Iron Man 2

~ Release by AC/DC (see all versions of this release, 14 available)

Tracklist

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1▼CD
#TitleLength
1Shoot to Thrill
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
music videos:
Shoot to Thrill by AC/DC
recording of:
Shoot to Thrill (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:19
2Rock ’n’ Roll Damnation
engineer:
Mark Opitz
producer:
Vanda & Young, Harry Vanda and George Young
drums (drum set) [drums]:
Phil Rudd (from 1978-02 until 1978-03)
electric bass guitar [bass]:
Cliff Williams (from 1978-02 until 1978-03)
electric guitar [guitar]:
Angus Young (from 1978-02 until 1978-03) and Malcolm Young (from 1978-02 until 1978-03)
lead vocals [vocals]:
Bon Scott (from 1978-02 until 1978-03)
phonographic copyright (℗) by:
J. Albert & Son (Pty) Ltd. (in 1978)
recorded at:
Albert Studios, Sydney, Australia in Sydney, New South Wales, Australia (from 1978-02 until 1978-03)
part of:
The Downloader’s Music Source Book (number: 113)
recording of:
Rock 'n' Roll Damnation (from 1978-02 until 1978-03)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1978)
3:38
3Guns for Hire
assistant engineer:
Benji, Barry Harris and Gary Hellman
engineer and mixer:
Tony Platt
producer:
AC/DC
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
lead vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1983)
recorded at:
Compass Point Studios in Nassau, Bahamas
part of:
The Downloader’s Music Source Book (number: 105)
recording of:
Guns for Hire
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. (in 1983) and Leidseplein Presse B.V. (in 1983)
3:26
4Cold Hearted Man
engineer:
Mark Opitz
producer:
Vanda & Young
drums (drum set) [drums]:
Phil Rudd (in 1976-09)
electric bass guitar [bass]:
Cliff Williams (in 1976-09)
electric guitar [guitar]:
Angus Young (in 1976-09) and Malcolm Young (in 1976-09)
lead vocals [vocals]:
Bon Scott (in 1976-09)
phonographic copyright (℗) by:
Albert Productions (in 1978) and J. Albert & Son (Pty) Ltd. (in 1978)
recorded at:
Vineyard Studios in Southwark, London, England, United Kingdom (in 1976-09)
recording of:
Cold Hearted Man (in 1976-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., EMI Music Ltd. and J. Albert & Son Pty. Ltd. (in 1976, in 1978)
3:36
5Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (number: 1), VH1: 100 Greatest Hard Rock Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:17
6Thunderstruck
additional recording engineer:
Ken Lomas and Ian Taylor
assistant engineer:
Brian Dobbs and Sean Leonard
engineer and mixer:
Mike Fraser
producer:
Bruce Fairbairn
bass guitar:
Cliff Williams
drums (drum set) [drums]:
Chris Slade
guitar [lead guitar]:
Angus Young
guitar [rhythm guitar]:
Malcolm Young
vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1990)
part of:
The Downloader’s Music Source Book (number: 116) and BILLIONS CLUB
recording of:
Thunderstruck
writer:
Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:54
7If You Want Blood (You’ve Got It)
recording engineer:
Mark Dearnley
assistant engineer:
Kevin Dallimore
producer:
Robert John “Mutt” Lange
mixer:
Tony Platt
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1979)
recorded at:
Roundhouse Studios in London, England, United Kingdom
mixed at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
recording of:
If You Want Blood (You’ve Got It)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:35
8Evil Walks
recording engineer:
Mark Dearnley
assistant engineer:
Nigel Green, Marc Haliday and Andy Rose
producer:
Robert John “Mutt” Lange
mixer:
David Thoener
drums (drum set):
Phil Rudd
electric bass guitar:
Cliff Williams
electric guitar [lead]:
Angus Young
electric guitar [rhythm]:
Malcolm Young
background vocals:
Cliff Williams and Malcolm Young
lead vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1981)
recorded at:
Family Sound Studio in Paris, Île-de-France, France and H.I.S. Studio in Paris, Île-de-France, France
recording of:
Evil Walks
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. (in 1981) and Major Leidén Productions (in 1981)
4:25
9T.N.T.
producer:
Vanda & Young
drums (drum set):
Phil Rudd
electric bass guitar:
Mark Evans
electric guitar [Lead]:
Angus Young
electric guitar [Rythm] and background vocals:
Malcolm Young
lead vocals:
Bon Scott
phonographic copyright (℗) by:
Australian Music Corporation Pty Ltd. (in 1976) and J. Albert & Son Pty. Ltd. (in 1976)
recorded at:
Albert Studios in Sydney, New South Wales, Australia
recording of:
T.N.T.
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1976)
3:35
10Hell Ain’t a Bad Place to Be
producer:
Vanda & Young, Harry Vanda and George Young
bass:
Mark Evans
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
Australian Music Corporation Pty Ltd. (in 1977) and J. Albert & Son Pty. Ltd. (in 1977)
recorded at:
Albert Studios in Sydney, New South Wales, Australia (from 1977-01 until 1977-02)
recording of:
Hell Ain’t a Bad Place to Be (from 1977-01 until 1977-02)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:15
11Have a Drink on Me
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Have a Drink on Me (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:00
12The Razors Edge
additional recording engineer:
Ken Lomas and Ian Taylor
assistant engineer:
