| # | Title | Artist | Length |
|---|
| 1 | Fire and Rain | James Taylor | 3:24 |
| 2 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control, EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing, EMI Music Publishing Ltd., H. G. Music Inc, Mushroom Music, Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 5:16 |
| 3 | Evil Ways- engineer:
- Bob Breault and Eric Prestidge
- producer:
- Brent Dangerfield and Santana
- bass guitar:
- David Brown (on 1969-05-12)
- congas and percussion:
- Michael Carabello (on 1969-05-12)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1969-05-12)
- drums (drum set):
- Michael Shrieve (on 1969-05-12)
- guitar:
- Carlos Santana (on 1969-05-12)
- organ and piano:
- Gregg Rolie (on 1969-05-12)
- vocals:
- Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
- arranger:
- Alberto Gianquinto
- phonographic copyright (℗) by:
- CBS, Inc. (in 1969), Sony BMG Music Entertainment (in 1969) and Sony Music Entertainment Inc. (in 1969)
- recorded at:
- Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
- mixed at:
- Pacific Recording Studio in San Mateo, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 69)
- cover recording of:
- Evil Ways (on 1969-05-12)
- lyricist and composer:
- Clarence “Sonny” Henry
- publisher:
- EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
| Santana | 3:57 |
| 4 | What's Going On- producer:
- Marvin Gaye
- mixer:
- Lawrence Miles (on 1971-05-06)
- instruments:
- Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
- percussion [box drum], piano and lead vocals:
- Marvin Gaye (on 1971-05-06)
- background vocals:
- Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
- conductor:
- David Van dePitte (on 1971-05-06)
- phonographic copyright (℗) by:
- Motown Records (in 1971)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1971-05-06)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 4), Rolling Stone: 500 Greatest Songs of All Time (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- What’s Going On (on 1971-05-06)
- lyricist and composer:
- Renaldo Benson, Al Cleveland and Marvin Gaye
- publisher:
- EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- recording of:
- What’s Going On
- writer:
- Renaldo Benson, Al Cleveland and Marvin Gaye
- translator:
- 杉山清貴
- translated version of:
- What’s Going On
| Marvin Gaye | 3:48 |
| 5 | You're So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd., Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4:19 |
| 6 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4:13 |
| 7 | 50 Ways to Leave Your Lover | Paul Simon | 3:34 |
| 8 | Lowdown | Boz Scaggs | 5:18 |
| 9 | I’m Not in Love | 10cc | 3:59 |
| 10 | Tonight's the Night | Rod Stewart | 3:35 |
| 11 | Don't Stop- assistant engineer:
- Chris Morris
- engineer:
- Ken Caillat and Richard Dashut
- additional producer:
- Ken Caillat and Richard Dashut
- producer:
- Ken Caillat, Richard Dashut and Fleetwood Mac
- bass guitar:
- John McVie
- drums (drum set) and percussion:
- Mick Fleetwood
- guitar:
- Lindsey Buckingham
- keyboard and synthesizer:
- Christine McVie
- vocals:
- Lindsey Buckingham, Christine McVie and Stevie Nicks
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1977), WEA International Inc. (in 1977) and Warner Bros. (in 2004)
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Stop
- lyricist and composer:
- Christine McVie
- publisher:
- BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music, Universal Music Publishing and Gentoo Music, Inc. (in 1977)
| Fleetwood Mac | 3:13 |
| 12 | Wonderful Tonight | Eric Clapton | 3:43 |
| 13 | Blue Bayou | Linda Ronstadt | 3:56 |
| 14 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing, EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc., Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd., Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4:10 |
| 15 | Follow You, Follow Me- assistant producer:
- Pierre Geoffroy Chateau
- producer:
- Genesis and David Hentschel
- assistant mixer:
- Steve Short
- bass guitar and guitar:
- Mike Rutherford (from 1977-09 until 1977-10)
- drums (drum set), percussion and lead vocals:
- Phil Collins (from 1977-09 until 1977-10)
- keyboard:
- Tony Banks (from 1977-09 until 1977-10)
- phonographic copyright (℗) by:
- Charisma Records Ltd.
- recorded at:
- Relight Studio in Hilvarenbeek, Noord-Brabant, Netherlands, Kingdom of the Netherlands (from 1977-09 until 1977-10)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- recording of:
- Follow You Follow Me (from 1977-09 until 1977-10)
- lyricist:
- Mike Rutherford
- composer:
- Tony Banks, Phil Collins and Mike Rutherford
- publisher:
- Concord Copyrights, Concord Sounds, Imagem Music GmbH, Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (in 1978) and Hit and Run Music (in 1978)
| Genesis | 3:59 |
| 16 | Good Times | Chic | 3:44 |
| 17 | What a Fool Believes | The Doobie Brothers | 3:43 |
| 18 | Sailing- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, background vocals and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and synthesizer:
- Rob Meurer
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979, in 1981, in 2001)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Sailing
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music, Universal Music Corp. and Universal Music–MGB Songs
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 4:16 |
