| # | Title | Length |
|---|
| 1 | I Loves You, Porgy- recorded in:
- New York, New York, United States (in 1957-12)
- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- cover recording of:
- I Loves You, Porgy (in 1957-12)
- lyricist:
- Ira Gershwin and DuBose Heyward
- composer:
- George Gershwin
- publisher:
- Chappell & Co., New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
- version of:
- Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
| 4:10 |
| 2 | My Baby Just Cares for Me- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- edit of:
- My Baby Just Cares for Me (special extended version) by Nina Simone
- cover recording of:
- My Baby Just Cares for Me (in 1957-12)
- lyricist and composer:
- Walter Donaldson and Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd., Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
| 3:37 |
| 3 | The Other Woman | 2:59 |
| 4 | Black Is the Color of My True Love’s Hair | 3:35 |
| 5 | Nobody Knows You When You’re Down and Out | 2:42 |
| 6 | Trouble in Mind | 5:30 |
| 7 | Mississippi Goddam | 4:55 |
| 8 | See-Line Woman | 2:37 |
| 9 | Don’t Let Me Be Misunderstood | 2:46 |
| 10 | I Put a Spell on You | 2:35 |
| 11 | Ne me quitte pas | 3:38 |
| 12 | Strange Fruit | 3:31 |
| 13 | Four Women | 4:26 |
| 14 | Sinner Man | 10:21 |
| 15 | Do I Move You? | 2:45 |