The Lady Sings

~ Release by Billie Holiday (see all versions of this release, 1 available)

Annotation

Individual barcodes:

CD 1: 604988920123
CD 2: 604988920222
CD 3: 604988920321
CD 4: 604988920420

Tracklist

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1CD: This Year's Kisses
#TitleLength
1I Wished on the Moon3:09
2What a Little Moonlight Can Do
recorded in:
New York, New York, United States (on 1935-07-02)
clarinet:
Benny Goodman (on 1935-07-02)
double bass:
John Kirby (on 1935-07-02)
drums (drum set):
Cozy Cole (on 1935-07-02)
guitar:
John Trueheart (on 1935-07-02)
piano:
Teddy Wilson (on 1935-07-02)
tenor saxophone:
Ben Webster (on 1935-07-02)
trumpet:
Roy Eldridge (on 1935-07-02)
vocals:
Billie Holiday (on 1935-07-02)
orchestra:
Teddy Wilson and His Orchestra (on 1935-07-02)
arranger:
Teddy Wilson
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1935-07-02)
recording of:
What a Little Moonlight Can Do (on 1935-07-02)
lyricist and composer:
Harry M. Woods
publisher:
Connelly Basart, Warner Bros. Music and Warner Brothers Music Inc.
3:02
3Miss Brown to You
recording of:
Miss Brown to You (on 1935-07-02)
lyricist:
Leo Robin
composer:
Ralph Rainger and Richard A. Whiting
3:04
4A Sunbonnet Blue
recording of:
A Sunbonnet Blue
writer:
Sammy Fain and Irving Kahal
2:53
5It's Like Reaching for the Moon3:22
6These Foolish Things3:20
7I Cried for You3:14
8Did I Remember
recording of:
Did I Remember
lyricist:
Harold Adamson (in 1936)
composer:
Walter Donaldson (in 1936)
publisher:
EMI Feist Catalog Inc. (on 1936-05-26)
part of:
The 9th Academy Award for Best Original Song (number: 2)
2:53
9Billie's Blues
clarinet:
Artie Shaw (on 1936-07-10)
double bass:
Pete Peterson (on 1936-07-10)
drums (drum set):
Cozy Cole (on 1936-07-10)
guitar:
Dick McDonough (on 1936-07-10)
piano:
Joe Bushkin (on 1936-07-10)
trumpet:
Bunny Berigan (on 1936-07-10)
vocals:
Billie Holiday (on 1936-07-10)
recording of:
Billie’s Blues (on 1936-07-10)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
2:40
10A Fine Romance
clarinet:
Irving Fazola (on 1936-09-29)
double bass:
Artie Bernstein (on 1936-09-29)
drums (drum set):
Cozy Cole (on 1936-09-29)
guitar:
Dick McDonough (on 1936-09-29)
piano:
Clyde Hart (on 1936-09-29)
trumpet:
Bunny Berigan (on 1936-09-29)
vocals:
Billie Holiday (on 1936-09-29)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-09-29)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:52
11The Way You Look Tonight3:02
12I Can't Give You Anything but Love3:29
13I've Got My Love to Keep Me Warm2:55
14This Year's Kisses
recorded in:
New York, New York, United States (on 1937-01-25)
clarinet:
Benny Goodman (on 1937-01-25)
double bass [string bass]:
Walter Page (on 1937-01-25)
drums (drum set):
Jo Jones (on 1937-01-25)
guitar:
Freddie Green (on 1937-01-25)
piano:
Teddy Wilson (on 1937-01-25)
tenor saxophone:
Lester Young (on 1937-01-25)
trumpet:
Buck Clayton (on 1937-01-25)
vocals:
Billie Holiday (on 1937-01-25)
orchestra:
Teddy Wilson and His Orchestra (on 1937-01-25)
recording of:
This Year’s Kisses (on 1937-01-25)
lyricist and composer:
Irving Berlin
3:11
15Why Was I Born?
