Now More Than Ever: The History of Chicago

~ Release by Chicago (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleLength
1Introduction
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Terry Kath (in 1969-01)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Introduction (in 1969-01)
lyricist and composer:
Terry Kath
6:35
2Listen
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Listen (in 1969-01)
composer:
Robert Lamm
3:24
3Beginnings
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Beginnings (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control and Lamminations Music
7:54
4Questions 67 and 68
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-01) and Robert Lamm (in 1969-01)
brass arranger:
Robert Lamm and James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Questions 67 & 68 (in 1969-01)
lyricist and composer:
Robert Lamm
publisher:
Lamminations Music
5:02
5Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is? (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control, Lamminations Music and Spirit Music Publishing Ltd.
4:35
6Liberation
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Liberation (in 1969-01)
composer:
James Pankow
14:37
7I’m a Man
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
7:43
8Free Form Guitar
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Free Form Guitar (in 1969-01)
composer:
Terry Kath
6:49
9Movin’ In
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Movin’ In (in 1969-08)
lyricist and composer:
James Pankow
4:06
1025 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (in 1970), Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 61)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control, Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited, Aurelius Music (in 1986) and Lamminations Music (in 1986)
4:50
11Fancy Colours
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Fancy Colours (in 1969-08)
lyricist and composer:
Robert Lamm
5:10
12Make Me Smile
recording of:
Make Me Smile
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
3:16
13So Much to Say, So Much to Give
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
So Much to Say, So Much to Give (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:12
14Anxiety’s Moment
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Anxiety’s Moment (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:00
15West Virginia Fantasies
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
West Virginia Fantasies (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:34
16Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (in 1969-08)
phonographic copyright (℗) by:
Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control, IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
3:02
17To Be Free
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
To Be Free (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:15
18Now More Than Ever
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Now More Than Ever (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:26
19It Better End Soon, 1st Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (1st Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
2:33
20It Better End Soon, 2nd Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (2nd Movement) (in 1969-08)
composer:
Robert Lamm and Walter Parazaider
part of:
It Better End Soon
3:41
21It Better End Soon, 3rd Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (3rd Movement) (in 1969-08)
writer:
Terry Kath and Robert Lamm
part of:
It Better End Soon
3:18
22It Better End Soon, 4th Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
It Better End Soon (4th Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
0:51
23Where Do We Go From Here
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recording of:
Where Do We Go From Here (in 1969-08)
lyricist and composer:
Peter Cetera
publisher:
Aurelius Music
2:49
24Flight 602
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Flight 602 (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:45
25Motorboat to Mars
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Motorboat to Mars (in 1970-11)
composer:
Danny Seraphine
part of:
Travel Suite
1:30
26Free2:17
27Free Country
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free Country (in 1970-11)
composer:
Terry Kath, Robert Lamm and Walter Parazaider
part of:
Travel Suite
5:47
28At the Sunrise
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
At the Sunrise (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:49
29Happy ’Cause I’m Going Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Happy Cause I'm Going Home (in 1970-11)
writer:
Robert Lamm
7:28
30Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (in 1972) and Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
3:56
31Now That You’ve Gone
