Le Domaine musical : 1956…1967

~ Release by Pierre Boulez (see all versions of this release, 2 available)

Annotation

℗ & © «2015 Decca Records France»
℗ «This Compilation»

Countries excluded (Spotify + Deezer)

(As of 2025-03-04).

  • Northern Europe: 🇬🇧 United Kingdom (gb)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)

Tracklist

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1▼Digital Media: Le Concert du 10eme anniversaire
#TitleArtistLength
1Kontra-Punkte, op. 1
instruments:
Solistes du Domaine musical (in 1956)
conductor:
Pierre Boulez (in 1956)
recording of:
Kontra-Punkte, Nr. 1 (from 1956 to present)
composer:
Karlheinz Stockhausen (from 1952 until 1953)
part of:
Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 1)
Karlheinz Stockhausen11:27
2Serenata I
flute:
Severino Gazzelloni (in 1956)
instruments:
Solistes du Domaine musical (in 1956)
conductor:
Pierre Boulez (in 1956)
recording of:
Serenata I (in 1956)
composer:
Luciano Berio (in 1957)
dedicated to:
Pierre Boulez
Luciano Berio10:20
3Le Marteau sans maître : 1. Avant “L’Artisanat furieux”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:29
4Le Marteau sans maître : 2. Commentaire I de “Bourreaux de solitude”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:39
5Le Marteau sans maître : 3. “L’Artisanat furieux”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez2:04
6Le Marteau sans maître : 4. Commentaire II de “Bourreaux de solitude”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez4:16
7Le Marteau sans maître : 5. “Bel édifice et les pressentiments”, version première
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:26
8Le Marteau sans maître : 6. “Bourreaux de solitude”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:18
9Le Marteau sans maître : 7. Après “L’Artisanat furieux”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:04
10Le Marteau sans maître : 8. Commentaire III de “Bourreaux de solitude”
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez5:37
11Le Marteau sans maître : 9. “Bel édifice et les pressentiments”, double
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez7:14
12Oiseaux exotiques
piano:
Yvonne Loriod (in 1956)
orchestra:
Orchestre du Domaine musical (in 1956)
conductor:
Rudolf Albert (in 1956)
recording of:
Oiseaux exotiques, I/41 (in 1956)
composer:
Olivier Messiaen (from 1955-10-05 until 1956-01-03)
Olivier Messiaen13:53
2▼Digital Media: Les Références françaises
#TitleArtistLength
1Syrinx
flute:
Severino Gazzelloni (in 1958)
recording of:
Syrinx, L. 129, CD 137 (for solo flute) (in 1958)
composer:
Claude Debussy (in 1913)
dedicated to:
Louis Fleury
premiered at:
[concert]
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 137)
Claude Debussy3:30
2Densité 21,5
flute:
Severino Gazzelloni (in 1958)
recording of:
Density 21.5 (in 1958)
composer:
Edgard Varèse (in 1936)
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1936-02-16)
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961)
Edgard Varèse5:45
3Hyperprism
orchestra:
Orchestre du Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Hyperprism (in 1964)
composer:
Edgard Varèse (from 1922 until 1923)
Edgard Varèse4:39
4Octandre : 1. Assez lent
bassoon:
André Rabot (in 1964)
clarinet:
Guy Deplus (in 1964) and Marcel Naulais (in 1964)
double bass:
Jacques Cazauran (in 1964)
flute:
Jacques Castagner (in 1964)
horn:
André Fournier (in 1964)
oboe:
Claude Maisonneuve (in 1964)
trombone:
René Allain (in 1964)
trumpet:
Roger Delmotte (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Octandre: I. Assez lent (in 1964)
composer:
Edgard Varèse (in 1923)
part of:
Octandre
Edgard Varèse2:46
5Octandre : 2. Très vif et nerveux
bassoon:
André Rabot (in 1964)
clarinet:
Guy Deplus (in 1964) and Marcel Naulais (in 1964)
double bass:
Jacques Cazauran (in 1964)
flute:
Jacques Castagner (in 1964)
horn:
André Fournier (in 1964)
oboe:
Claude Maisonneuve (in 1964)
trombone:
René Allain (in 1964)
trumpet:
Roger Delmotte (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Octandre: II. Très vif et nerveux (in 1964)
