Altus: From Castrato to Countertenor

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#	Title	Artist	Length
1	Giustino, RV 717: Act 1: "Vedrò con mio diletto" (Anastasio) producer: Étienne Collard countertenor vocals: Philippe Jaroussky (from 2006-07-03 until 2006-07-10) orchestra: Ensemble Matheus (from 2006-07-03 until 2006-07-10) conductor: Jean‐Christophe Spinosi (from 2006-07-03 until 2006-07-10) balance engineer: Michel Pierre recording of: Giustino: Vedro con mio diletto (Anastasio) (from 2006-07-03 until 2006-07-10) composer: Antonio Vivaldi part of: Giustino, RV 717: Act I	Antonio Vivaldi	5:13
2	Serse, HWV 40: Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) countertenor vocals: Gérard Lesne orchestra: Il Seminario Musicale recording of: Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) composer: George Frideric Handel (in 1738) part of: Serse, HWV 40: Atto I recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (from 1737-12-26 until 1738-01-09) librettist: [anonymous] part of: Serse, HWV 40: Atto I	George Frideric Handel	3:20
3	Stabat Mater in F minor, RV 621: I. Stabat Mater dolorosa producer and editor: Daniel Zalay instruments: Europa Galante (from 2001-08-08 until 2001-08-14) countertenor vocals: David Daniels (from 2001-08-08 until 2001-08-14) orchestra: Europa Galante conductor: Fabio Biondi (from 2001-08-08 until 2001-08-14) balance engineer: Tom Lazarus phonographic copyright (℗) by: Erato (in 2001), Warner Classics (in 2001) and Warner Music UK Ltd. (in 2001) recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14) recording of: Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2001-08-08 until 2001-08-14) composer: Antonio Vivaldi part of: Stabat Mater, RV 621	Antonio Vivaldi	3:21
4	Es ist vollbracht (St John Passion, BWV 245) countertenor vocals: Andreas Scholl orchestra: Ensemble Instrumental de Lausanne conductor: Michel Corboz recording of: Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" composer: Johann Sebastian Bach part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	Johann Sebastian Bach	5:06
5	Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust" recording engineer: Johann-Nikolaus Matthes (in 1980-04) producer: Gerd Berg countertenor vocals: René Jacobs orchestra: Linde Consort (in 1980-04) conductor: Hans-Martin Linde (in 1980-04) recorded at: Evangelische Kirche in Seon, Aargau, Switzerland (in 1980-04) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	6:59
6	Messiah, HWV 56: Pt. 2, Scene 1: Aria "He Was Despised and Rejected of Men" alto vocals: Margaret Cable (in 1988-04) orchestra: Taverner Players (in 1988-04) conductor: Andrew Parrott (in 1988-04) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-04) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1988-04) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	11:49
7	Fernando, rè di Castiglia, HWV 30: Act 3, Scene 4: Aria. "Sincero affetto dolce preghiere" (Sancio) countertenor vocals: Max Emanuel Cenčić orchestra: Il Complesso Barocco conductor: Alan Curtis partial recording of: Sosarme, re di Media, HWV 30: Atto III composer: George Frideric Handel (in 1732) part of: Sosarme, re di Media, HWV 30	George Frideric Handel	5:21
8	Amadigi di Gaula, HWV 11: Act 2: Aria. "Minacciami, non ho timor" (Amadigi) countertenor vocals: Xavier Sabata orchestra: Les Arts Florissants conductor: William Christie partial recording of: Amadigi di Gaula, HWV 11: Atto II composer: George Frideric Handel (in 1715) part of: Amadigi di Gaula, HWV 11	George Frideric Handel	8:40
