| # | Title | Length |
|---|
| 1 | Cheek to Cheek- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock (from 1973-03-06 until 1973-03-07)
- drums (drum set):
- Tony Crombie (from 1973-03-06 until 1973-03-07)
- piano:
- Alan Clare (from 1973-03-06 until 1973-03-07)
- violin:
- Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
- conductor:
- Max Harris (from 1973-03-06 until 1973-03-07)
- performer:
- Alan Clare Trio (from 1973-03-06 until 1973-03-07)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
- instrumental recording of:
- Cheek to Cheek (from 1973-03-06 until 1973-03-07)
- lyricist and composer:
- Irving Berlin (in 1935)
- publisher:
- Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Academy Award for Best Original Song (number: 1935 nominee)
- part of:
- Top Hat
| 3:49 |
| 2 | Isn't This a Lovely Day? | 2:58 |
| 3 | The Piccolino | 3:16 |
| 4 | Change Partners | 3:34 |
| 5 | Top Hat | 4:02 |
| 6 | I've Got My Love to Keep Me Warm | 3:31 |
| 7 | Heat Wave | 3:00 |
| 8 | The Way You Look Tonight- producer:
- John Fraser
- double bass [bass]:
- Niels Pedersen (in 1981-07) and Eddie Tripp (in 1981-07)
- drums (drum set) [drums]:
- Alan Ganley (in 1981-07)
- flute:
- Ray Swinfield (in 1981-07)
- guitar:
- Martin Taylor (in 1981-07)
- harp:
- David Snell (in 1981-07)
- keyboard [keyboards]:
- Laurie Holloway (in 1981-07)
- percussion:
- Derek Price (in 1981-07)
- violin:
- Stéphane Grappelli (in 1981-07) and Yehudi Menuhin (in 1981-07)
- conductor:
- Nelson Riddle (in 1981-07)
- arranger:
- Nelson Riddle
- balance engineer:
- Tony Clark (in 1981-07)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1981-07)
- instrumental recording of:
- The Way You Look Tonight
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| 3:41 |
| 9 | Pick Yourself Up | 2:20 |
| 10 | A Fine Romance | 3:26 |
| 11 | All the Things You Are | 4:17 |
| 12 | Why Do I Love You? | 3:31 |
| 13 | I Get a Kick Out of You- producer:
- John Mordler
- double bass [bass]:
- Lennie Bush (in 1975-05)
- drums (drum set) [drums]:
- Ronnie Verrell (in 1975-05)
- guitar:
- Ike Isaacs (in 1975-05) and Denny Wright (in 1975-05)
- piano:
- Alan Clare (in 1975-05) and Max Harris (in 1975-05)
- violin:
- Stéphane Grappelli (in 1975-05) and Yehudi Menuhin (in 1975-05)
- conductor:
- Max Harris (in 1975-05)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark (in 1975-05)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1975-05)
- recording of:
- I Get a Kick Out of You (in 1975-05)
- lyricist and composer:
- Cole Porter (in 1934)
- publisher:
- Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
- part of:
- Anything Goes
- instrumental recording of:
- I Get a Kick Out of You
- lyricist and composer:
- Cole Porter (in 1934)
- publisher:
- Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
- part of:
- Anything Goes
| 4:09 |
| 14 | Night and Day- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock and Lennie Bush (from 1972-06-14 until 1972-06-15)
- drums (drum set):
- Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
- piano:
- Alan Clare (from 1972-06-14 until 1972-06-15)
- violin:
- Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
- conductor:
- Max Harris (from 1972-06-14 until 1972-06-15)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
- instrumental cover recording of:
- Night and Day (from 1972-06-14 until 1972-06-15)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 4:10 |
| 15 | Looking at You | 3:26 |
| 16 | Just One of Those Things | 3:26 |
| 17 | My Funny Valentine- producer:
- John Mordler
- double bass [bass]:
- Pierre Michelot (in 1977-10)
- drums (drum set) [drums]:
- Ronnie Verrell (in 1977-10)
- keyboard [keyboards]:
- Laurie Holloway (in 1977-10)
- violin:
- Stéphane Grappelli (in 1977-10) and Yehudi Menuhin (in 1977-10)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark (in 1977-10)
- recorded at:
- EMI Studios in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (in 1977-10)
- instrumental cover recording of:
- My Funny Valentine (in 1977-10)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
- sub-publisher:
- Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Babes in Arms
- part of:
- The Real Book
- part of:
- Waiting to Exhale
- instrumental recording of:
- My Funny Valentine
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
- sub-publisher:
- Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Babes in Arms
- part of:
- The Real Book
- part of:
- Waiting to Exhale
| 4:10 |
| 18 | Thou Swell | 3:06 |
| 19 | The Lady Is a Tramp- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock (from 1973-03-06 until 1973-03-07)
- drums (drum set):
- Tony Crombie (from 1973-03-06 until 1973-03-07)
- piano:
- Alan Clare (from 1973-03-06 until 1973-03-07)
- violin:
- Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
- conductor:
- Max Harris (from 1973-03-06 until 1973-03-07)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
- instrumental recording of:
- The Lady Is a Tramp (from 1973-03-06 until 1973-03-07)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
- part of:
- Babes in Arms
- part of:
- Pal Joey
| 4:29 |
| 20 | Blue Room | 2:18 |
