield- producer:
- Neil Geraldo, Peter Coleman and Peter Coleman
- mixer:
- Neil Giraldo and Peter Coleman
- bass guitar:
- Roger Capps
- drums (drum set):
- Myron Grombacher
- electric guitar:
- Neil Giraldo
- keyboard:
- Charles Giordano
- lead vocals:
- Pat Benatar
- vocals:
- Pat Benatar
- phonographic copyright (℗) by:
- EMI Records, Capitol Records, LLC (in 1983), Chrysalis Records (in 1983) and Chrysalis Records, Inc. (in 1983, in 1984)
- recorded at:
- MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control, EMI Music Publishing Ltd., Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd., Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 4:10 |
| 18 | Hyperactive! | Thomas Dolby | 4:12 |
