Annotation

Might be inconsistent due to scenes and scene themes overlapping the tracks. http://www.amazon.com/exec/obidos/ASIN/B00004R7X8/ and http://www.musicabona.com/catalog/474657-2.html.en might be helpful for restructuring if needed.

Cast

Lulu: Teresa Stratas
Gräfin Geschwitz: Yvonne Minton
Eine Theater-Garderobiere: Hanna Schwarz
Ein Gymnasiast: Hanna Schwarz
Ein Groom: Hanna Schwarz
Der Medizinalrat: Toni Blankenheim
Der Maler: Robert Tear
Ein Neger: Robert Tear
Dr. Schön, Chefredakteur: Franz Mazura
Jack the Ripper: Franz Mazura
Alwa, Dr. Schöns Sohn, Komponist: Kenneth Riegel
Schigolch, ein Greis: Toni Blankenheim
Ein Tierbändiger: Gerd Nienstedt
Rodrigo, ein Athlet: Gerd Nienstedt
Der Prinz: Helmut Pampuch
Der Kammerdiener: Helmut Pampuch
Der Marquis: Helmut Pampuch
Der Theaterdirektor: Jules Bastin
Der Bankier: Jules Bastin
Der Polizeikommissär: Toni Blankenheim
Eine Fünfzehnjährige: Jane Manning
Ihre Mutter: Ursula Boese
Eine Kunstgewerblerin: Anna Ringart
Ein Journalist: Claude Meloni
Ein Diener: Pierre-Yves le Maigat

Recording: Paris, IRCAM, 3, 4 & 6/1979

Tracklist

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1CD
#TitleArtistLength
1Lulu: Prolog. »Hereinspaziert in die Menagerie« (Tierbändiger)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
bass vocals [Ein Tierbändiger]:
Gerd Nienstedt (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Prolog. "Hereinspaziert in die Menagerie" (Tierbändiger) (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu (completed by Cerha)
Alban Berg4:30
2Lulu: I. Akt, Erste Szene. »Darf ich eintreten?« — »Mein Sohn!« (Alwa, Dr. Schön, Lulu) / Introduktion (zum Canon): »Gnädige Frau… Frau Medizinalrat« (Maler, Lulu) / Canon: »Sie bekommen mich noch lange nicht« (Lulu, Maler) / Coda: »Wie ist dir?« (Maler, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Darf ich eintreten?" - "Mein Sohn!" ... "Wie ist dir?" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg5:09
3Lulu: I. Akt, Erste Szene. Melodram: »Machen Sie auf!« / Canzonetta: »Auf einmal springt er auf« (Lulu) / Rezitativ: »Noch nich wieder zur Besinnung gekommen?« (Maler, Lulu) / Duett: »Kannst du die Wahrheit sagen?« (Maler, Lulu) / Arioso: »Ich möchte tauschen mit dir, du Toter!« (Maler) / Interludium und Trio: Canon / Verwandlungsmusik / »Wollen Sie mir zuhaken« (Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Machen Sie auf!" ... [Interlude] "Wollen Sie mir zuhaken" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg9:05
4Lulu: I. Akt, Zweite Szene. »Eva!« — »Befehlen?« (Maler, Lulu) / Duettino: »Ich finde, du siehst heute reizend aus« (Maler, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Eva!" - "Befehlen?" - "Ich finde, du siehst heute reizend aus" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg3:40
5Lulu: I. Akt, Zweite Szene. (Lulu, Wieder Allein) / 1. Kammermusik (Nonett für Holzbläser): »Den hab’ ich mir auch ganz anders vorgestellt« (Schigolch, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Den hab' ich mir auch ganz anders vorgestellt" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg4:26
6Lulu: I. Akt, Zweite Szene. (Schigolch geht eilig, aber umständlich ab.) »Was tut denn Ihr Vater da?« (Dr. Schön, Lulu) / Sonate: »Wenn ich Ihr Mann wäre« (Dr. Schön, Lulu, Maler)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Was tut denn Ihr Vater da?" Sonate "Wenn ich ihr Mann wäre" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg7:03
7Lulu: I. Akt, Zweite Szene. Monoritmica: »Nun?« — »Du hast eine halbe Million geheiratet« (Maler, Dr. Schön, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg5:03
8Lulu: I. Akt, Zweite Szene. (Es läutet auf dem Korridor.) »Ich darf mich jetzt hier nicht sehen lassen« (Dr. Schön, Lulu, Alwa)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Ich darf mich jetzt hier nicht sehen lassen" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg3:56
9Lulu: I. Akt, Zweite Szene. Verwandlungsmusik
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. Verwandlungsmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg3:05