recorded in:
New York, New York, United States (on 1937-01-25)
clarinet:
Benny Goodman (on 1937-01-25)
double bass [string bass]:
Walter Page (on 1937-01-25)
drums (drum set):
Jo Jones (on 1937-01-25)
guitar:
Freddie Green (on 1937-01-25)
piano:
Teddy Wilson (on 1937-01-25)
tenor saxophone:
Lester Young (on 1937-01-25)
trumpet:
Buck Clayton (on 1937-01-25)
vocals:
Billie Holiday (on 1937-01-25)
orchestra:
Teddy Wilson and His Orchestra (on 1937-01-25)
recording of:
Why Was I Born? (on 1937-01-25)
lyricist:
Oscar Hammerstein II (in 1929)
composer:
Jerome Kern (in 1929)
2:51
16I Must Have That Man
recorded in:
New York, New York, United States (on 1937-01-25)
clarinet:
Benny Goodman (on 1937-01-25)
double bass [string bass]:
Walter Page (on 1937-01-25)
drums (drum set):
Jo Jones (on 1937-01-25)
guitar:
Freddie Green (on 1937-01-25)
piano:
Teddy Wilson (on 1937-01-25)
tenor saxophone:
Lester Young (on 1937-01-25)
trumpet:
Buck Clayton (on 1937-01-25)
vocals:
Billie Holiday (on 1937-01-25)
orchestra:
Teddy Wilson and His Orchestra (on 1937-01-25)
recording of:
I Must Have That Man (on 1937-01-25)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
2:56
17My Last Affair
3:10
18Carelessly
alto saxophone:
Johnny Hodges (on 1937-03-31)
double bass:
John Kirby (on 1937-03-31)
drums (drum set):
Cozy Cole (on 1937-03-31)
guitar:
Allan Reuss (on 1937-03-31)
piano:
Teddy Wilson (on 1937-03-31)
reeds:
Harry Carney (on 1937-03-31)
trumpet:
Cootie Williams (on 1937-03-31)
vocals:
Billie Holiday (on 1937-03-31)
recording of:
Carelessly (on 1937-03-31)
writer:
Norman Ellis, Charles Kenny and Nick Kenny
3:09
19How Could You?
recording of:
How Could You?
lyricist:
Al Dubin
composer:
Harry Warren
2:33
20Moanin' Low3:05
21Mean to Me3:09
22Foolin' Myself3:02
23Easy Living
recording of:
Easy Living
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
3:04
24I'll Never Be the Same3:05
25Me, Myself and I2:35
2CD: Strange Fruit
#TitleLength
1A Sailboat in the Moonlight2:52
2He's Funny That Way2:40
3Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It (on 1937-11-01)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
3:10
4My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1937-11-01)
lyricist:
Jacques Charles and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:04
5When You're Smiling
2:52
6I Can't Believe That You're in Love With Me2:47
7On the Sentimental Side3:05
8Back in Your Own Backyard
recording of:
Back in Your Own Back Yard
additional lyricist:
Al Jolson
lyricist:
Billy Rose
composer:
Dave Dreyer
publisher:
Bourne Co.
2:42
9When a Woman Loves a Man
recording of:
When a Woman Loves a Man
lyricist:
Johnny Mercer (in 1938)
composer:
Bernie Hanighen (in 1938) and Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
2:26
10You Go to My Head2:55
11I'm Gonna Lock My Heart and Throw Away the Key2:10
12The Very Thought of You
recording of:
The Very Thought of You (on 1938-09-15)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. and Warner Bros. Music
2:47
13I Can't Get Started2:49
14Say It With a Kiss
recording of:
Say It With a Kiss (on 1938-11-09)
writer:
Johnny Mercer and Harry Warren
2:36
15That's All I Ask of You
recorded in:
New York, New York, United States (on 1939-01-20)
double bass:
John Williams (on 1939-01-20)
drums (drum set):
Cozy Cole (on 1939-01-20)
guitar:
Al Casey (on 1939-01-20)
piano:
Sonny White (on 1939-01-20)
tenor saxophone:
Leon “Chu” Berry (on 1939-01-20)
trombone:
Tyree Glenn (on 1939-01-20)
trumpet:
Charlie Shavers (on 1939-01-20)
vocals:
Billie Holiday (on 1939-01-30)
2:58
16Dream of Life
2:46
17More Than You Know
recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:09
18Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog and Robbins Music Corp.
2:48
19Strange Fruit3:10
20Yesterdays3:24
21Fine and Mellow
recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co.