composer:
Edgard Varèse (in 1923)
part of:
Octandre
Edgard Varèse1:32
6Octandre : 3. Grave / Animé et jubilatoire
bassoon:
André Rabot (in 1964)
clarinet:
Guy Deplus (in 1964) and Marcel Naulais (in 1964)
double bass:
Jacques Cazauran (in 1964)
flute:
Jacques Castagner (in 1964)
horn:
André Fournier (in 1964)
oboe:
Claude Maisonneuve (in 1964)
trombone:
René Allain (in 1964)
trumpet:
Roger Delmotte (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Octandre: III. Grave - Animé et jubilatoire (in 1964)
composer:
Edgard Varèse (in 1923)
part of:
Octandre
Edgard Varèse2:15
7Intégrales
orchestra:
Orchestre du Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Intégrales (in 1964)
composer:
Edgard Varèse (from 1924 until 1925)
Edgard Varèse11:05
8Cantéyodjayâ
piano:
Yvonne Loriod (in 1964)
recording of:
Cantéyodjayâ (in 1964)
composer:
Olivier Messiaen (in 1948)
Olivier Messiaen12:02
9Sept Haïkaï : 1. Introduction
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: I. Introduction (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:52
10Sept Haïkaï : 2. Le Parc de Nara et les lanternes de pierre
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: II. Le Parc de Nara et les lanternes de pierre (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:33
11Sept Haïkaï : 3. Yamanaka‐cadenza
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: III. Yamanaka - Cadenza (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen3:42
12Sept Haïkaï : 4. Gagaku
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: IV. Gagaku (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen2:59
13Sept Haïkaï : 5. Miyajima et le torii dans la mer
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: V. Miyajima et le torii dans la mer (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:26
14Sept Haïkaï : 6. Les Oiseaux de Karuizawa
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: VI. Les Oiseaux de Karuizawa (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen5:38
15Sept Haïkaï : 7. Coda
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: VII. Coda (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:53
3▼Digital Media: Le Compositeur Pierre Boulez
#TitleLength
1Structures, Livre I : 1.
recorded in:
Paris, Île-de-France, France (in 1960)
piano:
Alfons Kontarsky (in 1960) and Aloys Kontarsky (in 1960)
recording of:
Structure Livre I: 1a (in 1960)
composer:
Pierre Boulez (from 1951 until 1953)
part of:
Structures pour deux pianos - premier livre (Structures Livre I)
3:07
2Structures, Livre I : 2.
recorded in:
Paris, Île-de-France, France (in 1960)
piano:
Alfons Kontarsky (in 1960) and Aloys Kontarsky (in 1960)
recording of:
Structure Livre I: 1b (in 1960)
composer:
Pierre Boulez (from 1951 until 1953)
part of:
Structures pour deux pianos - premier livre (Structures Livre I)
8:48
3Structures, Livre I : 3.
recorded in:
Paris, Île-de-France, France (in 1960)
piano:
Alfons Kontarsky (in 1960) and Aloys Kontarsky (in 1960)
recording of:
Structure Livre I: 1c (in 1960)
composer:
Pierre Boulez (from 1951 until 1953)
part of:
Structures pour deux pianos - premier livre (Structures Livre I)
2:11
4Sonatine pour flûte et piano
flute:
Severino Gazzelloni (in 1958)
piano:
David Tudor (in 1958)
recording of:
Sonatine pour flûte et piano (in 1958)
composer:
Pierre Boulez (in 1946)
11:43
5Sonate n°2 : 1. Extrêmement rapide
piano:
Yvonne Loriod (in 1961)
recording of:
Deuxième sonate pour piano: I. Extrêmement rapide (in 1961)
composer:
Pierre Boulez (from 1947 until 1948)
part of:
Deuxième sonate pour piano
7:06
6Sonate n°2 : 2. Lent
piano:
Yvonne Loriod (in 1961)
recording of:
Deuxième sonate pour piano: II. Lent (in 1961)
composer:
Pierre Boulez (from 1947 until 1948)
part of:
Deuxième sonate pour piano
10:59
7Sonate n°2 : 3. Modéré, presque vif
piano:
Yvonne Loriod (in 1961)
recording of:
Deuxième sonate pour piano: III. Modéré, presque vif (in 1961)
composer:
Pierre Boulez (from 1947 until 1948)
part of:
Deuxième sonate pour piano
2:37
