Holst

~ Release by Vaughan Williams, Finzi, Holst; Sir David Willcocks, Stephen Cleobury, Richard Hickox, Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

| |

1▼CD
#	Title	Artist	Length
1	An Oxford Elegy: I. (Lento) choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: I. Lento lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	2:03
2	An Oxford Elegy: II. Go, for they call you, Shepherd choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: II. "Go, for they call you, Shepherd" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:05
3	An Oxford Elegy: III. Here will I sit and wait choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: III. "Here will I sit and wait" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:45
4	An Oxford Elegy: IV. Screen'd is this nook choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: IV. "Screen'd is this nook" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	0:49
5	An Oxford Elegy: V. That sweet city choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: V. "That sweet city" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:39
6	An Oxford Elegy: VI. Come, let me read choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: VI. "Come, let me read" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:05
7	An Oxford Elegy: VII. Or in my boat I lie choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: VII. "Or in my boat I lie" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	0:48
8	An Oxford Elegy: VIII. And once, in winter choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: VIII. "And once, in winter" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:11
9	An Oxford Elegy: IX. But what-I dream choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: IX. "But what - I dream!" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	0:36
10	An Oxford Elegy: X. No, no, thou hast not felt choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: X. "No, no, thou has not felt" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:36
11	An Oxford Elegy: XI. Runs it not here choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XI. "Runs it not here" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	0:43
12	An Oxford Elegy: XII. Needs must I, with heavy heart choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XII. "Needs must I, with heavy heart" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:03
13	An Oxford Elegy: XIII. Soon will the high Midsummer pomps choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XIII. "Soon will the high Midsummer pomps" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:29
14	An Oxford Elegy: XIV. He hearkens not! choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XIV. "He hearkens not!" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	0:54
15	An Oxford Elegy: XV. Never more choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XV. "Never more" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	0:58
16	An Oxford Elegy: XVI. Yes, thou art gone! choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XVI. "Yes, thou art gone!" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:49
17	An Oxford Elegy: XVII. Despair I will not choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XVII. "Despair will I not" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:17
18	An Oxford Elegy: XVIII. Why faintest thou? choir vocals: Choir of King’s College, Cambridge spoken vocals: John Westbrook orchestra: Jacques Orchestra conductor: Sir David Willcocks recording of: An Oxford Elegy: XVIII. "Why faintest thou?" lyricist: Matthew Arnold composer: Ralph Vaughan Williams part of: An Oxford Elegy	Ralph Vaughan Williams	1:23
19	Whitsunday Hymn (No. 3 of Three Choral Hymns) choir vocals: Choir of King’s College, Cambridge tenor vocals: Robin Doveton conductor: Sir David Willcocks recording of: Three Choral Hymns: No. 3. Whitsunday Hymn lyricist: Myles Coverdale composer: Ralph Vaughan Williams (in 1930) part of: Three Choral Hymns	Ralph Vaughan Williams	3:56
20	Flos Campi: I. Sicut Lillium inter spinas: Lento solo viola: Cecil Aronowitz (from 1968-07-30 until 1968-07-31) choir vocals: Choir of King’s College, Cambridge (from 1968-07-30 until 1968-07-31) orchestra: Jacques Orchestra (from 1968-07-30 until 1968-07-31) conductor: Sir David Willcocks (from 1968-07-30 until 1968-07-31) recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1968-07-30 until 1968-07-31) recording of: Flos campi: I. Sicut lilium inter spinas (Lento) (from 1968-07-30 until 1968-07-31) composer: Ralph Vaughan Williams part of: Flos campi	Ralph Vaughan Williams	2:47
21	Flos Campi: II. Jan enim hiems transiit: Andante con moto solo viola: Cecil Aronowitz (from 1968-07-30 until 1968-07-31) choir vocals: Choir of King’s College, Cambridge (from 1968-07-30 until 1968-07-31) orchestra: Jacques Orchestra (from 1968-07-30 until 1968-07-31) conductor: Sir David Willcocks (from 1968-07-30 until 1968-07-31) recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1968-07-30 until 1968-07-31) recording of: Flos campi: II. Jam enim hiems transiit (Andante con moto) (from 1968-07-30 until 1968-07-31) composer: Ralph Vaughan Williams part of: Flos campi	Ralph Vaughan Williams	3:26
