| # | Title | Artist | Length |
|---|
| 1 | Pink- drum machine [drum] programming and Moog [moog bass] programming:
- Ricky Reed
- engineer:
- Daniel Escobar, Jens Jungkurth and Ethan Shumaker
- producer:
- Ricky Reed, Mark Ronson and Andrew Wyatt
- mixer:
- Manny Marroquin
- bass and guitar:
- Mark Ronson
- drums (drum set) [drums]:
- Questlove
- percussion:
- Aaron Draper
- piano:
- Andrew Wyatt
- saxophone [sax]:
- MJ Buckley and Ian Hendrickson-Smith
- synthesizer [synths]:
- Mark Ronson and Andrew Wyatt
- trombone:
- Ray Mason
- trumpet:
- Dave Guy and Michael Leonhart
- orchestrator:
- Matt Dunkley, Mark Ronson and Andrew Wyatt
- phonographic copyright (℗) by:
- 2023 Atlantic Recording Corporation and 2023 Warner Bros. Entertainment, Inc.
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Diamond Mine in Long Island City, New York, New York, United States, Elysian Park in Echo Park, Los Angeles, California, United States, PowerStation in New York, New York, United States and Westlake Studios in Los Angeles, California, United States
- recording of:
- Pink
- writer:
- Eric Frederic, Melissa Jefferson, Mark Ronson and Andrew Wyatt
- publisher:
- Andrew Wyatt Blakemore, Lizzo Music Publishing, Mae Jesse and Reid Music, Songs of Zelig, Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp.
- part of:
- Barbie
| Lizzo | 2:24 |
| 2 | Dance the Night- additional recording engineer:
- Alex Venguer
- programming:
- Brandon Bost and Picard Brothers
- assistant engineer:
- Jake Ferguson
- engineer:
- Brandon Bost and Cameron Gower‐Poole (lead vocals)
- producer:
- Cameron Gower‐Poole (lead vocals), Picard Brothers, Mark Ronson and Andrew Wyatt
- assistant mixer:
- Bryce Bordone
- mixer:
- Serban Ghenea
- bass and synthesizer:
- Andrew Wyatt
- cello:
- Susannah Chapman, Clarice Jensen, Sarah Kwon, Joel Noyes, Alan Stepansky and Caitlin Sullivan
- guitar and Rhodes piano:
- Mark Ronson
- keyboard [keyboards]:
- Picard Brothers
- viola:
- Danielle Farina, Will Frampton, Robert Meyer, Torron Pfeffer, Michael Roth and Alexis Sykes
- violin:
- Peter Bahng, Tallie Brunfelt, Julia Choi, Kristi Helberg, Ann Kim, Jennifer Kim, Angela Lee, Jeongmin Lee, Lisa Kim, Matt Lehmann, Joanna Maurer, Annaliesa Place, Sein Ryu, Jeremia Velazquez, Henry Wang and Jungsun Yoo
- background vocals:
- Caroline Ailin
- lead vocals:
- Dua Lipa
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2023) and Warner Bros. Entertainment, Inc. (in 2023)
- part of:
- BILLIONS CLUB and Billboard Year-End Hot 100 singles of 2024 (number: 100)
- recording of:
- Dance the Night
- writer:
- Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt
- publisher:
- Andrew Wyatt Blakemore, Songs of Zelig, Sony/ATV Songs LLC, Universal Music Publishing Ltd., Universal Polygram Int. Publishing, Inc. and Warner-Barham Music LLC
- part of:
- Grammy Award: Best Song Written for Visual Media nominees (number: 2024) and Grammy Award: Song of the Year nominees (number: 2024)
| Dua Lipa | 2:57 |
| 3 | Barbie World- audio engineer:
- Aubry "Big Juice" Delaine (lead vocals [vocals for Nicki Minaj])
- additional producer:
- Aubry "Big Juice" Delaine
- producer:
- RIOTUSA
- assistant mixer:
- Bryce Bordone
- mixer:
- Serban Ghenea
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- samples:
- Barbie Girl by Aqua
- edit of:
- Barbie World by Nicki Minaj & Ice Spice with Aqua
- recording of:
- Barbie World
- writer:
- Ephrem Louis Lopez Jr., Karsten Dahlgaard, Lene Nystroem, Naija Gaston, Claus Norreen, Onika Maraj, Johnny Pederson, Søren Rasted and René Dif
- publisher:
- Ken & Barbie Music, Songs of Universal, Inc., Universal Music Corp., Universal Music Publishing Group, Warner Chappell Music Publishing, Warner Chappell Music, Inc. and Warner–Tamerlane Publishing Corp.
