| # | Title | Artist | Length |
|---|
| 1 | Main Title | MGM Studio Orchestra | 1:59 |
| 2 | Fred's Feet | MGM Studio Orchestra | 0:59 |
| 3 | Too Bad | Fred Astaire, Peter Lorre, Joseph Buloff, Jules Munshin | 3:05 |
| 4 | Close | MGM Studio Orchestra | 2:27 |
| 5 | Paris Loves Lovers | Fred Astaire, Cyd Charisse And Carol Richards | 2:44 |
| 6 | Stereophonic Sound | Fred Astaire And Janis Paige | 3:55 |
| 7 | Paris Montage | MGM Studio Orchestra | 1:44 |
| 8 | Paris Loves Lovers | MGM Studio Orchestra | 2:37 |
| 9 | Easy to Love | MGM Studio Orchestra | 1:20 |
| 10 | It's a Chemical Reaction, That's All | Cyd Charisse And Carol Richards | 0:46 |
| 11 | All of You | Fred Astaire | 6:07 |
| 12 | Medley: Love of My Life / You Can Do No Wrong | MGM Studio Orchestra | 4:10 |
| 13 | Satin and Silk | Janis Paige | 2:39 |
| 14 | Silk Stockings | Johnny Green And MGM Studio Orchestra | 4:29 |
| 15 | Without Love | Cyd Charisse And Carol Richards | 3:45 |
| 16 | I Feel Better Now | MGM Studio Orchestra | 2:10 |
| 17 | Medley: Fated to Be Mated (extended version) / All of You | Fred Astaire And Cyd Charisse | 6:34 |
| 18 | Josephine | Janis Paige | 4:49 |
| 19 | Siberia | Peter Lorre, Joseph Buloff And Jules Munshin | 3:05 |
| 20 | Cyd Leaves Paris | MGM Studio Orchestra | 1:25 |
| 21 | High Heeled Shoes | MGM Studio Orchestra | 1:20 |
| 22 | The Red Blues | Wim Sonneveld, Bill Lee, Jules Munshin & MGM Studio Orchestra | 4:02 |
| 23 | Oatmeal / Cyd Returns to Paris | MGM Studio Orchestra | 1:28 |
| 24 | All of You (Vielli Russio) | MGM Studio Orchestra | 1:46 |
| 25 | The Ritz Roll and Rock | Fred Astaire | 3:36 |
| 26 | We Are Getting Married | MGM Studio Orchestra | 1:53 |
| 27 | Too Bad (reprise) / Finale | Peter Lorre, Joseph Buloff And Jules Munshin | 0:29 |
| 28 | It's a Chemical Reaction, That's All (Unsued demo) | Cyd Charisse | 0:52 |
| 29 | It's a Chemical Reaction, That's All (Unused alternate Orchestration) | Carol Richards | 1:00 |
| 30 | In the Still of the Night (Poodle Cafe) (outtake) | MGM Studio Orchestra | 1:48 |