22	Flos Campi: III. Quaesivi quem diligit anima mea: Lento-Allegro moderato solo viola: Cecil Aronowitz (from 1968-07-30 until 1968-07-31) choir vocals: Choir of King’s College, Cambridge (from 1968-07-30 until 1968-07-31) orchestra: Jacques Orchestra (from 1968-07-30 until 1968-07-31) conductor: Sir David Willcocks (from 1968-07-30 until 1968-07-31) recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1968-07-30 until 1968-07-31) recording of: Flos campi: III. Quaesivi quem diligit anima mea (Lento - Allegro moderato) (from 1968-07-30 until 1968-07-31) composer: Ralph Vaughan Williams part of: Flos campi	Ralph Vaughan Williams	3:08
23	Flos Campi: IV. En lectulum Salomonis: Moderato alla marcia solo viola: Cecil Aronowitz (from 1968-07-30 until 1968-07-31) choir vocals: Choir of King’s College, Cambridge (from 1968-07-30 until 1968-07-31) orchestra: Jacques Orchestra (from 1968-07-30 until 1968-07-31) conductor: Sir David Willcocks (from 1968-07-30 until 1968-07-31) recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1968-07-30 until 1968-07-31) recording of: Flos campi: IV. En lectulum Salomonis (Moderato alla marcia) (from 1968-07-30 until 1968-07-31) composer: Ralph Vaughan Williams part of: Flos campi	Ralph Vaughan Williams	1:43
24	Flos Campi: V. Revertere, revertere Sulamitis!: Andante quasi lento solo viola: Cecil Aronowitz (from 1968-07-30 until 1968-07-31) choir vocals: Choir of King’s College, Cambridge (from 1968-07-30 until 1968-07-31) orchestra: Jacques Orchestra (from 1968-07-30 until 1968-07-31) conductor: Sir David Willcocks (from 1968-07-30 until 1968-07-31) recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1968-07-30 until 1968-07-31) recording of: Flos campi: V. Revertere, revertere Sulamitis! (Andante quasi lento) (from 1968-07-30 until 1968-07-31) composer: Ralph Vaughan Williams part of: Flos campi	Ralph Vaughan Williams	3:06
25	Flos Campi: VI. Pone me ut signaculum: Moderato tranquillo solo viola: Cecil Aronowitz (from 1968-07-30 until 1968-07-31) choir vocals: Choir of King’s College, Cambridge (from 1968-07-30 until 1968-07-31) orchestra: Jacques Orchestra (from 1968-07-30 until 1968-07-31) conductor: Sir David Willcocks (from 1968-07-30 until 1968-07-31) recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1968-07-30 until 1968-07-31) recording of: Flos campi: VI. Pone me ut signaculum (Moderato tranquillo) (from 1968-07-30 until 1968-07-31) composer: Ralph Vaughan Williams part of: Flos campi	Ralph Vaughan Williams	5:49
26	Sancta Civitas (The Holy City): I. I was in the spirit: Lento additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: I was in the spirit (Lento) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	4:49
27	Sancta Civitas (The Holy City): II. And I saw Heaven: Allegro additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: And I saw Heaven opened (Allegro) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	2:21
28	Sancta Civitas (The Holy City): III. And I saw an angel standing in the sun: Meno mosso additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: And I saw an angel standing in the sun (Meno mosso) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	1:31
29	Sancta Civitas (The Holy City): IV. Babylon the great is fallen: Lento additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: Babylon the great is fallen (Lento) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	4:15
30	Sancta Civitas (The Holy City): V. Rejoice over her O Heavens: Allegro moderato additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: Rejoice over her O Heavens (Allegro moderato) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	3:14
31	Sancta Civitas (The Holy City): VI. And I saw a new heaven: Adagio additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: And I saw a new heaven (Adagio) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	4:58
32	Sancta Civitas (The Holy City): VII. Therefore are they before the throne of God: Poco meno largo additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	1:10
33	Sancta Civitas (The Holy City): VIII. And I saw a pure river additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: And I saw a pure river composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	2:41
34	Sancta Civitas (The Holy City): IX. Holy, Holy, Holy: Andante sostenuto additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: Holy, Holy, Holy (Andante sostenuto) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	2:59
35	Sancta Civitas (The Holy City): X. Heaven and earth are full of Thy glory: Poco animato additional choir vocals: The Bach Choir baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge tenor vocals: Ian Partridge orchestra: London Symphony Orchestra conductor: Sir David Willcocks recording of: Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato) composer: Ralph Vaughan Williams (from 1923 until 1925) part of: Sancta Civitas	Ralph Vaughan Williams	3:17

