Weihnachts-Oratorium (Christmas Oratorio)

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket!"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:41
2Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo "Es begab sich aber zu der Zeit" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
3Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) "Nun wird mein liebster Bräutigam"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
4Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:06
5Weihnachts-Oratorium, BWV 248: Teil I, V. Choral "Wie soll ich dich empfangen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
6Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo "Und sie gebar ihren ersten Sohn" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
7Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Soprano, Basso) "Er ist auf Erden kommen arm"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:45
8Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:33
9Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral "Ach mein herzliebes Jesulein"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
10Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:53
11Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo "Und es waren Hirten in derselben Gegend" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
12Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:01
13Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo "Und der Engel sprach zu ihnen" (Evangelista, Angelus)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
14Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) "Was Gott dem Abraham verheissen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:39
15Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37
16Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo "Und das habt zum Zeichen" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
17Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral "Schaut hin, dort liegt im finstern Stall"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
18Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) "So geht denn hin"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
19Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:36
20Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo "Und alsobald war da bei dem Engel" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:14
21Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro "Ehre sei Gott in der Höhe"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:22
22Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) "So recht, ihr Engel"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
23Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral "Wir singen dir in deinem Heer"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
24Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro "Herrscher des Himmels, erhöre das Lallen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:54
25Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo "Und da die Engel" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
26Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro "Lasset uns nun gehen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
27Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) "Er hat sein Volk getröst"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
28Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral "Dies hat er alles uns getan"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
29Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
soprano vocals:
Monika Frimmer
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:32
30Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo "Und sie kamen eilend" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:14
31Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:53
32Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
33Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral "Ich will dich mit Fleiß bewahren"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
34Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo "Und die Hirten kehrten wieder um" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
35Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil"
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
36Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro da capo "Herrscher des Himmels, erhöre das Lallen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:56
2▼CD
#TitleArtistLength
1Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro "Fallt mit Danken, fallt mit Loben"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:37
2Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo "Und da acht Tage um waren" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
3Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale "Immanuel, o süßes Wort"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:22
4Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
additional soprano vocals [echo]:
Midori Suzuki
soprano vocals:
Monika Frimmer
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:24
5Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale "Wohlan, dein Name soll allein"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:26
6Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) "Ich will nur dir zu Ehren leben"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:32
7Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral "Jesus richte mein Beginnen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:49
8Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro "Ehre sei dir, gott, gesungen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:45
9Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo "Da Jesus geboren war zu Bethlehem" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
10Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro "Wo ist der neugeborne König"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:35
11Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral "Dein Glanz all Finsternis verzehrt"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
12Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:11
13Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo "Da das der König Herodes hörte" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:14
14Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) "Warum sollt ihr erschrecken"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
15Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo "Und ließ versammeln alle Hohepriester" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
16Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
soprano vocals:
Monika Frimmer
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:19
17Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
18Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral "Zwar ist solche Herzensstube"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
19Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro "Herr, wenn die stolzen Feinde schnauben"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:45
20Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo "Da berief Herodes die Weisen heimlich" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
21Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
soprano vocals:
Monika Frimmer
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
22Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
soprano vocals:
Monika Frimmer
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:47
23Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo "Als sie nun den König gehöret hatten" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:17
24Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
25Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo "Und Gott befahl ihnen im Traum" (Evangelista)
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
26Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) "So geht! Genug, mein Schatz geht nicht von hier"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:51
27Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:04
28Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
bass vocals:
Peter Kooij
countertenor vocals:
Yoshikazu Mera
soprano vocals:
Monika Frimmer
tenor vocals:
Gerd Türk
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
29Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen"
sound engineer:
Jens Braun
producer:
Ingo Petry
editor:
Oliver Curdt
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki
concertmaster:
寺神戸亮
phonographic copyright (℗) by:
BIS Records AB (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:17

Credits

Release

liner notes:Tadashi Isoyama (in 1998)
booklet editor:Andrew Barnett
ASIN:US: B00000FXZG [info]