| # | Title | Length |
|---|
| 1 | Think- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Willie Bridges, Floyd Newman and Martin Williams
- bass:
- Jerry Jemmott and Steve Pearce
- drums (drum set):
- Roger Hawkins and Ralph Salmins
- guitar:
- Tommy Cogbill, Jimmy Johnson and Timothy Cansfield
- organ:
- Dewey "Spooner" Oldham
- percussion:
- Danny Cummings
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins, Charles Chalmers, Andrew Love and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Wayne Jackson, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Robin Smith and Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger:
- Steve Sidwell
- strings arranger:
- Robin Smith
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- recording of:
- Think
- writer:
- Aretha Franklin and Ted White
- publisher:
- 14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| 2:54 |
| 2 | Don't Play That Song (You Lied)- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- additional keyboard:
- Jim Dickinson and Mike Utley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- Tommy McClure and Steve Pearce
- drums (drum set):
- Sammy Creason and Ralph Salmins
- guitar:
- Charlie Freeman, Howard "Buzz" Feiten and Timothy Cansfield
- piano:
- Aretha Franklin and Graham Harvey
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Margaret Branch, Brenda Bryant, Almeda Lattimore, Ledisi, Lynn Fiddmont and Valerie Pinkston
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Chris Walden
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Don’t Play That Song (You Lied)
- writer:
- Ahmet Ertegun and Betty Nelson
- publisher:
- Carlin Music Corporation and Unichappell Music, Inc.
| 2:56 |
| 3 | I Say a Little Prayer- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- bass:
- Jerry Jemmott and Steve Pearce
- drums (drum set):
- Roger Hawkins and Ralph Salmins
- guitar:
- Tommy Cogbill and Timothy Cansfield
- piano:
- Aretha Franklin and Graham Harvey
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Robin Smith
- additional instruments arranger:
- Nick Patrick and Don Reedman
- strings arranger:
- Robin Smith
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- I Say a Little Prayer
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| 4:18 |
| 4 | Until You Come Back to Me (That’s What I'm Gonna Do)- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- bass:
- Steve Pearce and Chuck Rainey
- drums (drum set):
- Bernard Purdie and Ralph Salmins
- electric piano:
- Donny Hathaway and Pete Murray
- guitar:
- Hugh McCracken and Timothy Cansfield
- organ:
- Richard Tee
- percussion:
- Danny Cummings
- piano:
- Aretha Franklin and Pete Murray
- solo flute:
- Joe Farrell
- synthesizer:
- Kenneth Bichel
- background vocals:
- Patti Austin, Margaret Branch, Ann S. Clark, Ledisi, Lynn Fiddmont, Valerie Pinkston and Pat Smith
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Robin Smith
- additional instruments arranger:
- Nick Patrick and Don Reedman
- strings arranger:
- Robin Smith
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do)
- writer:
- Morris Broadnax, Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| 3:30 |
| 5 | A Brand New Me- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- Eric Gale and Steve Pearce
- drums (drum set):
- Al Jackson, Jr. and Ralph Salmins
- guitar:
- Hugh McCracken and Timothy Cansfield
- organ:
- Donny Hathaway
- piano:
- Aretha Franklin and Graham Harvey
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Chris Walden
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Brand New Me
- writer:
- Theresa Bell, Jerry Butler and Kenneth Gamble
| 4:19 |
| 6 | A Natural Woman (You Make Me Feel Like)- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- bass:
- Tommy Cogbill and Steve Pearce
- drums (drum set):
- Gene Chrisman and Ralph Salmins
- guitar:
- Timothy Cansfield
- piano:
- Dewey "Spooner" Oldham and Pete Murray
- background vocals:
- Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- orchestrator:
- Chris Walden
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- recording of:
- (You Make Me Feel Like) A Natural Woman
- lyricist:
- Gerry Goffin
- additional writer:
- Jerry Wexler
- composer:
- Carole King
- publisher:
- Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc.
- sub-publisher:
- Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部
| 3:36 |
| 7 | Angel- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Ben Castle
- baritone saxophone:
- Claire McInerney
- bass:
- Steve Pearce
- drums (drum set):
- Ralph Salmins
- guitar:
- Timothy Cansfield
- piano:
- Pete Murray
- solo alto saxophone:
- Phil Woods
- solo tenor saxophone:
- Joe Farrell
- tenor saxophone:
- Chris White
- trombone:
- Neil Sidwell
- trumpet:
- Matt Holland and Adam Linsley
- background vocals:
- Patti Austin, Andy Caine, Ledisi, Lynn Fiddmont, Mirriam Grey, Valerie Pinkston and Shena Winchester
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Robin Smith and Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger:
- Richard Cottle
- orchestrator:
- Robin Smith and Chris Walden
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Angel
- writer:
- Carolyn Franklin and Sonny Sanders
- publisher:
- Carlin Music Corporation and Springtime Music, Inc.