10Lulu: I. Akt, Dritte Szene. Ragtime: »Seit ich für die Bühne arbeite« (Alwa, Lulu) / (English Waltz): »Noch etwas, bitte« (Lulu, Alwa)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Seit ich für die Bühne arbeite" - "Noch etwas, bitte" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg3:53
11Lulu: I. Akt, Dritte Szene. »Über die ließe sich freilich eine interessante Oper schreiben« (Alwa) / Choral: »Ich hatte bei Herrn Dr. Schön das Vergnügen« (Prinz, Alwa) / Ragtime (Trio): »Sie hatte einen Ohnmachtsanfall« (Garderobiere, Alwa, Theaterdirektor, Prinz, Lulu, Dr. Schön) / Sextett: »Das hättest du dir besser erspart« (Alwa, Dr. Schön, Lulu, Garderobiere, Theaterdirektor, Prinz)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
bass vocals [Der Theaterdirektor]:
Jules Bastin (from 1979-03 until 1979-06)
contralto vocals [Eine Theater‐Garderobiere]:
Hanna Schwarz (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
tenor vocals [Der Prinz]:
Helmut Pampuch (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Über die ließe sich freilich eine interessante Oper schreiben" ... " Das hättest du dir besser erspart" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg4:31
12Lulu: I. Akt, Dritte Szene. Sonaten‐Durchführung: »Wie kannst du die Szene gegen mich ausspielen?« (Dr. Schön, Lulu) / (Letzte‐Sonaten-Reprise): »Mein Alter! Meine Welt!« (Dr. Schön, Lulu) / (Seitenthema — Briefduett): »Sehr geehrtes Fräulein…« (Lulu, Dr. Schön)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Wie kannst du die Szene gegen mich ausspielen" ... "Sehr geehrtes Fräulein .." (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt I
Alban Berg7:10
2CD
#TitleArtistLength
1Lulu: II. Akt, Erste Szene. »Sie glauben nicht, wie ich mich darauf freue« (Gräfin Geschwitz, Dr. Schön, Lulu) / Kavatine: »Könntest du dich für heute nachmittag nicht freimachen?« (Lulu, Dr. Schön)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sie glauben nicht" - "Könntest du dich für heute nachmittag" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:26
2Lulu: II. Akt, Erste Szene. (Leere Bühne. Gräfin Geschwitz öffnet vorsichtig die Mitteltür) »Gott sei dank, daß wir endlich zuhause sind« (Schigolch, Rodrigo, Gymnasiast, Lulu) / (Canon): »Er hat sie nämlich ursprünglich heiraten wollen« (Rodrigo, Schigolch, Gymnasiast, Lulu) / »Hast oben abgeschlossen?« (Schigolch, Lulu, Rodrigo, Kammerdiener, Gymnasiast)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Der Kammerdiener]:
Helmut Pampuch (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Gott sei dank, dass wir endlich" ... "Hast oben abgeschlossen?" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:40
3Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
tenor vocals [Der Kammerdiener]:
Helmut Pampuch (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Die Matinée wird, wie ich mir denke" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg6:15
4Lulu: II. Akt, Erste Szene. (Rodrigo steckt den Kopf aus den Gardinen.) »Sein Vater!« — »In Paris ist Revolution ausgebrochen« (Lulu, Dr. Schön, Alwa, Rodrigo) / Introduktion: »Wo ist denn der hin?« (Dr. Schön, Lulu) / (Fünfstrophige Arie): »Du Kreatur, die mich durch den Straßenkot zum Martertode schleift!« (Dr. Schön, Lulu, Gräfin Geschwitz)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg3:45
5Lulu: II. Akt, Erste Szene. Lied der Lulu: »Wenn sich die Menschen um meinetwillen umgebracht haben« (Lulu) / (V. Strophe der Arie des Dr. Schön): »Nieder, Mörderin! In die Knie!« (Dr. Schön, Lulu, Gymnasiast, Alwa, Gräfin Geschwitz) / Arietta: »Du kannst mich nicht dem Gericht ausliefern!« (Lulu, Alwa, Gräfin Geschwitz, Gymnasiast)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg6:13
6Lulu: II. Akt, Erste Szene. Ostinato: Verwandlung (Filmmusik)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. Filmmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg2:49
7Lulu: II. Akt, Zweite Szene. »Er läßt auf sich warten wie in Kapellmeister« (Rodrigo, Gräfin Geschwitz, Alwa, Schigolch)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Er lässt auf sich warten" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:42