9	Serse, HWV 40: Act 3, Scene 4: Aria. "Amor, tiranno Amor" (Arsamene) assistant engineer: Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25) producer: Daniel Zalay countertenor vocals [Arsamene]: Lawrence Zazzo (from 2003-11-17 until 2003-11-25) orchestra: Les Arts Florissants (from 2003-11-17 until 2003-11-25) conductor: William Christie (from 2003-11-17 until 2003-11-25) balance engineer: Gilles Pézerat (from 2003-11-17 until 2003-11-25) phonographic copyright (℗) by: Virgin Classics Ltd. (in 2004) recorded at: Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25) live recording of: Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (from 2003-11-17 until 2003-11-25) composer: George Frideric Handel part of: Serse, HWV 40: Atto III recording of: Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) composer: George Frideric Handel part of: Serse, HWV 40: Atto III	George Frideric Handel	4:31
10	Weihnachtsoratorium, BWV 248: Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" alto vocals: Michael Chance (in 1989-01) countertenor vocals: Michael Chance orchestra: Collegium Vocale Gent (in 1989-01) conductor and chorus master: Philippe Herreweghe (in 1989-01) recorded at: Mindersbroederskerk in Ghent, Oost-Vlaanderen, Flanders, Belgium (in 1989-01) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1989-01) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach	5:42
11	Saul, HWV 53: Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) alto vocals and solo vocals: Paul Esswood orchestra: English Chamber Orchestra conductor: Philip Ledger recording of: Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David) composer: George Frideric Handel (in 1738) librettist: Charles Jennens part of: Saul, HWV 53: Act I	George Frideric Handel	3:34
12	Conservate, raddopiate, HWV 185 lute: Brian Feehan countertenor vocals: Brian Asawa soprano vocals: Juanita Lascarro orchestra: Le Concert d’Astrée conductor: Emmanuelle Haïm partial recording of: Conservate, raddoppiate, HWV 185 composer: George Frideric Handel (in 1711) part of: Händel-Werke-Verzeichnis (number: HWV 185)	George Frideric Handel	4:28
13	L'Incoronazione di Poppea, SV 308: Act 3: "Pur ti moro, pur ti godo" (Poppea, Nerone) countertenor vocals: Derek Lee Ragin soprano vocals: Suzie LeBlanc orchestra: Teatro Lirico conductor: Stephen Stubbs recording of: L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) composer: Claudio Monteverdi part of: L'Incoronazione di Poppea: Atto III.	Claudio Monteverdi	3:57
14	Greensleeves lute: Desmond Dupré countertenor vocals: Alfred Deller recording of: Greensleeves (generic entry for traditional and unknown arrangements) lyricist and composer: [traditional]	[traditional]	3:15

2▼Digital Media
#	Title	Artist	Length
1	Stabat Mater: I. Stabat mater dolorosa countertenor vocals: Gérard Lesne soprano vocals: Véronique Gens orchestra: Il Seminario Musicale conductor: Gérard Lesne recorded at: Couvent de l'Annonciation in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi	4:45
2	Salve Regina in F minor: II. Ad te clamamus	Giovanni Battista Pergolesi	1:07
3	Nisi Dominus in G minor, RV 608: IV. Cum dederit producer and editor: Daniel Zalay instruments: Europa Galante (from 2001-08-08 until 2001-08-14) countertenor vocals: David Daniels (from 2001-08-08 until 2001-08-14) conductor: Fabio Biondi (from 2001-08-08 until 2001-08-14) balance engineer: Tom Lazarus recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14) recording of: Nisi Dominus, RV 608: IV. Largo "Cum dederit delectis suis somnum" (from 2001-08-08 until 2001-08-14) composer: Antonio Vivaldi part of: Nisi Dominus, RV 608	Antonio Vivaldi	3:54
4	O qui coeli terraeque serenitas, RV 631: IV. Alleluia producer and editor: Daniel Zalay instruments: Europa Galante (from 2001-08-08 until 2001-08-14) countertenor vocals: David Daniels (from 2001-08-08 until 2001-08-14) conductor: Fabio Biondi (from 2001-08-08 until 2001-08-14) balance engineer: Tom Lazarus recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14) recording of: Longe mala, umbrae, terrores, RV 629: IV. Alleluia (Allegro) (from 2001-08-08 until 2001-08-14) composer: Antonio Vivaldi part of: Longe mala, umbrae, terrores, RV 629	Antonio Vivaldi	2:18
