| # | Title | Artist | Length |
|---|
| 1 | My Arms Keep Missing You | Rick Astley | 3:11 |
| 2 | Only When You Leave | Spandau Ballet | 4:46 |
| 3 | I Can Help It | Bananarama | 3:28 |
| 4 | Girls Just Want to Have Fun- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- bass:
- Eric Bazilian
- electric guitar:
- Rick DiFonzo
- electronic drum set:
- Anton Fig
- keyboard [keyboards] and synthesizer [synthesizers]:
- Rob Hyman
- background vocals:
- Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983) and Sony Music Entertainment Inc. (in 1983, in 1994)
- produced for:
- Red Sox Music Productions, Inc.
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- music videos:
- Girls Just Want to Have Fun by Cyndi Lauper
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 63)
- recording of:
- Girls Just Want to Have Fun
- lyricist and composer:
- Robert Hazard
- publisher:
- Copyright Control, EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC and Heroic Music (in 1983)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Cyndi Lauper | 3:55 |
| 5 | Dolce Vita | Ryan Paris | 3:07 |
| 6 | Just an Illusion | Imagination | 6:27 |
| 7 | Manic Monday | Bangles | 3:04 |
| 8 | Rumours | Timex Social Club | 5:47 |
| 9 | Lady Marmalade- producer:
- Allen R. Toussaint
- arranger:
- Allen R. Toussaint
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1974) and Sony Music Entertainment Inc. (in 1974)
- part of:
- Billboard: The 500 Best Pop Songs (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (number: 479)
- cover recording of:
- Lady Marmalade (in 1974)
- writer:
- Bob Crewe and Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music, EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
| LaBelle | 3:57 |
| 10 | Typical Male | Tina Turner | 4:15 |
| 11 | Don't Pay the Ferryman | Chris de Burgh | 3:48 |
| 12 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd., EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London, England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London, England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing, Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 3:25 |
| 13 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music, Chrysalis Music Ltd., Copyright Control, EMI Music Publishing Ltd., Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 3:29 |
| 14 | Come Back and Stay | Paul Young | 4:18 |
| 15 | I Can't Go For That | Hall & Oates | 3:41 |
| 16 | Knock on Wood | Amii Stewart | 3:56 |
| 17 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music, EMI Music Australia Pty. Limited, EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 3:39 |
| 18 | Love Is Such a Lonely Sword | Blue System | 4:14 |