8Lulu: II. Akt, Zweite Szene. Largo: »Sie wollten der verrückten Rakete noch Geld geben!?« (Rodrigo, Alwa) / Kammermusik: »Mit wem habe ich… Sie?« (Alwa, Gymnasiast, Rodrigo)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sie wollten der verrückten Rakete" - "Mit wem habe ich ... Sie?" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:35
9Lulu: II. Akt, Zweite Szene. (Melodram): »Hü, kleine Lulu« (Schigolch, Rodrigo, Lulu, Alwa) / »O Freiheit! Herr Gott im Himmel!« (Lulu, Alwa)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Hü, kleine Lulu" - "O Freiheit! Herr Gott im Himmel!" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg7:25
10Lulu: II. Akt, Zweite Szene. (Lulu küßt ihn mit Bedacht.) »Wenn deine beiden großen Kinderaugen nicht wären« (Alwa, Lulu) / Hymne: »Durch dieses Kleid empfinde ich deinen Wuchs« (Alwa, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Wenn deine beiden grossen Kinderaugen" - "Durch dieses Kleid" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg4:56
3CD
#TitleArtistLength
1Lulu: III. Akt, Erste Szene. Moderato (Piano) / »Meine Herrn und Damen! Gestatten Sie, daß och trinke« (Rodrigo, Bankier) / I. Ensemble: »Und so weiter, Meine Damen…« (Journalist, Marquis, Alwa, Lulu, Rodrigo, Diener, Bankier, Groom, Kunstgewerblerin, Mutter, Funfzehnjährige) / Konzertante Choral‐Variationen: Variationen I und II: »Sag es nur gleich heraus, wieviel du haben willst« (Lulu, Marquis) / 1. Intermezzo: Lied des Mädchenhändlers (Wedekinds »Lautenlied«) / »Von den unzähligen Abenteurerinnen« (Marquis) / 2. Intermezzo: »Ich tauge nicht für diesen Beruf« (Lulu) / Variationen III–XII: »Der Staatsanwalt bezahlt demjenigen« (Marquis, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Ein Diener]:
Pierre‐Yves le Maigat (from 1979-03 until 1979-06)
baritone vocals [Ein Journalist]:
Claude Méloni (from 1979-03 until 1979-06)
bass vocals [Der Bankier]:
Jules Bastin (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
contralto vocals [Ein Groom]:
Hanna Schwarz (from 1979-03 until 1979-06)
contralto vocals [Ihre Mutter]:
Ursula Boese (from 1979-03 until 1979-06)
mezzo-soprano vocals [Eine Kunstgewerblerin]:
Anna Ringart (from 1979-03 until 1979-06)
soprano vocals [Eine Fünfzehnjährige]:
Jane Manning (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
tenor vocals [Der Marquis]:
Helmut Pampuch (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Meine Herrn und Damen!" ... "Der Staatsanwalt bezahlt demjenigen" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg9:21
2Lulu: III. Akt, Erste Szene. II. Ensemble: »Brillant! Es geht brillant« (Alwa, Journalist, Bankier, Kunstgewerblerin, Mutter, Lulu, Fünfzehnjährige, Rodrigo, Marquis, Groom, Diener; Dialog: Gräfin Geschwitz, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Ein Diener]:
Pierre‐Yves le Maigat (from 1979-03 until 1979-06)
baritone vocals [Ein Journalist]:
Claude Méloni (from 1979-03 until 1979-06)
bass vocals [Der Bankier]:
Jules Bastin (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
contralto vocals [Ein Groom]:
Hanna Schwarz (from 1979-03 until 1979-06)
contralto vocals [Ihre Mutter]:
Ursula Boese (from 1979-03 until 1979-06)
mezzo-soprano vocals [Eine Kunstgewerblerin]:
Anna Ringart (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Eine Fünfzehnjährige]:
Jane Manning (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
tenor vocals [Der Marquis]:
Helmut Pampuch (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Brilliant! Es geht brilliant" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg2:04
3Lulu: III. Akt, Erste Szene. »Einen Moment! Hast du meinen Brief gelesen?« (Rodrigo, Lulu, Groom, Bankier)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
bass vocals [Der Bankier]:
Jules Bastin (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
contralto vocals [Ein Groom]:
Hanna Schwarz (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Einen Moment! Hast du meinen Brief gelesen?" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg3:14