5	Sentimenti devoti espressi con la musica, Book 2, Op. 6: No. 4, Ave Regina coelorum engineer: Michel Pierre (from 2005-12-05 until 2005-12-10) producer: Étienne Collard instruments: Ensemble Artaserse (from 2005-12-05 until 2005-12-10) contralto vocals: Marie‐Nicole Lemieux (from 2005-12-05 until 2005-12-10) countertenor vocals: Philippe Jaroussky (from 2005-12-05 until 2005-12-10) phonographic copyright (℗) by: EMI Records Ltd. (in 2006) recorded at: Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2005-12-05 until 2005-12-10) recording of: Ave Regina coelorum (for 2 voices & continuo, from Sentimenti devoti) (from 2005-12-05 until 2005-12-10) composer: Giovanni Legrenzi part of: Sentimenti devoti, op. 6	Giovanni Legrenzi	3:26
6	Pianti, sospiri e demandar mercede, RV 676: "Cor ingrato dispietato" producer: Étienne Collard countertenor vocals: Philippe Jaroussky (from 2004-10-26 until 2004-10-30) vocals: Philippe Jaroussky orchestra: Ensemble Artaserse (from 2004-10-26 until 2004-10-30) balance engineer: Michel Pierre recorded at: Chapelle des sœurs auxiliaires in Versailles, Yvelines, Île-de-France, France (from 2004-10-26 until 2004-10-30) recording of: Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": IV. Aria. Allegro molto "Cor ingrato, dispietato" (from 2004-10-26 until 2004-10-30) lyricist: [unknown] composer: Antonio Vivaldi part of: Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"	Antonio Vivaldi	3:23
7	Magnificat in D major, BWV 243: VI. Duet. "Et misericordia" countertenor vocals: Philippe Jaroussky tenor vocals: Toby Spence orchestra: Le Concert d’Astrée conductor: Emmanuelle Haïm recorded at: Église Notre‐Dame du Liban in Paris, Île-de-France, France recording of: Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 2006-10-26 until 2006-10-29) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	3:24
8	Giulio Cesare in Egitto, HWV 17: Act 1: Recitativo. "Madre! Mia vita!" - Duetto. "Son nata a lagrimar" (Sesto, Cornelia) producer: Étienne Collard harpsichord: Emmanuelle Haïm (from 2000-12-01 until 2000-12-05) solo countertenor vocals: David Daniels (from 2000-12-01 until 2000-12-05) solo mezzo-soprano vocals: Stephanie Blythe (from 2000-12-01 until 2000-12-05) orchestra: Ensemble orchestral de Paris (from 2000-12-01 until 2000-12-05) conductor: John Nelson (from 2000-12-01 until 2000-12-05) balance engineer: Hugues Deschaux recorded at: Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2000-12-01 until 2000-12-05) recording of: Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI, 16. Duetto “Son nata a lagrimar (Son nato a sospirar)” (Cornelia e Sesto) (from 2000-12-01 until 2000-12-05) composer: George Frideric Handel (in 1724) librettist: Nicola Francesco Haym part of: Giulio Cesare in Egitto, HWV 17: Atto I recording of: Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI. Recitativo: “Madre!” – “Mia vita!” – “Addio!” (Sesto, Cornelia) (from 2000-12-01 until 2000-12-05) composer: George Frideric Handel (in 1724) librettist: Nicola Francesco Haym part of: Giulio Cesare in Egitto, HWV 17: Atto I part of: Giulio Cesare: Atto I	George Frideric Handel	8:26
9	Admeto, HWV 22: Act 2: Aria. "Chi è nato alle sventure" (Trasimede) countertenor vocals: James Bowman orchestra: Il Complesso Barocco conductor: Alan Curtis partial recording of: Admeto, re di Tessaglia, HWV 22: Atto II composer: George Frideric Handel (until 1726-11-10) part of: Admeto, re di Tessaglia, HWV 22	George Frideric Handel	2:38
10	Fernando, rè di Castiglia, HWV 30: Act 3, Scene 7: Aria. "M'opporrò da generoso" (Fernando) countertenor vocals: Lawrence Zazzo orchestra: Il Complesso Barocco conductor: Alan Curtis partial recording of: Sosarme, re di Media, HWV 30: Atto III composer: George Frideric Handel (in 1732) part of: Sosarme, re di Media, HWV 30	George Frideric Handel	4:24
11	Leçon de ténèbres du Mercredi saint, H. 120: Troisième Répons - Ecce Quomodo instruments: Il Seminario Musicale alto vocals: Gérard Lesne recording of: Ecce quomodo moritur, H.131 composer: Marc‐Antoine Charpentier part of: Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 131) partial recording of: Leçon de ténèbres du Mercredi saint, H.120 composer: Marc‐Antoine Charpentier part of: Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 120)	Marc‐Antoine Charpentier	4:06