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Now That You’ve Gone (from 1971-09-20 until 1971-09-29)
lyricist and composer:
James Pankow
publisher:
Big Elk Music
5:01
32Dialogue (Part One)
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
3:01
33Dialogue (Part Two)
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
recording of:
Dialogue
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
4:13
34Just You ’n’ Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (in 1973), Rhino Entertainment Company (in 1973, in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
3:42
35What’s This World Comin’ To
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002) and Warner Strategic Marketing Belgium (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
What’s This World Comin’ To (in 1973-02)
writer:
James Pankow
publisher:
Big Elk Music (in 1973)
5:00
36Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (in 1974) and Rhino Entertainment Company (in 2002, in 2007)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
4:03
37Devil’s Sweet10:07
38Harry Truman
engineer:
Jeff Guercio, Mark Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
lead vocals:
Robert Lamm (in 1975)
vocals:
John Carsello (in 1974-09), Donna Conroy (in 1974-09), Bob Eberhardt (in 1974-09), Steve Fagin (in 1974-09), Kristy Ferguson (in 1974-09), Linda Greene (in 1974-09), Lee Loughnane (in 1974-09), Brandy Maitland (in 1974-09), Katherine Ogden (in 1974-09), Laudir de Oliveira (in 1974-09), James Pankow (in 1974-09), Walter Parazaider (in 1974-09), Joanne Rocconi (in 1974-09) and Richard Torres (in 1974-09)
phonographic copyright (℗) by:
CBS, Inc. (in 1975), Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1974-09)
recording of:
Harry Truman (in 1974-09)
writer:
Robert Lamm (in 1975)
publisher:
Big Elk Music (in 1975) and Lamminations Music (in 1975)
3:00
39If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control, Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
3:55
40The Inner Struggles of a Man
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
The Inner Struggles of a Man (in 1977)
orchestrator and composer:
Dominic Frontiere
2:44
41Mississippi Delta City Blues
assistant recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2002)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Mississippi Delta City Blues (in 1977)
lyricist and composer:
Terry Kath
4:39
42Run Away
engineer:
Jim Boyer
producer:
Chicago and Phil Ramone
percussion:
Airto Moreira
lead vocals:
Peter Cetera and Donnie "Hot Licks" Dacus
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2003)
mixed at:
A&R Recording Studio in New York, New York, United States
recording of:
Run Away
writer:
James Pankow
4:18
43Reruns
engineer:
Jim Boyer
producer:
Chicago and Phil Ramone
lead vocals:
Robert Lamm
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2003)
mixed at:
A&R Recording Studio in New York, New York, United States
recording of:
Reruns
writer:
Robert Lamm
4:29
44Street Player9:11
45Thunder and Lightning
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale
producer:
Tom Dowd
phonographic copyright (℗) by:
Rhino Entertainment Company (in 2003)
recorded at and mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Thunder and Lightning (in 1980)
lyricist and composer:
Peter Cetera (in 1980) and Robert Lamm (in 1980)
writer:
Danny Seraphine (in 1980)
publisher:
BMG Songs, Inc. (in 1980), Little Sacha Songs (in 1980) and Street Sense Music (in 1980)
3:32
46Hard to Say I’m Sorry / Get Away
engineer:
Humberto Gatica
producer:
David Foster
assistant mixer:
Jack Goudie, Lee Loughnane and Walter Parazaider
mixer:
Bill Schnee
strings arranger:
Peter Cetera, David Foster and Jeremy Lubbock
arranger:
Peter Cetera, David Foster and Danny Seraphine
phonographic copyright (℗) by:
Warner Bros. Records Inc. (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Get Away
writer:
Peter Cetera, David Foster and Robert Lamm
publisher:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd., Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント, ピアーミュージック, フジパシフィックミュージック BMG事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (in 1982)
publisher:
Peermusic III, Ltd., Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited, シンコーミュージック・エンタテイメント, ピアーミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. and Little Sacha Songs
medley of:
Hard to Say I’m Sorry (Chicago song)
medley of:
Get Away
5:05
47Chains
engineer and mixer:
Humberto Gatica
producer:
David Foster
assistant mixer:
Jack Goudie, Lee Loughnane and Walter Parazaider
arranger:
Peter Cetera, David Foster and Danny Seraphine
phonographic copyright (℗) by:
Warner Bros. Records Inc. (in 2010)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Chains
writer:
Ian Thomas
publisher:
Mark-Cain Music
3:24
48Hard Habit to Break4:45
49Along Comes a Woman4:19
50You’re the Inspiration3:49
51We Can Stop the Hurtin’4:13
52Will You Still Love Me?5:43
53Look Away4:03