4Lulu: III. Akt, Erste Szene. (Lulu tritt Schigolch entgegen.) »Ich brauche nämlich notwendig Geld« (Schigolch, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Ich brauche nämlich notwendig Geld" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg3:33
5Lulu: III. Akt, Erste Szene. Cadenz: (Rodrigo wird vom Marquis in den Saal gepufft.) »Behandeln sie mich doch wenigstens anständig« (Rodrigo, Marquis, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Der Marquis]:
Helmut Pampuch (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Behandeln sie mich doch wenigstens anständig" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg2:41
6Lulu: III. Akt, Erste Szene. »Martha! Mein liebes Herz, du lannst mich heute vor dem Tode retten« (Lulu, Gräfin Geschwitz, Rodrigo)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Martha! Mein liebes Herz, du kannst mich heute vor dem Tode retten" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg2:31
7Lulu: III. Akt, Erste Szene. (III. Ensemble): (Im Spielzimmer entsteht Lärm.) »Wollen Sie wohl diese Aktie akzeptieren« (Journalist, Bankier, Mutter, Kunstgewerblerin, Alwa, Fünfzehnjährige, Diener)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Ein Diener]:
Pierre‐Yves le Maigat (from 1979-03 until 1979-06)
baritone vocals [Ein Journalist]:
Claude Méloni (from 1979-03 until 1979-06)
bass vocals [Der Bankier]:
Jules Bastin (from 1979-03 until 1979-06)
contralto vocals [Ihre Mutter]:
Ursula Boese (from 1979-03 until 1979-06)
mezzo-soprano vocals [Eine Kunstgewerblerin]:
Anna Ringart (from 1979-03 until 1979-06)
soprano vocals [Eine Fünfzehnjährige]:
Jane Manning (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Wollen sie wohl diese Aktie akzeptieren" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg2:44
8Lulu: III. Akt, Erste Szene. Variationen I–IV (über Wedekinds »Lautenlied«) / Verwandlungsmusik
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. Verwandlungsmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg2:53
9Lulu: III. Akt, Zweite Szene. »Der Regen trommelt zur Parade« (Schigolch, Alwa, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Der Regen trommelt zur Parade" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg4:35
10Lulu: III. Akt, Zweite Szene. (Gräfin Geschwitz tritt ein.) »Wenn ich dir ungelegen komme« (Gräfin Geschwitz, Lulu, Schigolch, Alwa) / (Quartett): »Ihr Körper stand auf dem Höhepunkt« (Schigolch, Alwa, Gräfin Geschwitz, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Wenn ich dir ungelegen komme" - "Ihr Körper stand auf dem Höhepunkt" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg6:07
11Lulu: III. Akt, Zweite Szene. »Komm nur herein, mein Schatz« (Lulu, Neger, Schigolch)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
tenor vocals [Ein Neger]:
Robert Tear (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Komm nur herein, mein Schatz" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg4:18
12Lulu: III. Akt, Zweite Szene. (Die Mitteltür geht auf, Gräfin Geschwitz tritt langsam ein.) »Der Herr Doktor haben sich schon zur Ruhe begeben« (Schigolch, Gräfin Geschwitz)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Der Herr Doktor haben sich schon zur Ruhe begeben" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg2:42
13Lulu: III. Akt, Zweite Szene. (Lulu öffnet die Tür und läßt Jack eintreten.) »Wer ist das?« (Jack, Lulu)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Jack the Ripper]:
Franz Mazura (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Wer ist das?" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg5:10
14Lulu: III. Akt, Zweite Szene. (Die Lampe erlischt.) (Nocturno): »Das ist der letzte Abend« (Gräfin Geschwitz, Lulu, Jack) / »Lulu! Mein Engel!« (Gräfin Geschwitz)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner
editor:
Wolf‐Dieter Karwatky
baritone vocals [Jack the Ripper]:
Franz Mazura (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Das ist der letzte Abend" - "Lulu! Mein Engel!" (from 1979-03 until 1979-06)
composer:
Alban Berg (from 1928 until 1935)
part of:
Lulu: Akt III
Alban Berg4:02