2▼CD
#	Title	Artist	Length
1	Five Mystical Songs: I. Easter baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Sir David Willcocks recording of: Five Mystical Songs: No. 1. Easter lyricist: George Herbert composer: Ralph Vaughan Williams part of: Five Mystical Songs	Ralph Vaughan Williams	5:10
2	Five Mystical Songs: II. I got me flowers baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Sir David Willcocks recording of: Five Mystical Songs: No. 2. I Got Me Flowers lyricist: George Herbert composer: Ralph Vaughan Williams is based on: I got me flowers part of: Five Mystical Songs	Ralph Vaughan Williams	2:54
3	Five Mystical Songs: III. Love bade me welcome baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Sir David Willcocks recording of: Five Mystical Songs: No. 3. Love Bade Me Welcome lyricist: George Herbert composer: Ralph Vaughan Williams part of: Five Mystical Songs	Ralph Vaughan Williams	5:26
4	Five Mystical Songs: IV. The Call baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Sir David Willcocks recording of: Five Mystical Songs: No. 4. The Call lyricist: George Herbert composer: Ralph Vaughan Williams part of: Five Mystical Songs	Ralph Vaughan Williams	2:10
5	Five Mystical Songs: V. Antiphon baritone vocals: John Shirley‐Quirk choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Sir David Willcocks recording of: Five Mystical Songs: No. 5. Antiphon lyricist: George Herbert composer: Ralph Vaughan Williams part of: Five Mystical Songs	Ralph Vaughan Williams	3:23
6	O clap your hands choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Sir David Willcocks recording of: O clap your hands (Psalm 47) composer: Ralph Vaughan Williams (in 1920)	Ralph Vaughan Williams	3:18
7	A Choral Fantasia, H177, op. 51 organ: Ralph Downes (on 1963-09-23) mezzo-soprano vocals: Janet Baker (on 1963-09-23) vocals: Purcell Singers (on 1963-09-23) orchestra: English Chamber Orchestra (on 1963-09-23) conductor: Imogen Holst (on 1963-09-23) recorded at: St. Augustine’s Church in London, England, United Kingdom (on 1963-09-23) recording of: A Choral Fantasia (op. 51, H. 177) (on 1963-09-23) lyricist: Robert Bridges composer: Gustav Holst (in 1930) premiered at: Gloucester Cathedral in Gloucester, Gloucestershire, England, United Kingdom (on 1931-09-08) part of: Works of Gustav Holst by opus number (number: op. 51) and A thematic catalogue of Gustav Holst’s music (number: H. 177)	Gustav Holst	17:15
8	Psalm 86, H117 no. 1 organ: Ralph Downes (on 1963-09-23) tenor vocals: Ian Partridge (on 1963-09-23) vocals: Purcell Singers (on 1963-09-23) orchestra: English Chamber Orchestra (on 1963-09-23) conductor: Imogen Holst (on 1963-09-23) recorded at: St. Augustine’s Church in London, England, United Kingdom (on 1963-09-23) recording of: Two Psalms: To My Humble Supplication (Psalm 86) (on 1963-09-23) composer: Gustav Holst (in 1912) part of: Two Psalms	Gustav Holst	8:07
9	Dies natalis, op. 8: I. Intrada tenor vocals: Wilfred Brown orchestra: English Chamber Orchestra conductor: Christopher Finzi recording of: Dies Natalis, op. 8: I. Intrada composer: Gerald Finzi (from 1938 until 1939) part of: Dies Natalis, op. 8	Gerald Finzi	5:07
10	Dies natalis, op. 8: II. Rhapsody: Recitativo stromentato tenor vocals: Wilfred Brown orchestra: English Chamber Orchestra conductor: Christopher Finzi recording of: Dies Natalis, op. 8: II. Rhapsody. Recitativo stromentato composer: Gerald Finzi (from 1938 until 1939) part of: Dies Natalis, op. 8	Gerald Finzi	6:31
11	Dies natalis, op. 8: III. The Rapture: Danza tenor vocals: Wilfred Brown orchestra: English Chamber Orchestra conductor: Christopher Finzi recording of: Dies Natalis, op. 8: III. The Rapture. Danza composer: Gerald Finzi (from 1938 until 1939) part of: Dies Natalis, op. 8	Gerald Finzi	3:33
12	Dies natalis, op. 8: IV. Wonder: Arioso tenor vocals: Wilfred Brown orchestra: English Chamber Orchestra conductor: Christopher Finzi recording of: Dies Natalis, op. 8: IV. Wonder. Arioso composer: Gerald Finzi (from 1938 until 1939) part of: Dies Natalis, op. 8	Gerald Finzi	4:20
13	Dies natalis, op. 8: V. The Salutation: Aria tenor vocals: Wilfred Brown orchestra: English Chamber Orchestra conductor: Christopher Finzi recording of: Dies Natalis, op. 8: V. The Salutation. Aria composer: Gerald Finzi (from 1938 until 1939) part of: Dies Natalis, op. 8	Gerald Finzi	4:13

