The Classic Rhythm + Blues Collection: 1967-1969

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Offered by Time Life Music; Amazon shows the ASIN to be B000MART08

Tracklist

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1▼CD
#TitleArtistLength
1I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (in 1968)
recorded at and mixed at:
Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd., EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3:15
2(Sittin’ on) the Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
Otis Redding2:42
3(Your Love Keeps Lifting Me) Higher and Higher
producer:
Carl Davis
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (on 1967-07-06)
performer:
Jackie Wilson
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 246) and Billboard: The 500 Best Pop Songs (number: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson, Raynard Miner and Carl Smith
publisher:
Chevis Publishing Corp., EMI Music, EMI Music Publishing Ltd., Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp., Warner/Chappell Music Ltd., ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackie Wilson2:52
4Only the Strong Survive
recording of:
Only the Strong Survive
writer:
Jerry Butler, Leon Huff and Kenny Gamble
publisher:
Blue Crest Music, Double Diamond Music, Downstairs Music, Ensign Music Corp., Parabut, Sony/ATV Melody and Warner–Tamerlane Publishing Corp.
Jerry Butler2:32
5Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
Aretha Franklin2:45
6I Wish It Would Rain
recording of:
I Wish It Would Rain
lyricist:
Roger Penzabene (in 1967)
composer:
Barrett Strong (in 1967) and Norman Whitfield (in 1967)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations2:46
7Who’s Making Love
producer:
Donald Davis and Al Jackson, Jr.
bass:
Donald “Duck” Dunn (in 1968)
guitar:
Steve Cropper (in 1968)
membranophone:
Al Jackson, Jr. (in 1968)
organ and background vocals:
Booker T. Jones (in 1968)
piano:
Isaac Hayes (in 1968) and Allen Jones (in 1968)
lead vocals:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
writer:
Homer Banks, Bettye Crutcher, Don Davis and Raymond Jackson
Johnnie Taylor2:50
8Tell It Like It Is
producer:
George Davis and Alvin “Red” Tyler
recorded at:
Jazz City Studios in New Orleans, Louisiana, United States (in 1966)
recording of:
Tell It Like It Is (in 1966)
writer:
George Davis and Lee Diamond
publisher:
Conrad Music and Olrap Publishing Co., Inc.
Aaron Neville2:40
9Funky Broadway
Wilson Pickett2:33
10You’re All I Need to Get By
producer:
Nickolas Ashford and Valerie Simpson
vocals:
Tammi Terrell
recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye and Tammi Terrell2:50
11Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:27
12I Second That Emotion
recording of:
I Second That Emotion
writer:
Al Cleveland and Smokey Robinson
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and ソニー・ミュージックパブリッシング フジパシフィック事業部
Smokey Robinson and The Miracles2:46
13It’s Your Thing
recording of:
It’s Your Thing
writer:
O’Kelly Isley, Ronald Isley and Rudolph Isley
publisher:
Tee Pee Music Ltd.
The Isley Brothers2:49
14Someday We’ll Be Together
producer:
Johnny Bristol
guitar:
Robert White
background vocals:
Merry Clayton, Julia Waters and Maxine Waters
guest vocals:
Johnny Bristol
lead vocals:
Diana Ross
arranger:
Wade Marcus
cover recording of:
Someday We’ll Be Together
lyricist:
Harvey Fuqua
composer:
Jackey Beavers and Johnny Bristol
publisher:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music and Stone Agate Music
Diana Ross and The Supremes3:28
15Baby, I’m for Real
The Originals3:15
2▼CD
#TitleArtistLength
1Ain’t Nothing Like the Real Thing
producer:
Nickolas Ashford and Valerie Simpson
instruments:
The Funk Brothers (on 1967-10-06)
background vocals:
Valerie Simpson (in 1967) and Nickolas Ashford (on 1967-10-06)
lead vocals:
Marvin Gaye (on 1967-10-06) and Tammi Terrell (on 1967-10-06)
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1968)
recorded at:
Hitsville in Detroit, Michigan, United States (on 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (on 1967-10-06)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing Ltd., Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Marvin Gaye and Tammi Terrell2:16