12	Venga pur (Mitridate, re di Ponto) countertenor vocals [Farnace]: David Daniels orchestra: Orchestra of the Age of Enlightenment conductor: Harry Bicket recording of: Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace) composer: Wolfgang Amadeus Mozart librettist: Vittorio Amedeo Cigna-Santi part of: Mitridate, rè di Ponto, K. 74a/87: Act I	Wolfgang Amadeus Mozart	7:02
13	Semiramide: Act 1 Scene 5: No. 2, Recitativo e Cavatina, "Eccomi alfine in Babilonia … Ah! quel giorno ognor rammento" (Arsace) countertenor vocals: Max Emanuel Cenčić (from 2006-09-27 until 2006-10-01) orchestra: Orchestre de chambre de Genève (from 2006-09-27 until 2006-10-01) conductor: Michael Hofstetter (from 2006-09-27 until 2006-10-01) recorded at: Maison de la radio: Studio Ernest Ansermet in Genève, Genève, Switzerland (from 2006-09-27 until 2006-10-01) recording of: Semiramide: Atto I. “Ah, quel giorno ognor rammento” … “Oh, come da quel dì” (Arsace) (from 2006-09-27 until 2006-10-01) composer: Gioachino Rossini librettist: Gaetano Rossi part of: Semiramide: Atto I recording of: Semiramide: Atto I. No. 2. Recitativo e cavatina “Eccomi alfine in Babilonia” (Arsace) (from 2006-09-27 until 2006-10-01) composer: Gioachino Rossini librettist: Gaetano Rossi part of: Semiramide: Atto I	Gioachino Rossini	11:11
14	A Midsummer Night's Dream, op. 64, Act 1: "Welcome Wanderer!" (Oberon) countertenor vocals [Oberon]: James Bowman (in 1990-11) orchestra: City of London Sinfonia (in 1990-11) conductor: Richard Hickox (in 1990-11) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1990-11) recording of: A Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon) (in 1990-11) composer: Benjamin Britten (in 1960) part of: A Midsummer Night's Dream, op. 64: Act I	Benjamin Britten	5:04

3▼Digital Media
#	Title	Artist	Length
1	Oedipus, Z. 583: No. 2, Song. "Musick for a While" (Version for Voice and Guitar) classical guitar and guitar: Craig Ogden countertenor vocals: David Daniels classical guitar arranger: Craig Ogden recording of: Oedipus, King of Thebes, Z. 583: Act III "Music for a While" (catch-all for arrangements) composer: Henry Purcell arrangement of: Oedipus, King of Thebes, Z. 583: II. "Music for a While"	Henry Purcell	3:50
2	Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" countertenor vocals: James Bowman and Christopher Robson solo vocals: Christopher Robson orchestra: Orchestra of the Age of Enlightenment conductor: Gustav Leonhardt recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet composer: Henry Purcell (in 1694) librettist: Nahum Tate part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Henry Purcell	2:31
3	Mass in B minor, BWV 232: Agnus Dei producer: Pere Casulleras alto vocals: Charles Brett (in 1988-04) orchestra: Collegium Vocale Gent (in 1988-04) conductor: Philippe Herreweghe (in 1988-04) balance engineer: Pere Casulleras (in 1988-04) recorded at: Minderbroederskerk in Ghent, Oost-Vlaanderen, Flanders, Belgium (in 1988-04) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:29
4	Malinconia, ninfa gentile classical guitar: Craig Ogden countertenor vocals: David Daniels classical guitar arranger: Craig Ogden recording of: Malinconia, ninfa gentile (catch-all for arrangements) lyricist: Ippolito Pindemonte composer: Vincenzo Bellini arrangement of: Quindici composizione da camera per canto e pianoforte: No. 10. Malinconia, ninfa gentile	Vincenzo Bellini	1:44
5	Orfeo ed Euridice, Wq. 30: Act 3: "Ahimè! Dove trascorsi? ... Che faro senza Euridice" (Orfeo) countertenor vocals [Orfeo]: David Daniels orchestra: Orchestra of the Age of Enlightenment conductor: Harry Bicket recording of: Orfeo ed Euridice, Wq. 30, Atto III, scena 1: “Ahimè! Dove trascorsi!” (Orfeo) composer: Christoph Willibald Gluck part of: Orfeo ed Euridice, Wq. 30: Atto III (Italian version) recording of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) composer: Christoph Willibald Gluck librettist: Ranieri de’ Calzabigi part of: Orfeo ed Euridice, Wq. 30: Atto III (Italian version)	Christoph Willibald Gluck	5:07
