Princess Ida / Pineapple Poll

~ Release by Gilbert & Sullivan; The D’Oyly Carte Opera Company, The Royal Philharmonic Orchestra, Sir Malcolm Sargent / The Philharmonia Orchestra, Sir Charles Mackerras (see all versions of this release, 5 available)

Annotation

© «2003 Decca Music Group Limited»
℗ «1965 Decca Music Group Limited»

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Tracklist

| |
1▼Digital Media
#TitleArtistLength
1Princess Ida: Overture
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Overture
composer:
Arthur Sullivan
part of:
Princess Ida (Gilbert & Sullivan opera)
Gilbert & Sullivan3:38
2Princess Ida, Act I: No. 1, I Search Throughout the Panorama
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act I. “Search Throughout the Panorama” (Florian and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
Gilbert & Sullivan2:56
3Princess Ida, Act I: No. 2, Now Hearken to My Strict Command
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Kenneth Sandford (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act I. “Now Hearken to My Strict Command” (Hildebrand and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
Gilbert & Sullivan1:50
4Princess Ida, Act I: No. 3, Today We Meet – Ida Was a 12-Month Old
vocals:
Philip Potter (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act I. “Today We Meet” (Hilarion)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
Gilbert & Sullivan3:02
5Princess Ida, Act I: No. 4, From the Distant Panorama – We Are Warriors Three
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Donald Adams (from 1965-05-03 until 1965-05-15), George Cook (from 1965-05-03 until 1965-05-15) and Anthony Raffell (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act I. “From the Distant Panorama” (Chorus)
writer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
recording of:
Princess Ida: Act I. “We Are Warriors Three” (Arac, Guron, Scynthius and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
Gilbert & Sullivan3:47
6Princess Ida, Act I: No. 5, If You Give Me Your Attention
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
John Reed (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act I. “If You Give Me Your Attention” (Gama)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
Gilbert & Sullivan2:15
7Princess Ida, Act I: No. 6, P'r'aps if You Address the Lady Most Politely
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15), John Reed (from 1965-05-03 until 1965-05-15), Kenneth Sandford (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act I. Finale. “P’raps If You Address the Lady…” (Gama, Hildebrand, Cyril, Hilarion, Florian and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act I.
Gilbert & Sullivan7:18
8Princess Ida, Act II: No. 7, Towards the Empyrean Heights
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Ann Hood (from 1965-05-03 until 1965-05-15) and Valerie Masterson (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “Towards the Empyrean Heights” (Lady Psyche, Melissa, Sacharissa and Chorus of Girls)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan3:43
9Princess Ida, Act II: No. 8, Mighty Maiden with a Mission
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “Mighty Maiden With a Mission” (Chorus of Girls)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan1:23
10Princess Ida, Act II: No. 9, Minerva – Oh, Goddess Wise
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
soprano vocals:
Elizabeth Harwood (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. 10. “Minerva! oh, hear me!” … “Oh, goddess wise” (Princess)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan3:22
11Princess Ida, Act II: No. 10, Gently, Gently, Evidently
vocals:
David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “Gently, Gently” (Cyril, Hilarion and Florian)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan4:37
12Princess Ida, Act II: No. 11, I Am a Maiden, Cold and Stately
vocals:
David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “I Am a Maiden, Cold and Stately” (Cyril, Hilarion and Florian)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan2:51
13Princess Ida, Act II: No. 12, The World Is But a Broken Toy
soprano vocals:
Elizabeth Harwood (from 1965-05-03 until 1965-05-15)
vocals:
David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “The World Is but a Broken Toy” (Princess, Cyril, Hilarion and Florian)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan3:02
14Princess Ida, Act II: No. 13, A Lady Fair, of Lineage High
vocals:
Ann Hood (from 1965-05-03 until 1965-05-15), David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “A Lady Fair, of Lineage High” (Psyche with Cyril, Hilarion and Florian)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan2:45
15Princess Ida, Act II: No. 14, The Woman of the Wisest Wit
vocals:
Ann Hood (from 1965-05-03 until 1965-05-15), Valerie Masterson (from 1965-05-03 until 1965-05-15), David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “The Woman of the Wisest Wit” (Psyche, Melissa, Cyril, Hilarion and Florian)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan2:32
16Princess Ida, Act II: No. 15, Now Would You Like to Rule the Roost
vocals:
Valerie Masterson (from 1965-05-03 until 1965-05-15) and Christene Palmer (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “Now Wouldn’t You Like to Rule the Roast” (Melissa and Blanche)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan2:35
17Princess Ida, Act II: No. 16, Merrily Ring the Luncheon Bell
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Christene Palmer (from 1965-05-03 until 1965-05-15) and David Palmer (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “Merrily Ring the Luncheon Bell” (Blanche, Cyril and Chorus of Girls)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan1:46
18Princess Ida, Act II: No. 17, Would You Know the Kind of Maid
vocals:
David Palmer (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. “Would You Know the Kind of Maid?” (Cyril)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II.
Gilbert & Sullivan2:24
19Princess Ida, Act II: No. 18, Oh, Joy! Our Chief Is Sav'd
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
soprano vocals:
Elizabeth Harwood (from 1965-05-03 until 1965-05-15)
vocals:
Donald Adams (from 1965-05-03 until 1965-05-15), George Cook (from 1965-05-03 until 1965-05-15), Ann Hood (from 1965-05-03 until 1965-05-15), Valerie Masterson (from 1965-05-03 until 1965-05-15), Christene Palmer (from 1965-05-03 until 1965-05-15), David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15), Anthony Raffell (from 1965-05-03 until 1965-05-15), Kenneth Sandford (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved” (Princess, Hilarion, Cyril, Florian and Chorus) (first part only of Act II Finale)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)
recording of:
Princess Ida: Act II. Finale. “Some Years Ago, No Doubt You Know” (Hildebrand and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)
recording of:
Princess Ida: Act II. Finale. “Walls and Fences Scaling” (Princess, Hildebrand and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)
recording of:
Princess Ida: Act II. Finale. “Whom Thou Hast Chained Must Wear His Chain” (Hilarion, Melissa, Princess and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)
Gilbert & Sullivan7:17
20Princess Ida, Act II: No. 19, We May Remark, Tho' Nothing Can Dismay Us
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
soprano vocals:
Elizabeth Harwood (from 1965-05-03 until 1965-05-15)
vocals:
Donald Adams (from 1965-05-03 until 1965-05-15), George Cook (from 1965-05-03 until 1965-05-15), Adam Hood (from 1965-05-03 until 1965-05-15), Valerie Masterson (from 1965-05-03 until 1965-05-15), Christene Palmer (from 1965-05-03 until 1965-05-15), David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15), Anthony Raffell (from 1965-05-03 until 1965-05-15), Kenneth Sandford (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act II. Finale. “To Yield at Once to Such a Foe With Shame Were Rife” (Princess and Chorus)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)
recording of:
Princess Ida: Act II. Finale. “We May Remark, Though Nothing Can Dismay Us” (Arac, Guron and Scynthius)
composer:
Arthur Sullivan
librettist:
William Gilbert
part of:
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)
Gilbert & Sullivan5:05
2▼Digital Media
#TitleArtistLength
1Princess Ida, Act III: No. 20, Death to the Invader
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Valerie Masterson (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. “Death to the invader” (Chorus, Melissa) (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan3:13
2Princess Ida, Act III: No. 21, I Built Upon a Rock
soprano vocals:
Elizabeth Harwood (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. “I built upon a rock” (Princess) (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan3:30
3Princess Ida, Act III: No. 22, Whene'er I Spoke Sarcastic Joke
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