3:15
22I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc.
2:52
23Some Other Spring3:03
24Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:51
25Night and Day
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (on 1939-12-13)
tenor saxophone:
Lester Young (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1939-12-13)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:01
3CD: God Bless the Child
#TitleLength
1The Man I Love
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:07
2You're Just a No Account
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
baritone saxophone:
Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (on 1939-12-13)
tenor saxophone:
Lester Young (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
recording of:
You’re Just a No Account (on 1939-12-13)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
2:59
3Ghost of Yesterday
recorded in:
New York, New York, United States (on 1940-02-29)
alto saxophone:
Carl Frye (on 1940-02-29) and Jimmy Powell (on 1940-02-29)
double bass:
John Williams (on 1940-02-29)
drums (drum set):
Hal West (on 1940-02-29)
guitar:
Lawrence Lucie (on 1940-02-29)
piano:
Sonny White (on 1940-02-29)
tenor saxophone:
Kermit Scott (on 1940-02-29)
trumpet:
Roy Eldridge (on 1940-02-29)
vocals:
Billie Holiday (on 1940-02-29)
recording of:
Ghost of Yesterday (on 1940-02-29)
writer:
Arthur Herzog, Jr. and Irene Kitchings
2:39
4Body and Soul3:00
5What Is This Going to Get Us?2:42
6Laughing at Life2:56
7Time on My Hands
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (in 1930, in 1956)
3:05
8I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
2:42
9Practice Makes Perfect2:40
10Let's Do It
alto saxophone:
Eddie Barefield (on 1941-03-21) and Leslie Johnakins (on 1941-03-21)
double bass:
Ted Sturgis (on 1941-03-21)
drums (drum set):
Kenny Clarke (on 1941-03-21)
guitar:
John Collins (on 1941-03-21)
piano:
Eddie Heywood (on 1941-03-21)
tenor saxophone:
Lester Young (on 1941-03-21)
trumpet:
Shad Collins (on 1941-03-21)
lead vocals:
Billie Holiday (on 1941-03-21)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1941-03-21)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
2:58
11Romance in the Dark
recording of:
Romance in the Dark (on 1941-03-21)
writer:
Sam Coslow
composer:
Auteur, Big Bill Broonzy, Bud Green and Gertrude Niesen
2:17
12All of Me
alto saxophone:
Eddie Barefield (on 1941-03-21) and Leslie Johnakins (on 1941-03-21)
double bass:
Ted Sturgis (on 1941-03-21)
drums (drum set):
Kenny Clarke (on 1941-03-21)
guitar:
John Collins (on 1941-03-21)
piano:
Eddie Heywood (on 1941-03-21)
tenor saxophone:
Lester Young (on 1941-03-21)
trumpet:
Shad Collins (on 1941-03-21)
vocals:
Billie Holiday (on 1941-03-21)
recording of:
All of Me (on 1941-03-21)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co., Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
3:03
13God Bless the Child2:57
14Am I Blue?2:51
15Solitude
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (on 1941-05-09)
clarinet and tenor saxophone:
Ernie Powell (on 1941-05-09)
double bass:
Grachan Moncur (on 1941-05-09)
drums (drum set):
Herbert Cowens (on 1941-05-09)
guitar:
Paul Chapman (on 1941-05-09)
piano:
Eddie Heywood (on 1941-05-09) and Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
lead vocals:
Billie Holiday (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
orchestra:
Billie Holiday and Her Orchestra (on 1941-05-09)
recording of:
(In My) Solitude (on 1941-05-09)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. and J. R. Lafleur & Son Ltd.