3▼CD
#	Title	Artist	Length
1	Mass in G minor: I. Kyrie alto vocals: Nigel Perrin bass vocals: David van Asch choir vocals: Choir of King’s College, Cambridge tenor vocals: Robin Doveton treble vocals: John Eaton conductor: Sir David Willcocks recording of: Mass in G minor: I. Kyrie composer: Ralph Vaughan Williams (in 1921) part of: Mass in G minor	Ralph Vaughan Williams	3:57
2	Mass in G minor: II. Gloria alto vocals and contralto vocals: Nigel Perrin bass vocals: David van Asch choir vocals: Choir of King’s College, Cambridge tenor vocals: Robin Doveton treble vocals: John Eaton conductor: Sir David Willcocks recording of: Mass in G minor: II. Gloria composer: Ralph Vaughan Williams (in 1921) part of: Mass in G minor	Ralph Vaughan Williams	4:06
3	Mass in G minor: III. Credo alto vocals: Nigel Perrin bass vocals: David van Asch choir vocals: Choir of King’s College, Cambridge tenor vocals: Robin Doveton treble vocals: John Eaton conductor: Sir David Willcocks recording of: Mass in G minor: III. Credo composer: Ralph Vaughan Williams (in 1921) part of: Mass in G minor	Ralph Vaughan Williams	6:59
4	Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II alto vocals: Nigel Perrin bass vocals: David van Asch choir vocals: Choir of King’s College, Cambridge tenor vocals: Robin Doveton treble vocals: John Eaton conductor: Sir David Willcocks recording of: Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II composer: Ralph Vaughan Williams (in 1921) part of: Mass in G minor	Ralph Vaughan Williams	5:29
5	Mass in G minor: V. Agnus Dei alto vocals: Nigel Perrin bass vocals: David van Asch choir vocals: Choir of King’s College, Cambridge tenor vocals: Robin Doveton treble vocals: John Eaton conductor: Sir David Willcocks recording of: Mass in G minor: V. Agnus Dei composer: Ralph Vaughan Williams (in 1921) part of: Mass in G minor	Ralph Vaughan Williams	3:50
6	Lo, the full, final Sacrifice, op. 26 organ: Richard Farnes bass vocals: Roland Robertson choir vocals: Choir of King’s College, Cambridge tenor vocals: John Bowen conductor: Stephen Cleobury recording of: Lo, the full, final sacrifice, op. 26 lyricist: Richard Crashaw composer: Gerald Finzi (in 1946) part of: Works of Gerald Finzi by opus number (number: op. 26)	Gerald Finzi	14:00
7	Mater ora filium choir vocals: Choir of King’s College, Cambridge conductor: Stephen Cleobury recording of: Mater, ora filium, GP 246 composer: Sir Arnold Bax (in 1921) dedicated to: Charles Kennedy Scott part of: A Catalogue of the Works of Sir Arnold Bax (number: GP 246)	Sir Arnold Bax	10:26
8	God is gone up, op. 27 no. 2 organ: Richard Farnes choir vocals: Choir of King’s College, Cambridge conductor: Stephen Cleobury recording of: Three Anthems, op. 27 no. 2: God is gone up composer: Gerald Finzi librettist: Edward Taylor part of: Three Anthems, op. 27	Gerald Finzi	4:32
9	I sing of a maiden that is makeless choir vocals: Choir of King’s College, Cambridge conductor: Stephen Cleobury recording of: I Sing of a Maiden, GP 266 composer: Sir Arnold Bax (in 1923) part of: A Catalogue of the Works of Sir Arnold Bax (number: GP 266)	Sir Arnold Bax	3:54
10	This Worldes Joie choir vocals: Choir of King’s College, Cambridge conductor: Stephen Cleobury recording of: This Worldes Joie composer: Sir Arnold Bax (in 1922) part of: A Catalogue of the Works of Sir Arnold Bax (number: GP 254)	Sir Arnold Bax	6:19
11	Magnificat, op. 36 organ: Richard Farnes choir vocals: Choir of King’s College, Cambridge treble vocals: Bruce Blyth and Graham Green conductor: Stephen Cleobury recording of: Magnificat, op. 36 composer: Gerald Finzi (in 1952) part of: Works of Gerald Finzi by opus number (number: op. 36)	Gerald Finzi	9:22

