| # | Title | Artist | Length |
|---|
| 1 | Paradise by the Dashboard Light | Meat Loaf | 5:32 |
| 2 | Too Much, Too Little, Too Late | Johnny Mathis & Deniece Williams | 2:59 |
| 3 | Use to Be My Girl | The O’Jays | 4:02 |
| 4 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 3:26 |
| 5 | Lovely Day | Bill Withers | 3:26 |
| 6 | Ti amo | Umberto Tozzi | 4:04 |
| 7 | Baby Hold On | Eddie Money | 3:31 |
| 8 | Don’t Look Back | Boston | 6:00 |
| 9 | She’s Always a Woman- engineer:
- Jim Boyer and Phil Ramone
- producer:
- Phil Ramone
- acoustic guitar:
- Steve Burgh (in 1977) and Hugh McCracken (in 1977)
- electric bass guitar:
- Doug Stegmeyer (in 1977)
- flute:
- Richie Cannata (in 1977)
- piano and lead vocals:
- Billy Joel (in 1977)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Columbia Records (in 1977), Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- A&R Recording Studio in New York, New York, United States (in 1977)
- mixed at:
- A&R Recording Studio in New York, New York, United States
- music videos:
- She’s Always a Woman by Billy Joel
- recording of:
- She’s Always a Woman (in 1977)
- lyricist and composer:
- Billy Joel
- publisher:
- April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Billy Joel | 3:19 |
| 10 | Black Betty | Ram Jam | 2:29 |
| 11 | Blame It on the Boogie | The Jacksons | 3:34 |
| 12 | Let Me Take You in My Arms Again | Neil Diamond | 2:56 |
| 13 | Whenever I Call You “Friend” | Kenny Loggins | 3:59 |
| 14 | Fantasy | Earth, Wind & Fire | 4:37 |
| 15 | Piece of the Rock | Mother’s Finest | 3:25 |
| 16 | Just the Way You Are | Johnny Mathis & Deniece Williams | 3:43 |
| 17 | The Eve of the War | Jeff Wayne | 4:30 |
| 18 | She’s Not There | Santana | 4:06 |
