The Atlantic Years – In Mono

~ Release by John Coltrane (see all versions of this release, 3 available)

Tracklist

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1▼CD: Giant Steps
#TitleLength
1Giant Steps
recording engineer:
Tom Dowd and Phil Iehle
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 2022)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4:48
2Cousin Mary
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
5:50
3Countdown
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
recorded at:
Atlantic Recording Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
2:25
4Spiral
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
recorded at:
Atlantic Recording Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Spiral (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
6:00
5Syeeda's Song Flute
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
recorded at:
Atlantic Recording Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
7:06
6Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-12-02)
drums (drum set):
Jimmy Cobb (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 2022)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
4:25
7Mr P.C.
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Atlantic Recording Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Mr. P.C. (on 1959-05-05)
composer:
John Coltrane
named after artist:
Paul Chambers
publisher:
Jowcol Music
6:58
2▼CD: Bags & Trane
#TitleArtistLength
1Bags & Trane
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
Bags & Trane (on 1959-01-15)
composer:
Milt Jackson
Milt Jackson & John Coltrane7:28
2Three Little Words
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass and double bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
cover recording of:
Three Little Words (on 1959-01-15)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music, Chappell and MPL Music Publishing Inc.
Milt Jackson & John Coltrane7:31
3The Night We Called It a Day
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
cover recording of:
The Night We Called It a Day (on 1959-01-15)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
Milt Jackson & John Coltrane4:23
4Be-Bop
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
cover recording of:
Be-Bop (on 1959-01-15)
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP
Milt Jackson & John Coltrane8:02
5The Late Late Blues
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
The Late Late Blues (on 1959-01-15)
composer:
Milt Jackson
Milt Jackson & John Coltrane9:35
3▼CD: Olé Coltrane
#TitleLength
1Olé
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
double bass:
Art Davis (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (on 1961-05-25)
soprano saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio in New York, New York, United States (on 1961-05-25)
recording of:
Olé (on 1961-05-25)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
El vito (traditional Andalusian)
18:16
2Dahomey Dance
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Art Davis (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (on 1961-05-25)
piano:
McCoy Tyner (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
recorded at:
A&R Recording Studio in New York, New York, United States (on 1961-05-25)
recording of:
Dahomey Dance (on 1961-05-25)
composer:
John Coltrane
10:52
3Aisha
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (on 1961-05-25)
piano:
McCoy Tyner (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
recorded at:
A&R Recording Studio in New York, New York, United States (on 1961-05-25)
recording of:
Aisha (on 1961-05-25)
composer:
McCoy Tyner
7:37
4▼CD: Coltrane Plays the Blues
#TitleLength
1Blues to Elvin
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to Elvin (on 1960-10-24)
composer:
John Coltrane and Elvin Jones
7:52
2Blues to Bechet
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to Bechet (on 1960-10-24)
composer:
John Coltrane
dedicated to:
Sidney Bechet
publisher:
Jowcol Music
5:45
3Blues to You
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to You (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
6:28
4Mr. Day
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Mr. Day (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
7:57
5Mr. Syms
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Mr. Syms (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
5:22
6Mr. Knight
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Mr. Knight (on 1960-10-24)
composer:
John Coltrane
7:32
5▼CD: The Avante Garde
#TitleArtistLength
1Cherryco
producer:
Nesuhi Ertegun
double bass:
Charlie Haden (on 1960-06-28)
drums (drum set):
Ed Blackwell (on 1960-06-28)
tenor saxophone:
John Coltrane (on 1960-06-28)
trumpet:
Don Cherry (on 1960-06-28)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-06-28)
recording of:
Cherryco (on 1960-06-28)
composer:
Don Cherry
publisher:
Eternal River Music
John Coltrane & Don Cherry6:49
2Focus on Sanity
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (on 1960-07-08)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
recording of:
Focus on Sanity (on 1960-07-08)
composer:
Ornette Coleman
publisher:
MJQ Music, Inc.
cover recording of:
Focus on Sanity (on 1960-07-08)
composer:
Ornette Coleman
publisher:
MJQ Music, Inc.
John Coltrane & Don Cherry12:11
3The Blessing
producer:
Nesuhi Ertegun
double bass:
Charlie Haden (on 1960-06-28)
drums (drum set):
Ed Blackwell (on 1960-06-28)
soprano saxophone:
John Coltrane (on 1960-06-28)
trumpet:
Don Cherry (on 1960-06-28)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-06-28)
cover recording of:
The Blessing (on 1960-06-28)
composer:
Ornette Coleman
John Coltrane & Don Cherry7:55
4The Invisible
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
soprano saxophone and tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (on 1960-07-08)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Invisible (on 1960-07-08)
composer:
Ornette Coleman
publisher:
Carl Fischer Music
John Coltrane & Don Cherry4:11
5Bemsha Swing
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (on 1960-07-08)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Bemsha Swing (instrumental) (on 1960-07-08)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス and 日音 Synch事業部
John Coltrane & Don Cherry5:05
6▼CD: The Coltrane Legacy
#TitleLength
126-2
recording engineer:
Tom Dowd (on 1960-10-26)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (on 1960-10-26)
drums (drum set):
Elvin Jones (on 1960-10-26)
piano:
McCoy Tyner (on 1960-10-26)
soprano saxophone and tenor saxophone:
John Coltrane (on 1960-10-26)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
recording of:
26-2 (on 1960-10-26)
composer:
John Coltrane
publisher:
Jowcol Music
6:13
2Original Untitled Ballad
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone, soprano saxophone and tenor saxophone:
John Coltrane (on 1961-05-25)
double bass:
Art Davis (on 1961-05-25)
drums (drum set):
Elvin Jones (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
recorded at:
A&R Recording Studio in New York, New York, United States (on 1961-05-25)
recording of:
To Her Ladyship (on 1961-05-25)
writer:
Billy Frazier
9:01
3Untitled Ballad
double bass:
Steve Davis (on 1960-10-24)
drums (drum set):
Elvin Jones (on 1960-10-24)
piano:
McCoy Tyner (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Exotica (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
5:22
4Centerpiece
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
cover recording of:
Centerpiece (on 1959-01-15)
lyricist:
Jon Hendricks
composer:
Harry “Sweets” Edison
publisher:
Caphryl Music and Carlin Music Corporation
7:08
5Stairway to the Stars
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
cover recording of:
Stairway to the Stars (on 1959-01-15)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music
3:33
6Blues Legacy
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
Blues Legacy (on 1959-01-15)
composer:
Milt Jackson
9:02