6	Ave Maria, op. 52 no. 6, D. 839 (Version for Voice and Guitar) classical guitar: Craig Ogden countertenor vocals: David Daniels classical guitar arranger: Craig Ogden recording of: Ave Maria (catch-all for arrangements) composer: Franz Schubert arrangement of: Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)	Franz Schubert	4:33
7	2 Lieder, op. 43: No. 2, Nacht und Träume, D. 827 piano: Martin Katz countertenor vocals: David Daniels recording of: Nacht und Träume, D. 827 lyricist: Matthäus von Collin composer: Franz Schubert part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 827)	Franz Schubert	4:02
8	Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" executive producer: Alain Lanceron producer: Michel Bernard editor: Étienne Collard instruments: Il Seminario Musicale (from 1997-04-01 until 1997-04-04) alto vocals: Gérard Lesne (from 1997-04-01 until 1997-04-04) countertenor vocals: Gérard Lesne orchestra: Il Seminario Musicale balance engineer: Michel Pierre recorded at: Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04) recording of: Plainte sur la mort de Monsieur Lambert (from 1997-04-01 until 1997-04-04) composer: Jean Lacquemant and Du Buisson (in 1696)	Du Buisson	5:18
9	Les Nuits d'été, op. 7, H 81b: III. Sur les lagunes, H 84b countertenor vocals: David Daniels (from 2003-07-07 until 2003-07-16) orchestra: Ensemble orchestral de Paris (from 2003-07-07 until 2003-07-16) conductor: John Nelson (from 2003-07-07 until 2003-07-16) recorded at: Espace de projection in Paris, Île-de-France, France (from 2003-07-07 until 2003-07-16) recording of: Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (from 2003-07-07 until 2003-07-16) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	6:19
10	Carmina Burana: Pt. 2 "In taberna": Olim lacus colueram	Carl Orff	3:55
11	Silent Night piano: Moses Hogan countertenor vocals: Derek Lee Ragin arranger: Moses Hogan recording of: Silent Night (Christmas carol, English translation) lyricist: Josef Mohr (in 1816) composer: Franz Xaver Gruber (in 1818) translator: John Freeman Young (in 1859) part of: Roud Folk Song Index (number: 27088) translated version of: Stille Nacht, heilige Nacht	Moses Hogan	3:55
12	Duetto buffo di due gatti executive producer: Alain Lanceron producer: Étienne Collard piano: Antonio Pappano countertenor vocals: Gérard Lesne tenor vocals: Rockwell Blake balance engineer: Emmanuelle Bailliet and Nicolas Bartholomée recorded at: deSingel Internationale Kunstcampus in Antwerp, Antwerpen, Flanders, Belgium (from 1995-11-13 until 1995-11-20) recording of: Duetto buffo di due gatti composer: G. Berthold previously attributed to: Gioachino Rossini is based on: Otello: Atto II	Gioachino Rossini	2:55
13	Maladresse countertenor vocals: Gérard Lesne recording of: Maladresse composer: Gérard Lesne	Gérard Lesne	4:01
14	Shenandoah classical guitar: Craig Ogden countertenor vocals: David Daniels classical guitar arranger: Craig Ogden recording of: Shenandoah lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 324)	[traditional]	4:31
15	Plaisir d'amour classical guitar: Craig Ogden countertenor vocals: David Daniels classical guitar arranger: Craig Ogden recording of: Plaisir d’amour (Romance du chevrier) lyricist: Jean-Pierre Claris de Florian composer: Jean‐Paul‐Égide Martini publisher: Warlock Music Ltd.	Jean‐Paul‐Égide Martini	3:54
16	Petite messe solennelle: Crucifixus other vocals [castrato vocals]: Alessandro Moreschi (in 1902) recording of: Petite Messe solennelle: III. Credo: Crucifixus (S - soprano solo) (in 1902-04) composer: Gioachino Rossini (in 1863) part of: Petite Messe solennelle	Gioachino Rossini	3:01

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