4▼CD
#	Title	Artist	Length
1	Intimations of Immortality, op. 29: I. There was a time when meadow, grove and stream choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: I. There was a time when meadow, grove, and stream (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	9:37
2	Intimations of Immortality, op. 29: II. The rainbow comes and gone choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: II. The rainbow comes and goes (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	2:17
3	Intimations of Immortality, op. 29: III. Now, while the birds thus sing a joyous song choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: III. Now, while the birds thus sing a joyous song (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	5:07
4	Intimations of Immortality, op. 29: IV. Ye blessèd Creatures, I have heard the call choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: IV. Ye blessèd Creatures, I have heard the call (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	5:51
5	Intimations of Immortality, op. 29: V. Our birth is but a sleep and a forgetting choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: V. Our birth is but a sleep and a forgetting (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	3:59
6	Intimations of Immortality, op. 29: VI. Earth fills her lap with pleasures of her own choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: VI. Earth fills her lap with pleasures of her own (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	1:21
7	Intimations of Immortality, op. 29: VII. O joy! that in our embers choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: VII. O joy! that in our embers (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	8:17
8	Intimations of Immortality, op. 29: VIII. Then sing, ye Birds, sing, sing a joyous song! choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: VIII. Then sing, ye Birds, sing, sing a joyous song! (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	3:46
9	Intimations of Immortality, op. 29: IX. And O, ye Fountains, Meadows, Hills and Groves choir vocals: Royal Liverpool Philharmonic Choir (in 1988-11) tenor vocals: Philip Langridge (in 1988-11) vocals: Liverpool Philharmonic Choir orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) chorus master: Ian Tracey (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Intimations of Immortality, op. 29: IX. And O, ye Fountains, Meadows, Hills and Groves (in 1988-11) lyricist: William Wordsworth (in 1804) composer: Gerald Finzi (in 1950) part of: Intimations of Immortality, op. 29	Gerald Finzi	4:59
10	Grand Fantasia and Toccata, op. 38: I. Molto grave piano: Philip Fowke (in 1988-11) orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Grand Fantasia and Toccata, op. 38: 1. Molto grave (in 1988-11) composer: Gerald Finzi (in 1928) part of: Grand Fantasia and Toccata, op. 38	Gerald Finzi	9:37
11	Grand Fantasia and Toccata, op. 38: II. Allegro vigoroso piano: Philip Fowke (in 1988-11) orchestra: Royal Liverpool Philharmonic Orchestra (in 1988-11) conductor: Richard Hickox (in 1988-11) recorded at: Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (in 1988-11) recording of: Grand Fantasia and Toccata, op. 38: 2. Allegro vigoroso (in 1988-11) composer: Gerald Finzi (in 1928) part of: Grand Fantasia and Toccata, op. 38	Gerald Finzi	6:06