- part of:
- Grammy Award: Best Song Written for Visual Media nominees (number: 2024) and Grammy Award: Best Rap Song nominees (number: 2024)
- is based on:
- Barbie Girl
| Nicki Minaj & Ice Spice & Ice Spice with Aqua | 1:50 |
| 4 | Speed Drive- producer:
- Easyfun
- mixer:
- Manny Marroquin
- mixed at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
- samples:
- Cobrastyle by Robyn and Mickey by Toni Basil
- recording of:
- Speed Drive
- writer:
- Michael Chapman, Charlotte Aitchison, David James Parker, Ewart Everton Brown, Fabian Peter Torsson, Joakim Frans Ahlund, Finn Keane, Klas Frans Åhlund, Nicholas Chinn, Patrik Knut Arve, Sylvia Robinson and Troy Rami
- publisher:
- Charlotte Aitchison Publishing Designee, JR Foursome Music, Sentric UK, Sony/ATV Music Publishing Scandinavia KB, Sugar Hill Music Publishing Ltd., Universal Music Careers, Universal Music Publishing International Ltd. and Universal Music Publishing MGB Scandinavia AB
- quotes lyrics from:
- Kitty
- quotes music from:
- Cobrastyle
| Charli XCX | 1:58 |
| 5 | WATATI | KAROL G feat. Aldo Ranks | 2:47 |
| 6 | Man I Am | Sam Smith | 3:08 |
| 7 | Journey to the Real World | Tame Impala | 1:28 |
| 8 | I’m Just Ken- recording engineer:
- Mike Clink (guitar [guitar recording engineer for Slash]), Peter Cobbin (choir vocals [female choir engineer], other instruments [scoring engineer]), Geoff Foster (choir vocals [male choir recording engineer]), Alex Venguer (other instruments [orchestra engineer]) and Kirsty Whalley (choir vocals [male choir recording engineer], other instruments [scoring engineer])
- programming:
- Brandon Bost
- assistant engineer:
- Jake Ferguson
- engineer:
- Brandon Bost and Ricky Damian
- audio engineer:
- Daniel Hayden (other instruments [Pro-Tools recordist])
- additional producer:
- Picard Brothers
- producer:
- Mark Ronson and Andrew Wyatt
- mixer:
- Tom Elmhirst and Adam Hong (other instruments [engineer for mix])
- bass guitar and synthesizer [synth]:
- Mark Ronson
- drums (drum set) [drums]:
- Josh Freese
- guitar [lead guitar]:
- Slash
- guitar [rhythm guitar]:
- Slash and Wolfgang Van Halen
- instruments:
- Andrew Wyatt
- piano:
- Mike Richiuti
- synthesizer [synths]:
- Roger Manning
- background vocals:
- Andrew Wyatt
- orchestra:
- USA Orchestra
- chorus master:
- Ben Parry
- choir vocals arranger:
- Andrew Wyatt
- orchestrator:
- Matt Dunkley
- phonographic copyright (℗) by:
- 2023 Atlantic Recording Corporation and 2023 Warner Bros. Entertainment, Inc.
- recorded at:
- Manhattan Center in New York, New York, United States (other instruments [orchestra])
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- I’m Just Ken
- writer:
- Mark Ronson and Andrew Wyatt
- publisher:
- Andrew Wyatt Blakemore, Songs of Zelig and Warner-Barham Music LLC
- part of:
- Grammy Award: Best Song Written for Visual Media nominees (number: 2024) and The 96th Academy Award for Best Original Song (number: 2)
- part of:
- Barbie
| Ryan Gosling | 3:43 |
| 9 | Hey Blondie- programming:
- Henry Kwapis
- assistant engineer:
- Jake Ferguson and Dani Perez
- engineer:
- Brandon Bost, Adam Hong and John Muller
- co-producer:
- Henry Kwapis and Ryan Raines
- producer:
- Mark Ronson
- mixer:
- Tom Elmhirst
- acoustic guitar:
- Dom Fike
- bass guitar and synthesizer [synths]:
- Mark Ronson
- drums (drum set) [drums] and percussion:
- Ryan Raines
- guitar and other instruments [keys]:
- Henry Kwapis
- vocals:
- Dom Fike
- phonographic copyright (℗) by:
- 2023 Sandy Boys, LLC.
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- engineered at:
- Electric Lady in Greenwich Village, New York, New York, United States and Zelig Studios in New York, New York, United States
- recording of:
- Hey Blondie
- writer:
- Dominic Fike, Henry Kwapis, Mark Ronson and Ryan Raymond Raines
- publisher:
- Dominic Fike Publishing Designee, Henry Kwapis Publishing Designee, RRR Dream World, Songs of Zelig and Warner Chappell Music, Inc.
| Dominic Fike | 2:22 |
| 10 | Home- drum machine [drum programming] programming:
- Rostam Batmanglij
- engineer:
- Lauren Marquez, Joey Messina‐Doerning, Nick Noneman and Rostam Batmanglij
- producer:
- Danielle Haim and Rostam
- mixer:
- Manny Marroquin
- 12 string guitar, bass synthesizer [synth bass], piano and synthesizer [synths]:
- Rostam Batmanglij
- bass:
- Este Haim
- cello:
- Gabe Noel
- guitar:
- Alana Haim
- synthesizer [synth]:
- Jack Hallenbeck
- vocals:
- Alana Haim and Este Haim
- strings [string arrangement] arranger:
- Rostam Batmanglij
- phonographic copyright (℗) by:
- 2023 HAIM Productions Inc.
