Classical Highlights, Volume 1

~ Release by London Festival Orchestra, Alfred Scholz (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Dichter und Bauer orchestra: London Festival Orchestra conductor: Alfred Scholz recording of: Dichter und Bauer: Ouvertüre (Poet and Peasant: Overture) composer: Franz von Suppé part of: Dichter und Bauer (Poet and Peasant)	Franz von Suppé	9:50
2	Intermezzo aus „Cavalleria rusticana” orchestra: London Festival Orchestra conductor: Kurt Redel and Alfred Scholz recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	3:27
3	Marinarella orchestra: London Festival Orchestra conductor: Alfred Scholz recording of: Marinarella, op. 215 composer: Julius Fučík (in 1908-01)	Julius Fučík	10:22
4	Hochzeitsmarsch orchestra: London Festival Orchestra, London Philharmonic Orchestra and Süddeutsche Philharmonie conductor: Alfred Scholz recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) composer: Felix Mendelssohn (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn	4:52
5	Säbeltanz orchestra: London Festival Orchestra and Philharmonisches Festspielorchester conductor: Vladimir Petroschoff and Alfred Scholz phonographic copyright (℗) by: Pilz Media Group (in 1988) recording of: Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance composer: Aram Khachaturian (in 1942) version of: Gayaneh: Act III, Scene VII (Expiation). Sabre Dance part of: Third Suite from the ballet “Gayaneh” for orchestra, op. 55	Արամ Խաչատրյան	2:32
6	Valse triste orchestra: London Festival Orchestra and Philharmonisches Festspielorchester conductor: Alfred Scholz recording of: Valse triste, op. 44 no. 1 (for orchestra) composer: Jean Sibelius (in 1903) revised by: Jean Sibelius (in 1904) premiered at: Konsertti premiered at: Svenska Teatern in Helsinki, Uusimaa, Finland (on 1904-04-25) part of: 2 Pieces from Kuolema, op. 44 revision of: Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra) recording of: Valse Triste, op. 44 no. 1 (catch-all for arrangements) composer: Jean Sibelius (from 1903 until 1904, in 1904) arrangement of: Valse triste, op. 44 no. 1 (for orchestra)	Jean Sibelius	4:01
7	Florentiner Marsch orchestra: London Festival Orchestra conductor: Alfred Scholz recording of: Florentiner Marsch, op. 214 (Florentiner March) composed in: Budapest, Hungary (on 1907-09-15) composer: Julius Fučík (on 1907-09-15)	Julius Fučík	5:18
8	Carmen-Suite No. 1: Prélude orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet part of: Carmen Suite no. 1	Georges Bizet	1:22
9	Carmen-Suite No. 1: Aragonaise orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1	Georges Bizet	2:14
10	Carmen-Suite No. 1: Intermezzo orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1	Georges Bizet	2:41
11	Carmen-Suite No. 1: Seguedille orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet arranger: Ernest Guiraud is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1	Georges Bizet	1:54
12	Carmen-Suite No. 1: Les dragons d'Alcala orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) composer: Georges Bizet is based on: Carmen : Acte I. Entr’acte (intermission between Acts I & II) part of: Carmen Suite no. 1	Georges Bizet	1:38
13	Carmen-Suite No. 1: Les toréadors orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchester der Zagreber Oper, Orchestre radio symphonique de Paris, Orchestre radio‐symphonique, Simfonični orkester RTV Slovenija and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, Emil Edlinger, Jovan Šajnović, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Georges Bizet	2:20
14	Carmen-Suite No. 2: Marche de contrebandiers orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: I. Marche des contrebandiers composer: Georges Bizet is based on: Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) part of: Carmen Suite no. 2	Georges Bizet	3:58
15	Carmen-Suite No. 2: Habanera orchestra: Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique, Symfonický orchester Slovenského rozhlasu and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, Zdeněk Košler, János Sándor, Alfred Scholz and Peter Stern recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet arranger: Ernest Guiraud is based on: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) part of: Carmen Suite no. 2	Georges Bizet	2:12
16	Carmen-Suite No. 2: Nocturne orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, Anton Nanut, János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: III. Nocturne composer: Georges Bizet is based on: Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) part of: Carmen Suite no. 2	Georges Bizet	4:10
17	Carmen-Suite No. 2: Chanson de toréador orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra and Orchestre radio‐symphonique conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2	Georges Bizet	2:40
18	Carmen-Suite No. 2: La garde montante orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra and Orchestre radio‐symphonique conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: V. La Garde montante composer: Georges Bizet is based on: Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) part of: Carmen Suite no. 2	Georges Bizet	3:53
19	Carmen-Suite No. 2: Danse bohème orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra, Orchestre radio‐symphonique and Symphonic Orchestra of the Ljubljana Radio conductor: Loic Bertrand, Cesare Cantieri, János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: VI. Danse bohème composer: Georges Bizet is based on: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) part of: Carmen Suite no. 2	Georges Bizet	4:29

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ASIN:	US: B000FK87NC [info]

Classical Highlights, Volume 1

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