Cantatas BWV 58-61

~ Release by Johann Sebastian Bach; Bach-Ensemble, Helmuth Rilling (see all versions of this release, 1 available)

Annotation

Volume 19

Tracklist

1▼CD
#TitleArtistLength
1BWV 58 Aria con Choral (Coro S,B): Ach Gott, wie manches Herzeleid
bass vocals:
Wolfgang Schöne
choir vocals:
Gächinger Kantorei Stuttgart
vocals:
Ingeborg Reichelt
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions) (in 1971-02)
composer:
Johann Sebastian Bach (in 1727)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach4:12
2BWV 58 Recitativo (B): Verfolgt dich gleich die arge Welt
bass vocals:
Wolfgang Schöne
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" (catch-all for unknown versions) (in 1971-02)
composer:
Johann Sebastian Bach (in 1727)
librettist:
[anonymous]
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:43
3BWV 58 Aria (S): Ich bin vergnugt in meinem Leiden
vocals:
Ingeborg Reichelt
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (in 1971-02)
composer:
Johann Sebastian Bach (in 1727)
librettist:
[anonymous]
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach5:02
4BWV 58 Recitativo (S): kann es die Welt nicht lassen
vocals:
Ingeborg Reichelt
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" (catch-all for unknown versions) (in 1971-02)
composer:
Johann Sebastian Bach (in 1727)
librettist:
[anonymous]
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:19
5BWV 58 Aria con Choral (Coro S,B): Ich hab fur mir ein schwere Reis
bass vocals:
Wolfgang Schöne
choir vocals:
Gächinger Kantorei Stuttgart
vocals:
Ingeborg Reichelt
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" (catch-all for unknown versions) (in 1971-02)
composer:
Johann Sebastian Bach (in 1727)
librettist:
Martin Behm (in 1610)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach2:43
6BWV 59 Duetto (S, B): Wei mich liebet, der wird mein Wort halten
bass vocals:
Niklaus Tuller
soprano vocals:
Arleen Augér
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet, der wird mein Wort halten" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach3:56
7BWV 59 Recitativo (S): O, was sind das fur Ehren
soprano vocals:
Arleen Augér
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das für Ehren" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:22
8BWV 59 Choral: Komm, Heiliger Geist Herre Gott
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach1:35
9BWV 59 Aria (B): Die Welt mit allen Konigreichen
bass vocals:
Niklaus Tuller
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach3:03
10BWV 60 Aria (Coro A,T): O Ewigkeit, du Donnerwort
alto vocals:
Helen Watts
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:52
11BWV 60 Recitativo (A,T): O schwerer Gang
alto vocals:
Helen Watts
tenor vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:27
12BWV 60 Aria (A,T): Mein letztes Lager will mich schrecken
alto vocals:
Helen Watts
tenor vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:25
13BWV 60 Recitativo (A,B): Der Tod bleibt doch der menschlichen Natur verhabt
alto vocals:
Helen Watts
bass vocals:
Philippe Huttenlocher
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:20
14BWV 60 Choral: Es ist genung; Herr, wenn es dir gefallt
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (from 1977-12 until 1978-01)
lyricist:
Franz Joachim Burmeister
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:35
15BWV 61 Coro: Nun komm, der Heiden Heiland
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:42
16BWV 61 Recitativo (T): Der Heiland ist gekommem
tenor vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:31
17BWV 61 Aria (T): Komm, Jesu, komm zu deiner Kirche
tenor vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:01
18BWV 61 Recitativo (B): Sieche, ich stehe vor der Tur und klopfe an
bass vocals:
Wolfgang Schöne
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:06
19BWV 61 Aria (S): Offne dich, mein ganzes Herze
soprano vocals:
Helen Donath
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:42
20BWV 61 Choral: Amen Amen
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:09

Credits

Release

ASIN:DE: B000026CHO [info]