3:15
16Love Me or Leave Me
alto saxophone:
Hymie Shertzer (on 1941-08-07)
clarinet:
Jimmy Hamilton (on 1941-08-07)
double bass:
Johnny Williams (on 1941-08-07)
drums (drum set):
J.C. Heard (on 1941-08-07)
guitar:
Al Casey (on 1941-08-07)
piano:
Teddy Wilson (on 1941-08-07)
tenor saxophone:
Irving “Babe” Russin (on 1941-08-07)
trumpet:
Emmett Berry (on 1941-08-07)
lead vocals:
Billie Holiday (on 1941-08-07)
recording of:
Love Me or Leave Me (on 1941-08-07)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music, EMI Music Publishing Ltd., Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp., Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:21
17Mandy Is Two
alto saxophone:
Hymie Shertzer (on 1942-02-10)
clarinet:
Jimmy Hamilton (on 1942-02-10)
double bass:
Johnny Williams (on 1942-02-10)
drums (drum set):
J.C. Heard (on 1942-02-10)
guitar:
Eugene Fields (on 1942-02-10)
piano:
Teddy Wilson (on 1942-02-10)
tenor saxophone:
Irving “Babe” Russin (on 1942-02-10)
trumpet:
Emmett Berry (on 1942-02-10)
lead vocals:
Billie Holiday (on 1942-02-10)
recording of:
Mandy Is Two (on 1942-02-10)
lyricist:
Johnny Mercer
composer:
Fulton McGrath
3:01
18It's a Sin to Tell a Lie
alto saxophone:
Hymie Shertzer (on 1942-02-10)
clarinet:
Jimmy Hamilton (on 1942-02-10)
double bass:
Johnny Williams (on 1942-02-10)
drums (drum set):
J.C. Heard (on 1942-02-10)
guitar:
Eugene Fields (on 1942-02-10)
piano:
Teddy Wilson (on 1942-02-10)
tenor saxophone:
Irving “Babe” Russin (on 1942-02-10)
trumpet:
Emmett Berry (on 1942-02-10)
lead vocals:
Billie Holiday (on 1942-02-10)
recording of:
It’s a Sin to Tell a Lie (on 1942-02-10)
lyricist and composer:
Billy Mayhew (in 1936)
3:04
19Until the Real Thing Comes Along3:11
20Trav'lin' Light
banjo:
Mike Pingitore (on 1942-06-12)
double bass:
Arthur "Artie" Shapiro (on 1942-06-12)
drums (drum set):
Willie Rodriguez (on 1942-06-12)
piano:
Buddy Weed (on 1942-06-12)
saxophone:
Danny d'Andrea (on 1942-06-12), Lenny Hartman (on 1942-06-12) and Alvy West (on 1942-06-12)
trombone:
Skip Layton (on 1942-06-12) and Murray McEachern (on 1942-06-12)
trumpet:
Monty Kelly (on 1942-06-12), Larry Neill (on 1942-06-12) and Don Waddilove (on 1942-06-12)
lead vocals:
Lady Day (on 1942-06-12)
orchestra:
Paul Whiteman and His Orchestra (on 1942-06-12)
recording of:
Trav’lin’ Light (on 1942-06-12)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation, Rytvoc, Inc. and WB Music Corp.
3:18
21How Am I to Know?
recording of:
How Am I to Know?
lyricist:
Dorothy Parker
composer:
Jackie King
publisher:
Robbins Music
2:47
22My Old Flame
producer:
Milt Gabler
alto saxophone:
Lem Davis (on 1944-03-25)
double bass:
John Simmons (on 1944-03-25)
drums (drum set):
Sid Catlett (on 1944-03-25)
guitar:
Teddy Walters (on 1944-03-25)
piano:
Eddie Heywood (on 1944-03-25)
trombone:
Vic Dickenson (on 1944-03-25)
trumpet:
Doc Cheatham (on 1944-03-25)
vocals:
Billie Holiday (on 1944-03-25)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-25)
recording of:
My Old Flame (on 1944-03-25)
lyricist:
Sam Coslow
composer:
Arthur Johnston
publisher:
Famous Music Corporation
3:05
23I'll Get By
producer:
Milt Gabler
alto saxophone:
Lem Davis (on 1944-03-25)
double bass:
John Simmons (on 1944-03-25)
drums (drum set):
Sid Catlett (on 1944-03-25)
guitar:
Teddy Walters (on 1944-03-25)
piano:
Eddie Heywood (on 1944-03-25)
trombone:
Vic Dickenson (on 1944-03-25)
trumpet:
Doc Cheatham (on 1944-03-25)
vocals:
Billie Holiday (on 1944-03-25)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-03-25)
recording of:
I’ll Get by (as Long as I Have You) (on 1944-03-25)
lyricist:
Roy Turk
composer:
Fred Ahlert
3:01
24I Cover the Waterfront3:33
25I'll Be Seeing You
producer:
Milt Gabler
alto saxophone:
Lem Davis (on 1944-04-01)
double bass:
John Simmons (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-01)