2I Can’t Get Next to You
producer:
Norman Whitfield
instruments:
The Funk Brothers (from 1969-06-23 until 1969-07-03)
lead vocals:
Dennis Edwards (from 1969-06-23 until 1969-07-03), Eddie Kendricks (from 1969-06-23 until 1969-07-03) and Paul Williams (from 1969-06-23 until 1969-07-03)
vocals:
Melvin Franklin (from 1969-06-23 until 1969-07-03) and Otis Williams (from 1969-06-23 until 1969-07-03)
phonographic copyright (℗) by:
Motown Record Company, L.P. (in 1969)
recorded at:
Hitsville in Detroit, Michigan, United States (from 1969-06-23 until 1969-07-03)
recording of:
I Can’t Get Next to You (from 1969-06-23 until 1969-07-03)
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. and Stone Agate Music
The Temptations2:57
3I Never Loved a Man (The Way I Love You)
recording engineer:
Rick Hall
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
guitar:
Jimmy Johnson (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (on 1967-01-24)
trombone:
David Hood (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music
Aretha Franklin2:44
4Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter and Jim Stewart
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (in 1967) and David Prater (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (in 1967)
publisher:
EMI Music Publishing, Rondor Music (London) Ltd., Rondor Music Ltd., Walden Music, Inc., Warner Chappell Music Ltd., Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
Sam & Dave2:39
5What Does It Take (to Win Your Love)
Jr. Walker and the All Stars2:30
6Too Busy Thinking About My Baby
producer:
Norman Whitfield
phonographic copyright (℗) by:
Motown Record Corporation (in 1969)
cover recording of:
Too Busy Thinking About My Baby
writer:
Janie Bradford, Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye2:59
7Slip Away
recording engineer and producer:
Rick Hall
bass:
David Hood (on 1968-04-08)
drums (drum set):
Roger Hawkins (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (on 1968-04-08) and Wayne Jackson (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc.
Clarence Carter2:35
8Grazing in the Grass
producer:
Stewart Levine
double bass:
Henry Franklin (on 1968-03-14)
drums (drum set):
Chuck Carter (on 1968-03-14)
percussion:
[unknown] (on 1968-03-14)
piano:
William Henderson (on 1968-03-14)
tenor saxophone:
Al Abreu (on 1968-03-14)
trumpet:
Hugh Masekela (on 1968-03-14)
performer:
Bruce Langhorne (on 1968-03-14)
recording of:
Grazing in the Grass (instrumental) (on 1968-03-14)
composer:
Philemon Hou
Hugh Masekela2:38
9Can I Change My Mind
recording of:
Can I Change My Mind
writer:
Barry Despenza and Carl Wolfolk
publisher:
Warner–Tamerlane Publishing Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Tyrone Davis2:48
10Tighten Up
recording engineer:
Bert Frilot
producer:
Skipper Lee Frazier
lead vocals:
Archie Bell (in 1967-10)
vocals:
Billy Buttier (in 1967-10), Joe Cross (in 1967-10) and James Wise (in 1967-10)
performer:
The TSU Toronadoes (in 1967-10)
recorded at:
Jones Town Studio in Houston, Texas, United States (in 1967-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tighten Up (in 1967-10)
lyricist:
Billy Butler
composer:
Archie Bell
Archie Bell and the Drells3:11
11Stay in My Corner
producer:
Bobby Miller
recording of:
Stay in My Corner (in 1967)
writer:
Wade Flemons, Bobby Miller and Barrett Strong
publisher:
Conrad Music
The Dells6:10
12The Chokin’ Kind
cover recording of:
The Chokin’ Kind
lyricist and composer:
Harlan Howard
publisher:
Sony/ATV Songs and Wilderness Music Publishing Co.
Joe Simon2:46
13Bernadette
recording of:
Bernadette
writer:
Lamont Dozier, Brian Holland and Eddie Holland
Four Tops3:00
14Hey, Western Union Man
producer:
Gamble & Huff
arranger:
Bobby Martin
recording of:
Hey Western Union Man
writer:
Jerry Butler, Kenneth Gamble and Leon Huff
publisher:
Copyright Control, Sony/ATV Melody and Warner–Tamerlane Publishing Corp.
Jerry Butler2:44
15Oh, What a Nite
recording of:
Oh, What a Night
writer:
Johnny Funches and Marvin Junior
publisher:
Conrad Music
The Dells3:59