8Sonate n°2 : 4. Vif
piano:
Yvonne Loriod (in 1961)
recording of:
Deuxième sonate pour piano: IV. Vif (in 1961)
composer:
Pierre Boulez (from 1947 until 1948)
part of:
Deuxième sonate pour piano
11:38
4▼Digital Media: Les Compagnons de route
#TitleArtistLength
1Sextuor à cordes
instruments:
Solistes du Domaine musical (in 1960)
conductor:
Pierre Boulez (in 1960)
recording of:
Sexteto de cuerdas (in 1960)
composer:
Mauricio Kagel (from 1953 until 1957)
Mauricio Kagel7:30
2Incontri
orchestra:
Orchestre du Domaine musical (in 1956)
conductor:
Pierre Boulez (in 1956)
recording of:
Incontri (in 1956)
composer:
Luigi Nono (in 1955)
Luigi Nono5:56
3Concerto per il Marigny
piano:
Yvonne Loriod (in 1956)
orchestra:
Orchestre du Domaine musical (in 1956)
conductor:
Rudolf Albert (in 1956)
recording of:
Concerto per il Marigny (in 1956)
composer:
Hans Werner Henze (in 1956)
Hans Werner Henze6:30
4Madrigal III
cello:
Michel Tournus
clarinet:
Guy Deplus
percussion:
Jean-Charles François and Diego Masson
piano:
Fabienne Boury
violin:
Gérard Jarry
conductor:
Pierre Boulez
recording of:
Madrigal III
composer:
Henri Pousseur (in 1962)
Henri Pousseur11:56
5Mobile
piano:
Alfons Kontarsky (in 1960) and Aloys Kontarsky (in 1960)
recording of:
Mobile (in 1960)
composer:
Henri Pousseur (in 1958)
Henri Pousseur10:07
6Zeitmasse, op. 5
bassoon:
André Rabot (in 1957)
clarinet:
Guy Deplus (in 1957)
cor anglais:
Paul Taillefer (in 1957)
flute:
Jacques Castagner (in 1957)
oboe:
Claude Maisonneuve (in 1957)
recording of:
Zeitmasze, Nr. 5 (in 1957)
composer:
Karlheinz Stockhausen (from 1955 until 1956)
part of:
Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 5)
Karlheinz Stockhausen13:38
7Klavierstück VI, op. 4/II
piano:
David Tudor (in 1960)
recording of:
Klavierstück VI (in 1960)
composer:
Karlheinz Stockhausen
part of:
Klavierstücke V-X, Nr. 4
Karlheinz Stockhausen17:08
5▼Digital Media: Igor Stravinsky
#TitleArtistLength
1Concertino pour douze instruments
bass trombone:
Maurice Suzan (in 1962)
bassoon:
Jean-Pierre Laroque (in 1962) and André Rabot (in 1962)
cello:
Pierre Pénassou (in 1962)
clarinet:
Guy Deplus (in 1962)
cor anglais:
Paul Taillefer (in 1962)
flute:
Jacques Castagner (in 1962)
oboe:
Claude Maisonneuve (in 1962)
tenor trombone:
René Allain (in 1962)
trumpet:
Jacques Lecointre (in 1962) and Pierre Pollin (in 1962)
violin:
Jacques Parrenin (in 1962)
conductor:
Pierre Boulez (in 1962)
recording of:
Concertino (for 12 instruments) (in 1962)
composer:
Игорь Фёдорович Стравинский (in 1920)
arranger:
Игорь Фёдорович Стравинский (in 1952)
premiered at:
[concert]
publisher:
Edition Wilhelm Hansen
arrangement of:
Concertino (for string quartet)
Igor Stravinsky5:45
2Trois pièces pour clarinette seule : 1.
clarinet:
Guy Deplus (in 1962)
recording of:
Three Pieces for clarinet solo: I. Sempre piano e molto tranquillo ♩ = 52 (in 1962)
composer:
Игорь Фёдорович Стравинский
part of:
Three Pieces for Clarinet Solo
Igor Stravinsky1:48
3Trois pièces pour clarinette seule : 2.
clarinet:
Guy Deplus (in 1962)
recording of:
Three Pieces for clarinet solo: II. ♪ = 168 (in 1962)
composer:
Игорь Фёдорович Стравинский
part of:
Three Pieces for Clarinet Solo
Igor Stravinsky1:03
4Trois pièces pour clarinette seule : 3.
clarinet:
Guy Deplus (in 1962)
recording of:
Three Pieces for clarinet solo: III. ♪ = 160 (in 1962)
composer:
Игорь Фёдорович Стравинский
part of:
Three Pieces for Clarinet Solo
Igor Stravinsky1:15
5Trois pièces pour quatuor à cordes : 1.
string quartet:
Quatuor Parrenin (in 1962)
recording of:
Three Pieces for String Quartet: I (in 1962)
composer:
Игорь Фёдорович Стравинский (in 1914)
part of:
Three Pieces for String Quartet
Igor Stravinsky0:56
6Trois pièces pour quatuor à cordes : 2.
string quartet:
Quatuor Parrenin (in 1962)
recording of:
Three Pieces for String Quartet: II (in 1962)
composer:
Игорь Фёдорович Стравинский (in 1914)
part of:
Three Pieces for String Quartet
Igor Stravinsky1:55
7Trois pièces pour quatuor à cordes : 3.
string quartet:
Quatuor Parrenin (in 1962)
recording of:
Three Pieces for String Quartet: III (in 1962)
composer:
Игорь Фёдорович Стравинский (in 1914)
part of:
Three Pieces for String Quartet
Igor Stravinsky3:32
8Symphonies d’instruments à vent
orchestra:
Orchestre du Domaine musical (in 1962)
conductor:
Pierre Boulez (in 1962)
recording of:
Symphonies of Wind Instruments (1947 revision, most common) (in 1962)
composer:
Игорь Фёдорович Стравинский (in 1920)
revised by:
Игорь Фёдорович Стравинский (in 1947)
revision of:
Symphonies of Wind Instruments (original 1920 version)
Igor Stravinsky8:33
9Renard
cimbalom:
Elemer Kiss (in 1962)
bass vocals:
Xavier Depraz (in 1962) and Louis-Jacques Rondeleux (in 1962)
tenor vocals:
Louis Devos (in 1962) and Jean Giraudeau (in 1962)
orchestra:
Orchestre du Domaine musical (in 1962)
conductor:
Pierre Boulez (in 1962)
recording of:
Renard (in 1962)
composer:
Игорь Фёдорович Стравинский (from 1915 until 1916)
librettist:
Игорь Фёдорович Стравинский
dedicated to:
Winnaretta Singer
premiered by:
Ernest Ansermet (on 1922-05-18) and Ballets Russes (on 1922-05-18)
publisher:
Ad. Henn (in 1917)
premiered at:
Théâtre de l’opéra in Paris, Île-de-France, France (on 1922-05-18)
part of:
K Catalog (number: K023)
Igor Stravinsky15:01
10Agon: Pas‐de‐Quatre
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Pas de quatre (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:34
11Agon: Double Pas‐de‐Quatre
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Double Pas de quatre (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:27
12Agon: Triple Pas‐de‐Quatre
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Triple Pas de quatre (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:00
13Agon: Prélude
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Prélude (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky0:50
14Agon: First Pas‐de‐Trois: Saraband‐Step
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: First Pas de trois. Saraband Step (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:14
15Agon: Gaillarde
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: First Pas de trois. Gaillarde (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:12
16Agon: Coda
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: First Pas de trois. Coda (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:16
17Agon: Interlude
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: First Pas de trois. Interlude (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky0:50
18Agon: Second Pas‐de‐Trois
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Bransle simple (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky0:56
19Agon: Bransle Gay
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Bransle gay (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky0:52
20Agon: Bransle Double
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Bransle double (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky1:20
21Agon: Interlude
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Interlude (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky0:50
22Agon: Pas‐de‐Deux – Coda
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Pas de deux. Coda (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky5:36
23Agon: Four Duos
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Four Duos (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky0:35
24Agon: Four Trios – Coda
recorded in:
Loffenau, Baden-Württemberg, Germany (on 1957-10-08)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (on 1957-10-08)
conductor:
Hans Rosbaud (on 1957-10-08)
recording of:
Agon: Second Pas de trois. Four Trios. Coda (on 1957-10-08)
composer:
Игорь Фёдорович Стравинский
part of:
Agon
Igor Stravinsky2:19
6▶Digital Media: L’Ecole de Vienne I. De 1899 à 1912
7▶Digital Media: L’Ecole de Vienne II. De 1906 à 1943
8▶Digital Media: L’Ecole de Vienne III. Le Sérialisme
9▶Digital Media: “Une histoire d’amitiés…” : / Le tout premier enregistrement du Marteau sans maître de Pierre Boulez / IIIe Concert – Saison 1956