John Reed (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. “Whene’er I spoke sarcastic joke” (Gama, Chorus) (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan2:02
4Princess Ida, Act III: No. 23, When Anger Spreads His Wing
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. “When anger spreads his wing” (Chorus) (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan1:20
5Princess Ida, Act III: No. 24, This Helmet I Suppose
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
vocals:
Donald Adams (from 1965-05-03 until 1965-05-15), George Cook (from 1965-05-03 until 1965-05-15) and Anthony Raffell (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. “This helmet I suppose” (Arac, Guron, Synthius, Chorus) (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan2:14
6Princess Ida, Act III: No. 25, This Is Our Duty Plain
choir vocals:
D’Oyly Carte Opera Chorus (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. “This is our duty plain” (Chorus) (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan0:49
7Princess Ida, Act III: No. 26, With Joy Abiding
soprano vocals:
Elizabeth Harwood (from 1965-05-03 until 1965-05-15)
vocals:
Donald Adams (from 1965-05-03 until 1965-05-15), George Cook (from 1965-05-03 until 1965-05-15), Ann Hood (from 1965-05-03 until 1965-05-15), Valerie Masterson (from 1965-05-03 until 1965-05-15), Christene Palmer (from 1965-05-03 until 1965-05-15), David Palmer (from 1965-05-03 until 1965-05-15), Philip Potter (from 1965-05-03 until 1965-05-15), Anthony Raffell (from 1965-05-03 until 1965-05-15), John Reed (from 1965-05-03 until 1965-05-15), Kenneth Sandford (from 1965-05-03 until 1965-05-15) and Jeffrey Skitch (from 1965-05-03 until 1965-05-15)
orchestra:
The Royal Philharmonic Orchestra (from 1965-05-03 until 1965-05-15)
conductor:
Sir Malcolm Sargent (from 1965-05-03 until 1965-05-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1965-05-03 until 1965-05-15)
recording of:
Princess Ida: Act III. Finale “With joy abiding” (from 1965-05-03 until 1965-05-15)
composer:
Arthur Sullivan
librettist:
W.S. Gilbert
part of:
Princess Ida: Act III.
Gilbert & Sullivan2:25
8Pineapple Poll / Scene 1: 1. Opening Dance
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene I. Opening Dance
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:32
9Pineapple Poll / Scene 1: 2. Poll's solo and Pas de deux
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene I. Poll’s Solo and Pas de deux
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:38
10Pineapple Poll / Scene 1: 3. Belaye's solo
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene I. Belaye’s Solo
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:16
11Pineapple Poll / Scene 1: 4. Pas de trois
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene I. Pas de trois
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:02
12Pineapple Poll / Scene 1: 5. Finale
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene I. Finale
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:58
13Pineapple Poll / Scene 2: 6. Poll's solo - Jasper's solo (Intermezzo)
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene II. Jasper’s Solo
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan7:14
14Pineapple Poll / Scene 3: 7. Belayes's solo and Sailors' Drill
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene III. Belaye’s Solo and Sailors’ Drill
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:25
15Pineapple Poll / Scene 3: 8. Poll's solo
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene III. Poll’s Solo
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:59
16Pineapple Poll / Scene 3: 9. Entry of Belaye with Blanche as Bride
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene III. Entry of Belaye with Blanche as Bride
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:46
17Pineapple Poll / Scene 3: 10. Reconciliation
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene III. Reconciliation
composer:
Arthur Sullivan
arranger:
Sir Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan3:05
18Pineapple Poll / Scene 3: 11. Grand Finale
engineer:
Colin Moorfoot (in 1982-11)
producer:
James Mallinson (in 1982-11)
orchestra:
The Philharmonia Orchestra
conductor:
Sir Charles Mackerras
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-11)
recording of:
Pineapple Poll: Scene III. Grande Finale
composer:
Arthur Sullivan
arranger:
Charles Mackerras (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Sir Arthur Sullivan5:58