5▼CD
#	Title	Artist	Length
1	The Perfect Fool, op. 39: I. Andante producer: John Willan orchestra: London Symphony Orchestra (from 1974-08-03 until 1974-08-04) conductor: André Previn (from 1974-08-03 until 1974-08-04) balance engineer: Robert Gooch recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1974-08-03 until 1974-08-04) recording of: The Perfect Fool, op. 39: Ballet Music: I. Andante (from 1974-08-03 until 1974-08-04) composer: Gustav Holst part of: The Perfect Fool, op. 39: Ballet Music	Gustav Holst	0:57
2	The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante producer: John Willan orchestra: London Symphony Orchestra (from 1974-08-03 until 1974-08-04) conductor: André Previn (from 1974-08-03 until 1974-08-04) balance engineer: Robert Gooch recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1974-08-03 until 1974-08-04) recording of: The Perfect Fool, op. 39: Ballet Music: II. Dance of Spirits of Earth (from 1974-08-03 until 1974-08-04) composer: Gustav Holst part of: The Perfect Fool, op. 39: Ballet Music	Gustav Holst	3:39
3	The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto producer: John Willan orchestra: London Symphony Orchestra (from 1974-08-03 until 1974-08-04) conductor: André Previn (from 1974-08-03 until 1974-08-04) balance engineer: Robert Gooch recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1974-08-03 until 1974-08-04) recording of: The Perfect Fool, op. 39: Ballet Music: III. Dance of Spirits of Water (from 1974-08-03 until 1974-08-04) composer: Gustav Holst part of: The Perfect Fool, op. 39: Ballet Music	Gustav Holst	2:47
4	The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato producer: John Willan orchestra: London Symphony Orchestra (from 1974-08-03 until 1974-08-04) conductor: André Previn (from 1974-08-03 until 1974-08-04) balance engineer: Robert Gooch recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1974-08-03 until 1974-08-04) recording of: The Perfect Fool, op. 39: Ballet Music: IV. Dance of Spirits of Fire (from 1974-08-03 until 1974-08-04) composer: Gustav Holst part of: The Perfect Fool, op. 39: Ballet Music	Gustav Holst	3:24
5	Egdon Heath-Homage to Hardy, op. 47 producer: John Willan orchestra: London Symphony Orchestra (from 1974-08-03 until 1974-08-04) conductor: André Previn (from 1974-08-03 until 1974-08-04) balance engineer: Robert Gooch recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1974-08-03 until 1974-08-04) recording of: Egdon Heath, op. 47 (from 1974-08-03 until 1974-08-04) composer: Gustav Holst (in 1927) premiered at: New York City Center in New York, New York, United States (on 1928-02-12) part of: A thematic catalogue of Gustav Holst’s music (number: H. 172)	Gustav Holst	14:48
6	The Planets-Suite, op. 32: I. Mars, the Bringer of War: Allegro producer: Peter Andry orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: I. Mars, the Bringer of War (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: I. Mars, the Bringer of War (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	7:19
7	The Planets-Suite, op. 32: II. Venus, the Bringer of Peace: Adagio producer: Peter Andry orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: II. Venus, the Bringer of Peace (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	8:52
8	The Planets-Suite, op. 32: III. Mecury, the Winged Messenger: Vivace producer: Peter Andry orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: III. Mercury, the Winged Messenger (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	4:05
9	The Planets-Suite, op. 32: IV. Jupiter, the Bringer of Jollity: Allegro giocoso producer: Peter Andry orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	8:04
10	The Planets-Suite, op. 32: V. Saturn, the Bringer of Old Age: Adagio producer: Peter Andry orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: V. Saturn, the Bringer of Old Age (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	9:13
11	The Planets-Suite, op. 32: VI. Uranus, the Magician: Allegro producer: Peter Andry orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: VI. Uranus, the Magician (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: VI. Uranus, the Magician (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	6:28
12	The Planets-Suite, op. 32: VII. Neptune, the Mystic: Andante producer: Peter Andry choir vocals: Ambrosian Singers (in 1967) orchestra: Philharmonia Orchestra (in 1967) conductor: Sir Adrian Boult (in 1967) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (from 1966-07-21 until 1966-07-22) recording of: The Planets, op. 32: VII. Neptune, the Mystic (in 1967) composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: VII. Neptune, the Mystic (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	7:09

Credits

Release

part of:	British Composers (order: 1)

ASIN:	UK: B004MSRDLU [info]

British Composers: Vaughan Williams / Finzi / Holst

Labels

Release information

Genres: (none)

Other tags: (none)

Tracklist

Credits

Release