recording of:
I’ll Be Seeing You (on 1944-04-01)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music, New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
3:33
4CD: Lover Man
#TitleLength
1I'm Yours
producer:
Milt Gabler
alto saxophone:
Lem Davis (on 1944-04-01)
double bass:
John Simmons (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-01)
recording of:
I’m Yours (on 1944-04-01)
lyricist:
Yip Harburg
composer:
Johnny Green
3:20
2Embraceable You
producer:
Milt Gabler
alto saxophone:
Lem Davis (on 1944-04-01)
double bass:
John Simmons (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-01)
recording of:
Embraceable You (on 1944-04-01)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:18
3As Time Goes By
producer:
Milt Gabler
alto saxophone:
Lem Davis (on 1944-04-01)
double bass:
John Simmons (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-01)
cover recording of:
As Time Goes By (the song from “Casablanca”) (on 1944-04-01)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (ended), Chappell, Redwood Music, Redwood Music Ltd., Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司
part of:
Casablanca (original soundtrack of the 1942 American film)
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (ended), Chappell, Redwood Music, Redwood Music Ltd., Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司
part of:
Casablanca (original soundtrack of the 1942 American film)
3:14
4He's Funny That Way
producer:
Milt Gabler
double bass:
John Simmons (on 1944-04-08)
drums (drum set):
Sid Catlett (on 1944-04-08)
piano:
Eddie Heywood (on 1944-04-08)
vocals:
Billie Holiday (on 1944-04-08)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-08)
recording of:
He’s Funny That Way (on 1944-04-08)
writer:
Neil Moret and Richard A. Whiting
recording of:
She’s Funny That Way
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:18
5Lover, Come Back to Me3:23
6Billie's Blues
producer:
Milt Gabler
double bass:
John Simmons (on 1944-04-08)
drums (drum set):
Sid Catlett (on 1944-04-08)
piano:
Eddie Heywood (on 1944-04-08)
vocals:
Billie Holiday (on 1944-04-08)
arranger:
Eddie Heywood
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-08)
recording of:
Billie’s Blues (on 1944-04-08)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
3:10
7On the Sunny Side of the Street3:04
8Lover Man
recording of:
Lover Man
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
3:24
9That Old Devil Called Love2:55
10Don't Explain3:23
11You Better Go Now2:45
12What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
3:17
13Good Morning Heartache3:11
14Big Stuff
recording of:
Fancy Free: Big Stuff
lyricist and composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
2:35
15There Is No Greter Love3:02
16I Loves You Porgy3:01
17Ain't Nobody's Business If I Do3:25
18Baby Get Lost
alto saxophone:
George Dorsey (on 1949-08-17) and Rudy Powell (on 1949-08-17)
baritone saxophone:
Sol Moore (on 1949-08-17)
double bass:
George Duvivier (on 1949-08-17)
drums (drum set):
Shadow Wilson (on 1949-08-17)
guitar:
Mundell Lowe (on 1949-08-17)
piano:
Horace Henderson (on 1949-08-17)
tenor saxophone:
Joe Thomas (on 1949-08-17) and Lester Young (on 1949-08-17)
trombone:
George Matthews (on 1949-08-17) and Dicky Wells (on 1949-08-17)
trumpet:
Emmett Berry (on 1949-08-17), Buck Clayton (on 1949-08-17) and Jimmy Nottingham (on 1949-08-17)
vocals:
Billie Holiday (on 1949-08-17)
conductor:
Buster Harding (on 1949-08-17)
recording of:
Baby Get Lost (on 1949-08-17)
writer:
Leonard Feather and Billy Moore, Jr.
publisher:
Modern Age Music Co.
3:19
19Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:53
20Gimme a Pigfoot and a Bottle of Beer2:48
21Now or Never
recording of:
Now or Never
writer:
Billie Holiday and Curtis Lewis
3:21
22You're My Thrill3:28
23Crazy He Calls Me3:08
24Somebody's on My Mind2:57