Brian Dobbs and Sean Leonard
engineer and mixer:
Mike Fraser
producer:
Bruce Fairbairn
bass guitar:
Cliff Williams
drums (drum set):
Chris Slade
guitar [lead guitar]:
Angus Young
guitar [rhythm guitar]:
Malcolm Young
vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1990)
recording of:
The Razor’s Edge
composer:
Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:24
13Let There Be Rock
producer:
Vanda & Young, Harry Vanda and George Young
bass:
Mark Evans
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
Australian Music Corporation Pty Ltd. (in 1977) and J. Albert & Son Pty. Ltd. (in 1977)
recorded at:
Albert Studios in Sydney, New South Wales, Australia (from 1977-01 until 1977-02)
recording of:
Let There Be Rock (from 1977-01 until 1977-02)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
6:08
14War Machine
additional engineer:
Billy Bowers
assistant engineer:
Eric Mosher
engineer and mixer:
Mike Fraser
producer:
Brendan O’Brien
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar [lead guitar]:
Angus Young
guitar [rhythm guitar]:
Malcolm Young
lead vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 2008)
recorded at:
The Warehouse Studio in Vancouver, British Columbia, Canada
recording of:
War Machine
composer:
Angus Young and Malcolm Young
publisher:
Leidseplein Presse B.V.
3:11
15Highway to Hell
recording engineer:
Mark Dearnley
assistant engineer:
Kevin Dallimore
producer:
Robert John “Mutt” Lange
mixer:
Tony Platt
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1979)
recorded at:
Roundhouse Studios in London, England, United Kingdom
mixed at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
part of:
SWR1 Hitparade 2011 (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, The Downloader’s Music Source Book (number: 108), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time (number: 254)
recording of:
Highway to Hell
lyricist and composer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3:29
2▼DVD-Video
#TitleLength
1Shoot to Thrill (Iron Man 2 video)
shot at:
Estadio Antonio Vespucio Liberti in Buenos Aires, Argentina (from 2009-12-02 until 2009-12-06)
music video for:
Shoot to Thrill by AC/DC
recording of:
Shoot to Thrill
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:27
2The Making of “Shoot to Thrill” Music Video
5:19
3Highway to Hell (live, 2009: River Plate Stadium, Buenos Aires)
recorded at:
Estadio Antonio Vespucio Liberti in Buenos Aires, Argentina (from 2009-12-02 until 2009-12-06)
live recording of:
Highway to Hell (from 2009-12-02 until 2009-12-06)
lyricist and composer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3:14
4Rock ’n’ Roll Damnation (live, 1978: Apollo Theatre, Glasgow)
recorded at:
The Apollo in Glasgow, Scotland, United Kingdom (in 1978)
live recording of:
Rock 'n' Roll Damnation (in 1978)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1978)
3:44
5If You Want Blood (You’ve Got It) (promo clip, 1979)
recording of:
If You Want Blood (You’ve Got It)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:36
6Back in Black (live, 1996: Plaza de Toros de Las Ventas, Madrid)
recorded at:
Las Ventas in Madrid, Comunidad de Madrid, Spain (from 1996-07-09 until 1996-07-11)
live recording of:
Back in Black (from 1996-07-09 until 1996-07-11)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:35
7Guns for Hire (live, 1983: Joe Louis Arena, Detroit, MI)
recorded at:
Joe Louis Arena in Detroit, Michigan, United States (from 1983-11-17 until 1983-11-18)
live recording of:
Guns for Hire (from 1983-11-17 until 1983-11-18)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. (in 1983) and Leidseplein Presse B.V. (in 1983)
4:47
8Thunderstruck (live, 1991: Donington Park)
recorded at:
Donington Park in Castle Donington, Leicestershire, England, United Kingdom (on 1991-08-17)
live recording of:
Thunderstruck (on 1991-08-17)
writer:
Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
5:29
9Let There Be Rock (live, 1996: Plaza de Toros de las Ventas, Madrid)
recorded at:
Las Ventas in Madrid, Comunidad de Madrid, Spain (from 1996-07-09 until 1996-07-11)
live recording of:
Let There Be Rock (from 1996-07-09 until 1996-07-11)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
10:34
10Hell Ain’t a Bad Place to Be (live, 2003: Circus Krone, Munich)
recorded at:
Circus Krone in München, Bayern, Germany (on 2003-06-17)
live recording of:
Hell Ain’t a Bad Place to Be (on 2003-06-17)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:34

Credits

Release

manufactured in:Europe
art direction and design:Joshua Marc Levy
photography:Gene Ambo
Larry Busacca
George Chin
Taylor Crothers
François Duhamel
Claude Gassian
Bob Gruen
Jim Houghton
Guido Karp
Jeffrey Mayer
Michael Muller
Michael Putland
liner notes:David Fricke (in 2010-01)
executive producer:Jon Favreau
Kevin Feige
Dave Jordan
mastering:George Marino
distributed by:Sony Music Entertainment
copyrighted (©) by:Albert Productions (in 1980)
Leidseplein Presse B.V. (from 1980 until 1981, in 2010)
phonographic copyright (℗) by:J. Albert & Son Pty. Ltd. (from 1976 until 1979, in 1992, in 1996, in 2003)
Leidseplein Presse B.V. (from 1980 until 1981, in 1983, in 1990, from 2008 until 2010)
mastered at:Sterling Sound in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/2247999 [info]
ASIN:UK: B0035WTE2U [info]