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and Matsor Projects Studios in Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Home
- writer:
- Alana Haim, Danielle Haim, Este Haim and Rostam Batmanglij
- publisher:
- HAIM Productions Inc., Rostam Batmanglij Music, Sony/ATV Tunes LLC and Universal Music Publishing Limited
| HAIM | 3:46 |
| 11 | What Was I Made For?- engineer:
- Billie Eilish and FINNEAS
- additional producer:
- Mark Ronson and Andrew Wyatt
- producer:
- Billie Eilish (lead vocals [vocal production]) and FINNEAS
- assistant mixer:
- Eli Heisler
- mixer:
- Rob Kinelski
- electric bass guitar [electric bass], percussion and piano:
- FINNEAS
- synthesizer [synth]:
- Billie Eilish and FINNEAS
- vocals:
- Billie Eilish
- vocals arranger:
- FINNEAS
- orchestrator:
- Mark Ronson and Andrew Wyatt
- phonographic copyright (℗) by:
- Darkroom (in 2023) and Interscope Records (in 2023)
- mixed at:
- The Fortress of Amplitude in Los Angeles, California, United States
- music videos:
- What Was I Made For? by Billie Eilish, What Was I Made For? by Billie Eilish and What Was I Made For? by Billie Eilish
- part of:
- Grammy Award: Best Pop Solo Performance nominees (number: 2024), Grammy Award: Record of the Year nominees (number: 2024), Billboard Year-End Hot 100 singles of 2024 (number: 46) and BILLIONS CLUB
- recording of:
- What Was I Made For?
- writer:
- Billie Eilish O'Connell and Finneas O'Connell
- publisher:
- DRUP, Last Frontier, Universal Music Corp. and Warner GrandView Music
- part of:
- The 96th Academy Award for Best Original Song (number: 1), Grammy Award: Best Song Written for Visual Media nominees (number: 2024 winner), Grammy Award: Song of the Year nominees (number: 2024 winner) and Academy Award for Best Original Song (number: 2023 winner)
- part of:
- Barbie
| Billie Eilish | 3:42 |
| 12 | Forever & Again | The Kid LAROI | 2:19 |
| 13 | Silver Platter- engineer:
- James Keeley
- producer:
- Chase Worrell, Jason Kellner and Denis Kosiak
- mixer:
- Denis Kosiak
- bass guitar:
- John Wilkenson Derisme
- phonographic copyright (℗) by:
- 2023 Atlantic Recording Corporation, 2023 RCA Records and 2023 Warner Bros. Entertainment Inc.
- engineered at:
- DK's Mobile Studio in Burbank, California, United States and Just for the Record in Sun Valley, Los Angeles, California, United States
- recording of:
- Silver Platter
- writer:
- Chase Worrell, Jason Kellner, Khalid Robinson and Denis Kosiak
- publisher:
- All the Noise, Chase Worrell Publishing Designee, Jason Kellner Publishing Designee, Right Hand Music Group, Sony/ATV Songs LLC, Thegreatkhalid and Undeniably Me Music
| Khalid | 2:46 |
| 14 | Angel | PinkPantheress | 2:04 |
| 15 | butterflies- engineer:
- Chris Condon (drums (drum set) [drums])
- producer:
- Reed Berin
- mixer:
- Pedro Calloni
- drums (drum set) [drums]:
- Andrew Grasso
- guitar:
- Chris Condon
- phonographic copyright (℗) by:
- Atlantic Recording Corporation and Warner Bros. Entertainment Inc.
- samples:
- Butterfly by Crazy Town
- recording of:
- butterflies
- writer:
- Reed Berin, Seth Brooks Binzer, Flea, GAYLE, Anthony Kiedis, Bret ‘Epic’ Mazur and Chad Smith
- publisher:
- Arlovol Music, Concord, Hipgnosis Side B, Penny Farthing Music, Reed Jacob Berin, Straight From the Art Music and Uncle Bo's Publishing
- quotes music from:
- Butterfly
- quotes music from:
- Pretty Little Ditty
| GAYLE | 2:16 |
| 16 | Choose Your Fighter | Ava Max | 2:18 |
| 17 | Barbie Dreams | FIFTY FIFTY feat. Kaliii | 2:29 |
