| # | Title | Artist | Length |
|---|
| 1 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 2:50 |
| 2 | And I Love Him | Esther Phillips | 2:40 |
| 3 | Rainy Night in Georgia | Brook Benton | 3:49 |
| 4 | Thin Line Between Love and Hate | The Persuaders | 3:22 |
| 5 | I’ve Been Loving You Too Long (to Stop Now) | Otis Redding | 2:55 |
| 6 | Sideshow | Blue Magic | 4:06 |
| 7 | When Something Is Wrong With My Baby | Sam & Dave | 3:14 |
| 8 | Love Won’t Let Me Wait | Major Harris | 3:47 |
| 9 | Ain’t No Sunshine | Betty Wright | 3:15 |
| 10 | Summertime | Booker T. & the MG’s | 4:37 |
| 11 | A Song for You (2007 remastered version) | Donny Hathaway | 5:23 |
| 12 | Only Your Love Song Lasts | Randy Crawford | 4:04 |
| 13 | Settle for My Love | Patrice Rushen | 5:12 |
| 14 | When We Pull the Shades | Eugene Record | 6:16 |
| 15 | Fill the Need | George Duke | 5:32 |
| 16 | Drown in My Own Tears (remastered version) | Ray Charles | 3:18 |
| 17 | Bring It On Home to Me (2007 remastered version) | Wilson Pickett | 3:05 |
| 18 | The Rose | Bette Midler | 3:41 |
| 19 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen, Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 3:54 |
| 20 | A Whiter Shade of Pale | Joe Cocker | 5:22 |
| 21 | Power of Love- cover recording of:
- The Power of Love
- writer:
- Mary Applegate, Wolfgang Detmann, Gunther Mende and Jennifer Rush
- publisher:
- CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Laura Branigan | 5:25 |
| 22 | Baby, Come to Me | Patti Austin & James Ingram | 3:35 |
| 23 | All I Have to Do Is Dream | The Everly Brothers | 2:23 |
| 24 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:54 |
| 25 | I Won’t Let You Down | Ph.D. | 4:03 |
| 26 | You Might Need Somebody | Randy Crawford | 4:15 |
| 27 | She’s Gone (single version) | Daryl Hall & John Oates | 3:24 |
| 28 | I Want to Know What Love Is (remastered)- additional engineer:
- Josh Abbey, Larry Alexander, Jason Corsaro, Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen, Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd., Somerset Songs Publishing Inc., Warner Brothers Music Ltd., Warner Chappell Music, Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 5:05 |
| 29 | Miss You Like Crazy | Natalie Cole | 3:54 |
| 30 | Moondance (45 version) | Van Morrison | 4:32 |
| 31 | Sailing- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, background vocals and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and synthesizer:
- Rob Meurer
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979, in 1981, in 2001)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Sailing
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music, Universal Music Corp. and Universal Music–MGB Songs
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 4:16 |
| 32 | Waiting for a Girl Like You (2008 remastered LP version)- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt, Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones, Robert John “Mutt” Lange, Ian Lloyd, Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 4:48 |
| 33 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd., シンコーミュージック・エンタテイメント, ピアーミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2)
| Peter Cetera | 4:18 |
| 34 | Rough Boy | ZZ Top | 4:47 |
| 35 | To Be With You- assistant engineer:
- Chris Kupper, David Luke, Scott Ralston, Michael Semanick and Andy Udoff
- engineer and mixer:
- Kevin Elson and Tom Size
- producer:
- Kevin Elson
- bass guitar [bass]:
- Billy Sheehan
- drums (drum set) [drums]:
- Pat Torpey
- guitar:
- Paul Gilbert
- lead vocals [vocals]:
- Eric Martin
- phonographic copyright (℗) by:
- Atlantic Recording Corp. (in 1991), Warner Music International (in 1991) and Warner Music H.K. Ltd. (in 1997)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- music videos:
- To Be With You by Mr. Big
- recording of:
- To Be With You
- writer:
- David Grahame and Eric Martin
- publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Mr. Big | 3:28 |
| 36 | Hunting High and Low | a‐ha | 3:44 |
| 37 | Save Me | Remy Zero | 3:59 |
| 38 | Black Velvet (45 version) | Alannah Myles | 4:45 |
| 39 | Falling | Julee Cruise | 5:22 |
| 40 | I Love You Always Forever (2006 remastered version) | Donna Lewis | 3:54 |