| 4:42 |
| 8 | Border Song (Holy Moses)- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- Steve Pearce and Chuck Rainey
- drums (drum set):
- Ray Lucas and Ralph Salmins
- guitar:
- Cornell Dupree and Timothy Cansfield
- organ:
- Pete Murray and Billy Preston
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ronnie Bright, J.R. Bailey, Ledisi, Lynn Fiddmont, Valerie Pinkston, The Sweet Inspirations and Sammy Turner
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Steve Sidwell
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Border Song
- lyricist:
- Elton John and Bernie Taupin
- composer:
- Elton John
- publisher:
- Dick James Music Ltd. and Universal–Songs of PolyGram International, Inc.
| 3:24 |
| 9 | Let It Be- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- David Hood and Steve Pearce
- drums (drum set):
- Roger Hawkins and Ralph Salmins
- guitar:
- Eddie Hinton, Jerry Weaver, Jimmy Johnson and Timothy Cansfield
- organ:
- Barry Beckett
- percussion:
- Danny Cummings
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont and Valerie Pinkston
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Robin Smith and Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger:
- Steve Sidwell
- strings arranger:
- Robin Smith
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Let It Be
- writer:
- John Lennon and Paul McCartney
- publisher:
- EMI Music Publishing, Maclen Music Ltd., Music Corporation of America, Inc., Northern Songs, Sony/ATV Music Publishing (Germany) GmbH, Sony/ATV Music Publishing LLC and Sony/ATV Tunes LLC
| 3:34 |
| 10 | People Get Ready- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Haywood Henry and Martin Williams
- bass:
- Tommy Cogbill and Steve Pearce
- bass trombone:
- Tony Studd
- drums (drum set):
- Roger Hawkins and Ralph Salmins
- flute:
- Frank Wess
- guitar:
- Timothy Cansfield and Bobby Womack
- organ:
- Dewey "Spooner" Oldham
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins, King Curtis, Seldon Powell, Jamie Talbot and Frank Wess
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Bernie Glow, Melvin Lastie, Joe Newman, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Carolyn Franklin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Steve Sidwell
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- People Get Ready
- lyricist and composer:
- Curtis Mayfield
- publisher:
- Mijac Music, Warner Chappell Music Ltd. and Warner–Tamerlane Publishing Corp.
| 4:03 |
| 11 | Oh Me Oh My (I’m a Fool for You Baby)- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- Eric Gale and Steve Pearce
- drums (drum set):
- Al Jackson, Jr. and Ralph Salmins
- guitar:
- Hugh McCracken and Timothy Cansfield
- organ:
- Donny Hathaway
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Robin Smith and Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger:
- Steve Sidwell
- strings arranger:
- Robin Smith
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Oh Me Oh My (I’m a Fool for You Baby)
- lyricist and composer:
- Jim Doris (in 1969)
- publisher:
- Abesongs Ltd, Noo Trac Ltd. and Origin Network Pty Ltd
| 4:18 |
| 12 | You’re All I Need to Get By- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- Eric Gale and Steve Pearce
- drums (drum set):
- Al Jackson, Jr. and Ralph Salmins
- guitar:
- Hugh McCracken and Timothy Cansfield
- organ:
- Donny Hathaway
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Steve Sidwell
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- You’re All I Need to Get By
- writer:
- Nickolas Ashford and Valerie Simpson
- publisher:
- Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
| 3:59 |
| 13 | Son of a Preacher Man- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Martin Williams
- bass:
- David Hood and Steve Pearce
- drums (drum set):
- Roger Hawkins and Ralph Salmins
- guitar:
- Eddie Hinton, Jimmy Johnson and Timothy Cansfield
- organ:
- Barry Beckett
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Steve Sidwell
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Son of a Preacher Man
- writer:
- John Hurley and Ronnie Wilkins
- publisher:
- Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Sony/ATV Songs LLC
| 3:29 |
| 14 | Respect- recording engineer:
- Peter Cobbin and Greg Field
- assistant producer:
- Greg Field (background vocals)
- producer:
- Nick Patrick and Don Reedman
- mixer:
- Peter Schwier
- editor:
- Cécile Tournesac and Kirsty Whalley
- alto saxophone:
- Nigel Hitchcock
- baritone saxophone:
- Willie Bridges and Martin Williams
- bass:
- Tommy Cogbill and Steve Pearce
- cornet:
- Melvin Lastie
- drums (drum set):
- Roger Hawkins and Ralph Salmins
- guitar:
- Jimmy Johnson and Timothy Cansfield
- organ:
- Dewey "Spooner" Oldham
- percussion:
- Danny Cummings
- piano:
- Aretha Franklin and Pete Murray
- tenor saxophone:
- Graeme Blevins, Charles Chalmers, King Curtis and Jamie Talbot
- trombone:
- Nigel Barr, Alistair White and Andy Wood
- trumpet:
- Simon Gardiner, Ryan Quigley and Paul Spong
- background vocals:
- Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont and Valerie Pinkston
- orchestra:
- Royal Philharmonic Orchestra
- conductor:
- Steve Sidwell
- additional instruments arranger:
- Nick Patrick and Don Reedman
- brass arranger and strings arranger:
- Steve Sidwell
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
- mixed at:
- Shine Studios in Salisbury, Wiltshire, England, United Kingdom
- cover recording of:
- Respect
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| 2:37 |
